

It seems to me as if you just want to be contrarian or hipper than thou but have no substance underlying your sneer of a commentary.
You’re describing a bunch of separate ingredients that are out there showing up in great music like that you mentioned. You should think about turning that into a useful and relevant point that actually supports your original criticism.
Are you asking us to believe that Ravi Shankar - as amazing as he is - scratches the same itch as this because, what, he also makes micro-tonal music like a shit ton of non western artists do, or is “progressive” relative to western music. It just makes no sense.
By your logic, there is nothing impressive about George Harrison incorporating sitar into rock music in the 1960s, which explains why Tomorrow Never Knows is widely remembered as a shitty knock off.
I’m sorry to sound harsh but you’ve really added nothing but a failed air of superiority to this thread, and it’s stinking up the joint.









To the extent I am forced to have a car, I am committed to avoiding anything later than 2014.
Pre-Harambe cars only.