B I O G R A P H Y

Irina Gabiani: Curriculum Vitae

Born
1971, Tbilisi, Georgia

Lives and works
Luxembourg

EDUCATION

Gerrit Rietveld Academy, Amsterdam
1994–1997

Apollon Kutateladze Tbilisi State Academy of Arts, Tbilisi
1990–1994

Nikoladze State Art College, Tbilisi
1986–1990

In 2011, Irina Gabiani participated in the 54th Venice Biennale within the Italian Pavilion at the Arsenale, Venice, Italy.

The project was subsequently presented in Luxembourg at the European Court of Justice and the University of Luxembourg, curated by the Italian Institute of Culture.

LISTED ON  ARTFACTS.NET  

AMONG THE TOP 25 ITALIAN FEMALE PAINTERS

C O U N T R I E S

Austria, France, Germany, Italy, Luxembourg, Portugal, Spain, Netherlands, Cyprus, Malta, United Kingdom, Israel, Georgia, Ukraine, Armenia, Poland, Bulgaria, Albania, Sweden, Iceland, Finland, Estonia, Latvia, Lithuania, Slovenia, Hungary, Romania, U.S.A., Mexico, Australia, Canada, Japan, South Korea, New Zealand, India, Macau, China, Lebanon, Syria, Morocco, South Africa, Argentina, Cuba, Nepal, Ethiopia.

S E L E C T E D   V E N U E S

M U S E U M S

Museum of Contemporary Art of Villa Croce, (Genoa, Italy)

CAPC musée d’art contemporain de Bordeaux (Bordeaux, France);

Museo della Civiltà Romana (Rome, Italy);

Mudam, Museum of Modern Art (Luxembourg, Luxembourg); 

Museo del Cinema (Torino, Italy);

Georgian National Museum – Amiranashvili Museum of Art (Tbilisi, Georgia);

Janashia Georgian National Museum (Tbilisi, Georgia);

Arnot Art Museum (New York, U.S.A.);

Torrance Art Museum (Torrance, U.S.A);

Georgian National Museum – Karvasla (Tbilisi, Georgia);

Arad Art Museum (Arad, Romania);

Kėdainiai Regional Museum (Kėdainiai, Lithuania); 

Museo Scuderie Aldobrandini (Rome, Italy);

Museo Pietro Canonica a Villa Borghese (Rome, Italy);

Villa d’Este (Rome, Italy);

Rotermann Salt Storage Arts Centre Museum (Tallinn, Estonia);

Mole Vanvitelliana (Ancona, Italy);

Rocca dei Rettori (Benevento, Italy);

Museo Civico del Broletto (Novara, Italy);

Palazzo Orsini (Viterbo, Italy);

Castello di Frontone (Pesaro e Urbino, Italy);

Malhoa Museum (Caldas da Rainha, Portugal);

Museu de Ceramica (Caldas da Rainha, Portugal);

Leonidze State Museum (Tbilisi, Georgia);

Nicht Museum für Zeitgemäse Kunst  (Dresden, Germany)

INSTITUTIONS

Venice Biennale, Italian Pavilion, Arsenale (Venice, Italy);

Bienal Madatac (Madrid, Spain );

Fondazione Benetton (Treviso, Italy);

ZKM Center for Art and Media (Karlsruhe, Germany);

Unione Culturale Franco Antonicelli (Turin, Italy);

Visual Container (Milan, Italy);

Milan Conservatory  (Milan, Italy) ;

Tenerife Espascio De Las Artes Santa Cruz de Tenerife (Canary Islands, Spain); 

ARTSPACE Tel Aviv (Tel Aviv, Israel);

Estonian Academy of Arts (Talinn, Estonia);

Filmoteca de Andalucia (Cordoba, Spain);

Rich Mix Foundation (London, U.K.);

Zet Foudation (Amsterdam, The Netherlands);

Kunstverein Kärnten ( Karnten, Austria) 

Cour de Justice Européenne (Luxembourg, Luxembourg);

Université du Luxemourg (Luxembourg, Luxembourg);

Trois C-L, Centre de Création Chorégraphique (Luxembourg, Luxembourg);  

Abbaye de Neunmunster (Luxembourg, Luxembourg);

Medienwerkstatt Bethanien (Berlin, Germany);

Center for Contemporary Art – Pavilion Unicredit (Bucharest, Romania);

Academy of Art (Tallinn, Estonia);  

Noass Arts Centre (Riga, Latvia);

Porvoon Taidetehdas Konstfabriken (Porvoo, Finland);

The Cornaro Institute (Larnaca, Cyprus); 

Saakashvili Presidential Library (Tbilisi, Georgia);

National Parliamentary Library of Georgia (Tbilisi, Georgia);

Tbilisi Mediathek (Tbilisi, Georgia);

Georgia Center of Contemporary Art (Tbilisi, Georgia);

Europe House (Tbilisi, Georgia);

Art Villa Garicula (Akhalkalaki, Georgia);

The Armenian Center for Contemporary Experimental Art (Yerevan, Armenia);

AFA – Beijing Contemporary Art Centre (Beijing, China);

AFA – Macao (Macau);

The Climate Train (Durban, South Africa);

Osmania University (Hyderabad, India);

La Generale (Paris, France );

Sakura Works (Yokohama, Japan);

Plymouth University (Plymouth, U.K);

Visual Container TV (Milan, Italy);

Wildgen (Luxembourg, Luxembourg); 

Collège d’Espagne (Paris, France);

Centre for Contemporary Art Foundation (Kiev, Ukraine);

Goethe Institute Ukraine (Kiev, Ukraine);

Culture Center Laaksola (Akaa, Finland);

Gonçalves Sapinho Cultural Center (Benedita – Alcobaça – Portugal);

Center for Contemporary Art – Pavilion Unicredit (Bucharest, Romania);

Box Videoart Project Space (Milan, Italy);

Cultural Observatory (Szczecin,Poland);

AllArtNow Independent Collective Space (Damascus, Syria);

Espacio Espora (Madrid, Spain);

Alliance Francaise (New Delhi, India);

Società Promotrice Belle Arti (Turin, Italy);

CLAC – Centro Labicano Arte Contemporanea (Rome, Italy);

College d’Espagne (Paris, France);

Rietveld Academy of Art (Amsterdam,  Netherlands);

LÁ Art Museum Iceland (Hveragerdi, Iceland);

T H E A T E R S

Teatro Colosseo (Rome, Italy);

Rustaveli Georgian National Theatre (Tbilisi, Georgia);

Georgian State Pantomime Theatre (Tbilisi, Georgia);

Centre de Création Corégraphique (Luxembourg, Luxembourg);

Cinema Massimo (Turin, Italy);

Vörösmarty (Budapest, Hungary );

The Sunflower Theatre (Beirut, Lebanon);

Labia Cinema on Orange (Cape Town, South Africa);

The Bioscope Independent Cinema (Johannesburg, South Africa);

Filmoteca de Andalucía (Cordoba, Spain);

Vörösmarty Cinema (Budapest, Hungary);

G A L L E R I E S

Galerie PJ (Metz, France);  

Raffaella De Chirico Arte Contemporanea (Turin  Italy)

Nosbaum Reding Gallery (Luxembourg, Luxembourg);

Fellner Contemporary (Luxembourg, Luxembourg);

Giampiero Biasutti studio per l’arte contemporanea (Turin, Italy);

Gian Marco Casini Gallery (Livorno, Italy);

Galleria Giancarlo Salzano (Turin, Italy);

Galerie Beaumontpublic (Luxembourg, Luxembourg);

Luisa Catucci Gallery (Berlin, Germany);

Artreview Gallery (London, U.K.);

Sobering Gallery (Paris, France);

Plateau Gallery (Berlin, Germany);

Photon – Centre for Contemporary photography (Ljubljana, Slovenia);

Galleria Del Ponte (Turin, Italy); 

DotBox (Milan, Italy);

Velan Center for Contemporary Art (Turin, Italy);

Zaion Gallery (Biella, Italy);

Nur Gallery (Milan, Italy);

Brancaleone (Rome, Italy);

Galerie Talmart (Paris, France);

Galeria H20, (Barcelona, Spain);

Vovatania Gallery (Kharkov, Ukraine);

Tiwani Contemporary (London, U.K.);

Kulter Gallery (Amsterdam, The Netherlands);

Galerie de la Voûte (Paris, France);

Galerie Octobre (Paris, France);

Savvy Contemporary (Berlin, Germany);

Artspace Gallery (Durban, South Africa);

Galleria Rajatila (Tampere, Finland);

Technopolis (Athens, Greece);

Formwerk (Eskiltuna, Sweden);

City Art Gallery (Kiev, Ukraine);

Guildford Lane Gallery (Melbourne, Australia);

Gallery 9 (Tbilisi, Georgia);

Artarea Gallery (Tbilisi, Georgia)

The Bioscope (Johannesburg, South Africa);

Pink Gallery (Seoul, South Korea);

Mur Nomade (Hong Kong, China)

Shrishty Art Gallery (Hyderabad, India);

Gallery  MCUBE (Lalitpur, Nepal);

Gallery (Experiencia) HIEDRA (Buenos Aires, Argentina);

Galeria Rajatila (Tampere, Finland);

ArtSPACE Gallery (Durban South Africa);

August Art Gallery (London, UK);

Total Kunst Gallery (Edimbourg, U.K.);

Wannabee Gallery (Milan, Italy);

B I E N N I A L S   A N D   F E S T I V A L S

Venice Biennale, Venice, Italy (2011);

Time is love (5-10);

Sguardi Sonori, Italy (2009, 2010, 2011, 2012, 2014);

Cologne Off (2010, 2011, 2013);

Out of Range (2009, 2011, 2013);

Toronto Urban Festival, Toronto, Canada (2013);

Video Dia Loghi, Turin, Italy (2007, 2008, 2009, 2010, 2011, 2012);

National Arts Festival Grahamstown, South Africa (2012 );

Le 3 du Trois, Luxembourg (2017);

Art for Freedom, Tbilisi, Georgia (2014);

Human Emotion Project (2009, 2010, 2013);

London East Festival, London, UK (2009);

Letters from the sky, Durban, South Africa (2011);

Athens Video Art Festival, Athens, Greece (2011);

One Shot International Film Festival, Yerevan, Armenia (2011);

New Media Art Festival, Damascus, Syria (2011)

CeC – Carnival of e-Creativity, Bhimtal, India (2011);

Magmart, Milano, Italy (2011);

Delhi International Arts Festival, Delhi, India (2010);

Artisterium, Tbilisi, Georgia (2009, 2010);

Simultan Festival, Timisoara, Romania (2010);

Busho – Budapest International Short Film Festival (2010);

Optica Festival, Madrid, Spain (2009);

Fest i nova, Garikula, Georgia (2009);     

Edinburgh Art Festival, Edinburg (2008);

Luxembourg Design Biennale, Luxembourg (2012);

Berliner liste, Berlin, Germany (2016);

List I Ljosi Light Festival, Iceland (2016);

Luxembourg City Film Festival, Luxembourg (2016);

Digital Marrakech 5, International Media Art & Digital Cinema Festival, Marrakech, Morocco (2016);

Heartearth, International Videoart Project (2016);

FIVAC – International Video Art Festival of Camaguey, Cuba (2017);

Sofia Undergound Performance Art Festival, Sofia, Bulgaria (2017);

Future Imperfect  Symposium, Plymouth Universiy, Plymouth, U.K. (2017);

FIAV, 23éme édition du Festival International d’Art Vidéo de Casablanca, Morocco (2017);

WAC Bordeaux, Bordeaux, France (2017);

Addis Video Art Festival, Addis Ababa – Ethiopia (2017);

A R T F A I R S

Art Beijing, Beijing, China (Beijing China);

ARCO Madrid (Madrid, Spain);

Art Busan (Busan, South Korea);

Bienvenue Art fair (Paris, France)

S E L E C T E D   A W A R D S

2008

Third International Art Prize Arte Laguna

Sculpture – Best Foreign Artist

2008

Third International Art Prize Arte Laguna

Sculpture, Virtual Jury Prize

2008

8° Premio Nazionale d’Arte Città di Novara

Video – III Prize

2011

International Video Festival “Letters from the sky”

Video – Top 10 Award Winner

2011

International Video Festival “Letters from the sky”

Video – Judges’ Prize Winner   

P U B L I C A N D P R I V A T E C O L L E C T I O N S

Fondazione Arnaldo Pomodoro (Milan, Italy);

The National Parliamentary Library of Georgia (Tbilisi, Georgia);

Georgian National Museum – Amiranashvili Museum of Art (Tbilisi, Georgia);

Rustaveli Georgian National Theatre (Tbilisi, Georgia);

Georgian State Pantomime Theatre (Tbilisi, Georgia);

La Iglesia de los Angeles (El Milagro);

S E L E C T E D S O L O E X H I B I T I O N S / P E R F O R M A N C E S

2026

Irina Gabiani, Every object in the sky looks like a star, Raffaella De Chirico Arte Contemporanea, Milan, Italy 

2025

Irina Gabiani: Portraying the Universe, Nosbaum Reding Gallery I Projects, Luxembourg, Luxembourg 

2024

 Irina Gabiani: Minimal – Complexity, Galerie PJ, Metz, France 

2022 

Irina Gabiani: 10 videos, The Caucasians 2 – solo feature from Georgia, Peace Letters to Ukraine 11, The New Museum of Networked Art, Online Show

Irina Gabiani and Katarzyna Kot-Bach: Circular, Fellner Contemporary, Luxembourg, Luxembourg

2021

Irina Gabiani: Théâtre Intérieur, Galerie PJ, Metz, France 

2020

New works – online exhibition, Centre de Création Chorégraphique Luxembourgeois – Banannefabrik, Luxembourg, Luxembourg

2019 

Irina Gabiani: Game without rules, Gian Marco Casini Gallery, Livorno, Italy

Irina Gabiani: Across the Universe, Raffaella De Chirico Arte Contemporanea, Turin, Italy

2018

The end is your choice, (with M.P. Feiereisen, P. Lamesch), Nosbaum Reding Gallery, Luxembourg

2017

Sinestesia Universale, Irina Gabiani – videos and Ruggero Laganà – music, Conservatorio di Milano, Milan, Italy

Irina Gabiani: Unrolling the human body, Centre de Création Chorégraphique Luxembourgeois –  Banannefabrik, Luxembourg, Luxembourg

2016

Irina Gabiani, Unrolling the Universe, Georgian National Museum, Tbilisi, Georgia

Take off your veil and Slave of your own system – live performances, within Time is Love.9, Plateau Gallery, Berlin, Germany

2015

Irina Gabiani: Recent videos, Georgian National Museum, Tbilisi, Georgia

Irina Gabiani: Micro e Macro cosmi, Galleria Giampiero Biasutti, Turin, Italy

Take off your veil and Slave of your own system – live performances, within Time is Love.8, Galerie Sobering, Paris, France

Irina Gabiani: New videos and works, Centre de Création Choregraphique Luxembourgeois – Banannefabrik, Luxembourg, Luxembourg

2014

Irina Gabiani: Sélection d’oeuvres – Dessin et Video, Centre de Création Chorégraphique Luxembourgeois – Banannefabrik, Luxembourg, Luxembourg

2012

Irina Gabiani: Unknown world – Videos and works, Georgian National Museum – Amiranashvili Museum of Art, Tbilisi, Georgia

Irina Gabiani: Videos and works, Design City Luxembourg 2012 – Luxembourg Design Biennale, Lago, Luxembourg, Luxembourg

2011

54Biennale di Venezia, Padiglione Italia, Lussemburgo, Irina Gabiani e Sonia Sion, curated by the Italian Institute of Culture, Cour de Justice Européenne, Luxembourg, Luxembourg

54Biennale di Venezia, Padiglione Italia, Lussemburgo, Irina Gabiani e Sonia Sion, curated by the Italian Institute of Culture, Université du Luxembourg, Luxembourg

CologneOFF 2011 – Beirut, Solo Artist Irina Gabiani, Shams – The Sunflower Theater, Beirut, Lebanon

CologneOFF 2011 – Riga, Solo Artist Irina Gabiani, Waterpieces International Contemporary Art Festival, Noass Arts Centre, Riga, Latvia

CologneOFF 2011 – Le Musée di-visioniste, Cologne OFF & Video Channel

2010

Irina Gabiani: Reflections, Video Performances & Video Art, The National Parliamentary Library of Georgia, Tbilisi, Georgia

2009

Unknown reality, Fest i nova, International Festival of Contemporary Art, Art Villa Garikula, Akhalkalaki, Georgia

2007

Video Dia Loghi 2007, Videoinstallazioni: I. Gabiani / G. Cugno, Unione Culturale Franco Antonicelli, Turin, Italy

Irina Gabiani: Looking at the world vice versa, Rustaveli Georgian National Theatre, Tbilisi, Georgia

Samaia or Triamazikamno, live performance, Rustaveli Georgian National Theatre, Tbilisi, Georgia

Samaia or Triamazikamno, live performance, Georgian State Pantomime Theatre, Tbilisi, Georgia

2006

When I look at myself, Art Gallery at the Leonidze State Museum of Georgian Literature, Tbilisi, Georgia

The Slaves of the system, live performance, Art Gallery at the Leonidze State Museum of Georgian Literature, Tbilisi, Georgia

The Slaves of the system, live performance, Georgian State Pantomime Theatre, Tbilisi, Georgia

S E L E C T E D   G R O U P   E X H I B I T I O N S

2026

TERRA: Elemento de Presença, Museu do Vinho de Alcobaça, Alcobaça, Portugal

Crossings, video installation, Creative Climate Awards 2026 (Human Impacts Institute), New York, USA

Crossings – Video installation, FemLink‑Art, Vidéoformes Festival, Centre Camille-Claudel, Clermont‑Ferrand, France

“Cartography of Monochrome Feelings” – “Unarchived Semiotics”, AFA’s Foundation, Tbilisi, Georgia.

“Modern and Contemporary Georgian Art”, Georgian State Museum of Theatre, Music, Cinema and Choreography, Tbilisi, Georgia

2025

Forma e Oltre, Galleria Del Ponte, Turin, Italy 

Peace Letters to Ukraine – the Christmas in Blue and Yellow in Solidarity, Alphabet Art Centre, Cologne, Germany

Les 95 artistes de la Collection “Transports croiséś”, Marie-Paule Feiereisen-Studio 104-43, Paris, France

Self portrait, Femlink, Contemporary Art Museum South Iceland – Listasafn Árnesinga, Hveragerði, Iceland.

RetroQuito’25, RetroCologne’25, Alphabet Art Centre, Cologne, Germany 

2024

“Magic”, FemLink-Art, Visualcontainer[.Box], Milan, Italy

Back And Forth,Raffaella De Chirico Arte Contemporanea, Milan, Italy   

“Magic”, FemLink-Art, at LÁ Art Museum Iceland,  Hveragerdi, Iceland 

A psalm for the wild built, Luisa Catucci Gallery, Berlin, Germany

Qui non c’è niente da leggere, Museo d`Arte  Contemporanea di Villa Croce, Genoa, Italy

2023

Face au Rêve, Galerie PJ, Metz, France

Bienal Madatac 12, Art for Freedom, Sala Berlanga, Madrid, Spain

Cross Cities 2023, Artarea Gallery, Tbilisi, Georgia 

Art Busan, with Galerie PJ, Busan, South Korea

Arco Madrid, Madatac, Art for Freedom, Madrid, Spain

2022

Strumento Musicale, Galerie PJ, Metz, France

Rhizome DC, Washington DC, USA

Casa degli Angeli, Porto Antico di Genova, Genoa, Italy

Never cross the same river twice, Kunstverein Kärnten, Klagenfurt, Austria

Peace letters to Ukraine, The New Museum of Networked Art, Cologne, Germany

Irina Gabiani, Brent Birnbaum, James Brown, Galerie PJ at Bienvenue Art Fair, Paris, France

Artworks for Ukraine, MUDAM – Contemporary Art Museum, Luxembourg, Luxembourg

20×20 Eventi 2020, Museum of Contemporary Art of Villa Croce, Genoa, Italy

2021 

My mother, my father and I, Muratcentoventidue Artecontemporanea, Bari, Italy

20×20 Eventi 2020, UnimediaModern, Genoa, Italy

Luxembourg Film Festival, Openscreen, 11th edition, Casino Luxembourg – Forum d’art contemporain 

2020

NewMediaFest2020 ‘9 – The 365 Days Diary, Launch of Corona! Shut Down? – Corona Film Collection, online show 

Time is Love.12, Universal Feelings: Myths & Conjunctions, at: 

  • We Open Space & Wienstation, Vienna, Austria
  • Blue Oyster Art Project Space, Dunedin, New Zealand 
  • ELY Center of Contemporary Art, New Haven, Connecticut, USA
  • Cruce Centre of Contemporary Art, Madrid

Nicht Museum für Zeitgemasser Kunst, Neumarkt Dresden, Dresden, Germany

New media Fest 2020 – The 365 days diary, The female eye, online show

NewmediaFest 2020, The 1st Corona Festival, online show

2019

Angeli e Artisti, Santa Maria della Scala, Siena, Italy

Sa zgva ri (საზღვარი) – The border, Poti Pavilion, Poti, Georgia

F is for Feminin, Hyperflexion Contemporary Art, Port Elisabeth, South Africa

Artificial identity, Gallery Live Hive at Art with me, Arts & Ecoculture Festival, Tulum, Mexico

Radical, Hyperflexion Contemporary Art, Port Elisabeth, South Africa

Rotation Artworks, Raffaella De Chirico Contemporary Art, Turin, Italy

2018

Declinando il libro d’artista, Unimediamodern, Genoa, Italy

Time is Love.11, International Video Art Exhibition, at: 

  • Mulhouse Art Contemporain, Mulhouse, France
  • Galerie Toolbox, Berlin, Germany
  • Ex-New Contemporary Art Center, Sulbiate, Italy
  • Casablanca International Video Art Festival, Casablanca – Morocco
  • CCA Centre for Contemporary Arts, Glasgow, UK
  • Lilly Agius Gallery, Sliema, Malta

Les mains de l’espoir, Paris, France

Nero Positivo / Nero Negativo, Gian Marco Casini Gallery, Livorno, Italy

Lucca Art Fair 2018, with Gian Marco Casini Gallery, Lucca, Italy

2017

Time is Love.10, International Video Art Exhibition, at:

  • Addis Video Art Festival, Addis Ababa, Ethiopia
  • Strangloscope, Mostra Internacional de Audio Video/Film, Florianopolis, Brasil 
  • Gallery (Experiencia) Hiedra, Buenos Aires, Argentina
  • Sofia Underground, Performance Art Festival, Sofia, Bulgaria
  • FIVAC – International Video Art Festival of Camaguey, Cuba
  • Plymouth University, Plymouth, U.K. 
  • Artspace, Tel-Aviv, Israel
  • ZKM | Center for Art and Media, Karlsruhe, Germany

Net-RRjet, Please prove you are not a robot, Gallery of Arts Faculty, University of Pristina, Pristina, Kosovo

La Parola alle immagini, Gian Marco Casini Gallery, Livorno, Italy

500 Angeli & Artisti, Reggia di Monza, Monza, Italy

New Landscape, week-end de l’Art Contemporain, International video art screening, CAPC musée d’art contemporain de Bordeaux, Bordeaux, France

Sinestesia Universale, Irina Gabiani – videos and Ruggero Laganà – music, Dalla M alla XXL, musiche per tutte le taglie, dal flauto in do al flauto contrabbasso, Conservatorio di Milano, Milan, Italy

Festival International d’Art Vidéo de Casablanca (FIAV), Casablanca, Morocco

A Giancarlo Salzano, pensatore sorprendente e geniale, Galleria Del Ponte, Turin, Italy

HearteartH, International Videoart Project from Berlin, VisualContainerTV, Milan, Italy

2016

Time is Love.9, International Video Art Exhibition, at:

  • Tea Museum – Tenerife Espacio de las Artes, Santa Cruz de Tenerife, Spain
  • Digital Marrakech 5, International Media Art, Digital Cinema Festival Morocco, Morocco
  • Spectrum Festival, Villach, Austria
  • Mur Nomade, Hong Kong, Cina
  • Galerie de la Voûte, Paris, France
  • List I Ljosi Light Festival, Seydisfjordur, Iceland
  • Plateau Gallery, Berlin, Germany

HearteartH, at:

  • Group Global 3000, Berlin, Germany
  • Berliner Liste 2016 | Kraftwerk Berlin, Germany
  • Medienwerkstatt Bethanien, Berlin, Germany
  • [.BOX], the videoart project space of VisualContainer  Milan, Italy

Frames on Canvas, Galeria H2O, Barcelona, Spain

Georgian Video Art Screening, The Jane Hotel, NY, U.S.A.

Luxembourg City Film Festival, Open Screen, Headquarters Magic Mirrors, Luxembourg, Luxembourg

2015

Letters from the sky, La Generale, Paris, France

Liaisons, Rassegna di video arte, Punto Enel, Milan, Italy

Transborda Overflow, Books & Movies Festival, Alcobaça, Portugal

Time is Love .8, International Video Art Exhibition, at:

  • Sakura Works, Yokohama Community Design Lab, Yokohama, Japan 
  • Sobering Galerie, Paris, France
  • National Institute of Fine Arts – Tetouan, Morocco
  • Sala Rekalde, Bilbao, Spain
  • Gallery Kulter, A Lab, Amsterdam, The Netherlands
  • Zeta Art Center & Gallery, Tirana, Albania
  • Expressive Arts Institute, San Diego, California, USA

2014

Time is Love .7, International Video Art Exhibition, at:

  • Galerie Talmart, Paris, France
  • Pink Gallery, Seoul, South Korea
  • Vovatania Gallery, Kharkov, Ukraine 
  • Photon – Centre for Contemporary Photography, Ljubljana, Slovenia
  • Torrance Art Museum, Torrance (CA), USA

Transborda / Owerflow, International expanded cinema and Video Art screening, Alcobaca Historic Center, Alcobaca, Portugal

Sguardi Sonori 2014, Stars, at:

  • Museo Pietro Canonica a Villa Borghese, Rome, Italy
  • Mole Vanvitelliana, Ancona, Italy

Georgian Video Art, Tbilisi Mediathek, Tbilisi, Georgia

Art for Freedom (Ukraine and Georgia), Saakashvili Presidential Library, Tbilisi, Georgia

2013

Fonlad 2013 – Mostra Internacional de Video Arte, Espaço Artes, Multimédia e Performance, Coimbra, Portugal

Human Emotion Project – Love and Hate, Artreview Gallery, London, United Kingdom

Cologne Off 2013 – Georgia, Center of Contemporary Art, Tbilisi, Georgia

Cologne OFF 2013 – A Virtual Memorial Vilnius 2013, JCIC Vilnius (Vilnius) and Kėdainiai Regional Museum (Kėdainiai), Lithuania

Out of Range 2013, Castello di Frontone, Frontone (Pesaro e Urbino), Italy

Toronto Urban Film Festival 2013, Toronto, Canada

2012

Video Dia Loghi 2012, Velan Centre for Contemporary Art, Turin, Italy

Time is Love .5, International Video Art Exhibition, at:

  • Center for Contemporary Art – Pavilion Unicredit, Bucharest, Romania 
  • Tiwani Contemporary, London, UK 
  • City Art Gallery, Kharkiv, Ukraine
  • Kulter, Amsterdam, The Netherlands
  • Zet Foundation, Amsterdam, The Netherlands
  • Galerie Octobre, Paris, France
  • The Cornaro Institute, Larnaca, Cyprus
  • Rich Mix Foundation, London, UK
  • Garage 4141 Gallery, San Diego, USA
  • Savvy Contemporary, Berlin, Germany
  • DotBox – Video Art Project Space, Milan, Italy

Irina Gabiani: Slow movements, Centre de Création Chorégraphique Luxembourgeois – Banannefabrik, Luxembourg, Luxembourg

La Collezione dell’Associazione Culturale Darko Store, Sala Mostre Municipio, Carignano, Italy

Sguardi Sonori 2012, Gino on my mind, at:

  • Mole Vanvitelliana, Ancona, Italy
  • Teatro Colosseo, Rome, Italy

Letters from the Sky, National Arts Festival 2012, Grahamstown, South Africa

Insieme – Together, Abbaye de Neunmunster, Luxembourg, Luxembourg

Di luce propria, Thirteen light movies, Nur Gallery, Milan, Italy

Irina Gabiani: Recent videos, Centre de Création Chorégraphique Luxembourgeois – Banannefabrik, Luxembourg, Luxembourg

2011

Biennale di Venezia – 54th International Art Exhibition, Padiglione Italia, Arsenale, Venezia, Italy

Video Dia Loghi 2011, Velan Centre for Contemporary Art, Turin, Italy

S [small], Zaion Gallery, Biella, Italy

Letters from the Sky – International Experimental Film Festival on Climate change, at:

  • ArtSPACE Gallery, Durban South Africa
  • The Climate Train – Durban Train Station, Durban South Africa
  • Labia Cinema on Orange, Cape Town, South Africa
  • The Bioscope, Johannesburg, South Africa

Out of range 2011, Castello di Frontone, Pesaro, Italy

Positions, Paris – Tbilisi 2011, The National Parliamentary Library of Georgia, Tbilisi, Georgia

CologneOFF 2011, at:

  • Tampere, Galleria Rajatila, Tampere, Finland 
  • Baltic Sea, Culture’s Observatory – Officyna, Szczecin, Poland 
  • Arad Art Museum, Arad, Romania
  • Centre for Contemporary Art Foundation Kiev, Goethe Institute, Kiev, Ukraine
  • City Art Gallery, Kharkiv, Ukraine

Sguardi Sonori 2011, Infinite Spaces, at: 

  • CLAC – Centro Labicano Arte Contemporanea Roma, Rome, Italy
  • Palazzo Orsini, Bomarzo (Viterbo), Italy

Athens Video Art Festival, Technopolis, Athens, Greece

All Art Now – New Media Art Festival, Damascus, Syria

One Shot – International Film Festival, The Armenian Center for Contemporary Experimental Art, Yerevan, Armenia

Fragments, Arnot Art Museum, New York, USA

Women, Wildgen, Luxembourg, Luxembourg

Magmart / Video under the volcano, International Video art Festival, Universal Forum of Cultures Foundation, Naples, Italy

Over here, European artists in Garikula, Europe House, Tbilisi, Georgia

CeC 2011, 6th Carnival of e-Creativity, Sattal Estate, Bhimtal, India

2010

Video Dia Loghi 2010, Velan Centre for Contemporary Art, Turin, Italy

Sguardi Sonori 2010-2011, Infinite Spaces, at:

  • Palazzo Orsini, Bomarzo (Viterbo), Italy
  • Museo della Civiltà Romana, Rome, Italy

Delhi International Arts Festival, Cologne Off VI, Alliance Francaise, New Delhi, India

Artisterium 2010, 3rd Tbilisi International Contemporary Art Exhibition, Imagine the future, Georgian National Museum – Tbilisi History Museum “Karvasla”, Tbilisi, Georgia

Simultan Festival, Timisoara, Romania

Madame 2 (Women about women), Gallery 9, Tbilisi, Georgia

Busho, Budapest International Short Film Festival, Vörösmarty, Budapest, Hungary

Cologne Off VI – 6th Cologne International Videoart Festival, Cologne, Germany

Video Performances, Osmania University, Hyderabad, India

Carmen, Variations on the theme of Carmen, Gallery 9, Tbilisi, Georgia

Visual Ensemble, Shrishti Art Gallery, Hyderabad, India

HEP – Human Emotion Project, at:

  • Culture Center Laaksola, Toijala, Finland 
  • Ivazion, Geneva, Switzerland
  • AFA – Beijing Contemporary Art Centre, Beijing, China

Faces, Gonçalves Sapinho Cultural Center, Benedita Alcobaça, Portugal

Art Beijing 2010, Contemporary Art Fair, Artist Cinema, Beijing, China

2009

Video Dia Loghi 2009, The Vitruvian Woman Video-installation, at:

  • Museo del Cinema – Cinema Massimo, Turin, Italy
  • Velan Centre for Contemporary Art, Turin, Italy

Sguardi Sonori 2009, Festival of Media and Time-based Art, at: 

  • Rocca dei Rettori, Benevento, Italy
  • Scuderie Aldobrandini, Rome, Italy
  • Villa d’Este, Tivoli, Rome, Italy

HEP – Human Emotion Project, at:

  • Malhoa Museum, Caldas da Rainha, Portugal
  • AFA, Macao, China
  • Museu de Ceramica, Caldas da Rainha, Portugal
  • Brancaleone (second screening), Rome, Italy
  • La Sala, Valladolid, Spain
  • Brancaleone, Rome, Italy
  • Guildford Lane Gallery, Melbourne, Australia

Optica Festival 2009, Festival Internacional de Videoarte, at:

  • Espacio Espora, Madrid, Spain
  • Collège d’Espagne, Paris, France
  • Filmoteca de Andalucia, Cordoba, Spain

Out of range, Castello di Frontone, Pesaro, Italy

Artisterium 09, 2nd Tbilisi International Contemporary Art Exhibition, The manifest of changes and an inner experience, Georgian National Museum – Tbilisi History Museum “Karvasla”, Tbilisi, Georgia

Fest i nova, International Festival of Contemporary Art – Garikula 09, Hep – Georgia, Art Villa Garikula, Akhalkalaki, Georgia

13eme Rencontre d’Art Contemporain – L’Art Contemporain de Géorgie, Chateau de Saint Auvent, Saint Auvent, France

Stop waiting Georgia, Georgian National Museum – Tbilisi History Museum “Karvasla”, Tbilisi, Georgia

Collettiva Vincitori Premio Nazionale Città di Novara, Museo Civico del Broletto, Salone Arengo, Novara, Italy

Tbilissi Underground, Cosmopolis – Espace International de la Ville de Nantes, Nantes, France

The Vitruvian Woman Video Project, Formverk Art Space, Eskilstuna, Sweden

On CDOs and Double Clubs, London East Festival, August Art Gallery, London, United Kingdom

2008

Minividfest 2, Total Kunst Gallery, Edinburgh, United Kingdom

Video Dia Loghi 2008, Velan Centre for Contemporary Art, Turin, Italy

Dipinti e grafiche di 40 artisti contemporanei, Martinarte, Turin, Italy

8° Premio Nazionale d’Arte Città di Novara, Finalist Artists Exhibition, Video Section, Museo Civico del Broletto, Salone Arengo, Novara, Italy

Third International Art Prize Arte Laguna, Finalist Artists Exhibition, Sculpture – Installation Section, Fondazione Benetton Studi Ricerche – Spazi Bomben per la Cultura, Treviso, Italy

Minividfest, Edinburgh Art Festival 2008, Total Kunst Gallery, Edinburgh, United Kingdom

Arte tra i piedi, Wannabee Gallery 

Arte tra i piedi, La Posteria, Milan, Italy

2007

Not closed, Galerie Beaumontpublic, Luxembourg, Luxembourg

Otto donne ed un mistero, Zaion Gallery, Biella, Italy

2003

Collettiva, Galleria Giancarlo Salzano, Turin, Italy

2000

Group Exhibition, National Gallery, Tbilisi, Georgia

1999

157a Esposizione Arti Figurative, Società Promotrice Belle Arti, Turin, Italy

1997

Rietveld Academy Jewellery Department in Porvoo, Porvoon Taidetehdas Konstfabriken, Porvoo, Finland

Millenium II, International Jewellery Art Exhibition, Rotermann’s Art Centre, Tallinn, Estonia

Uit Antwerpen–uit Amsterdam, Der workshop Unter dem Kometen, Gallery Ademloos, Den Haag, Netherlands

1996

Schuttingtaal, Open air exhibition, Amsterdam,  Netherlands

Public collections

Fondazione Arnaldo Pomodoro, Milan, Italy

Georgian State Museum of Theatre, Music, Cinema and Choreography, Tbilisi, Georgia

Rustaveli Georgian National Theatre, Tbilisi, Georgia

Georgian State Pantomime Theatre, Tbilisi, Georgia

La Iglesia de los Angeles, El Milagro, Argentina

The National Parliamentary Library of Georgia, Tbilisi, Georgia

Georgian National Museum – Amiranashvili Museum of Art Tbilisi Georgia

Georgian Embassy, Berlin, Germany

Museum of Contemporary Art of Villa Croce, Genoa, Italy

Awards

2008  Third International Art Prize Arte Laguna, Sculpture, Best foreign artist

2008  Third International Art Prize Arte Laguna, Sculpture, Virtual Jury Prize

2008  8° Premio Nazionale d’Arte Città di Novara, Video, III prize

2011  International Video Festival “Letters from the sky”, Video, Top 10 Award Winner

2011  International Video Festival “Letters from the sky”, Video, Judges’ Prize Winner

Irina Gabiani

At

Raffaella De Chirico Arte Contemporanea

“Every object in the sky looks like a star”

The title suggests a vision in which every object in the sky may appear as a star.
This perception, however, reveals itself as unstable: what appears luminous and meaningful is often constructed, mediated and accepted as real.
The exhibition unfolds within this tension, reflecting on the processes through which images, symbols and narratives take shape and are internalized as truth.

Irina Gabiani’s latest body of work develops as a symbolic and politically conscious investigation into the mechanisms of power, illusion and the construction of reality.
The exhibition originates from the artist’s reflection on the political situation in Georgia. However, this starting point quickly expands into a broader, more universal dimension, where local tensions mirror a global condition, revealing mechanisms of power and authoritarianism on a planetary scale.

The exhibition opens with a video projection embedded within a hand-painted visual frame composed of collage, repeated patterns and layered imagery. This painterly structure becomes an integral part of the narrative, dissolving the boundary between surface and depth, image and object.
The video shows a child, the artist’s daughter, walking across a yellow field, wearing a veil-like form made from a long plastic bag, which she drags behind her as a symbol of the future she inherits. The image becomes a silent allegory of inheritance: the ecological, social and symbolic weight passed on to future generations by structures of power.

The exhibition culminates in two monumental works dedicated to the baobab, conceived as a vision of “before” and “after.”
The first baobab appears dry and hollowed, constructed through collages of car wheels and images of protesting crowds, forming a collective body, a gesture of resistance and shared memory.
The second appears lush but entirely artificial, composed of vegetal fragments and manipulated images of trees and rocks, revealing the constructed nature of an only apparent vitality.

Displaced animals inhabit the landscapes (We Are Not Your Zebras, We Are Not Your Flamingos, We Are Not Your Penguins), introducing a subtly unsettling presence that reflects the absurdity of controlled environments and imposed hierarchies.
In We Are Not Your Trees and Precious Landscapes, nature is rewritten as a symbolic space where themes of control, excess, value and spectacle emerge.

Through the fusion of collage, painting and drawing, Gabiani constructs layered worlds in which illusion becomes both language and structure.
The message remains essential and universal:
neither nature nor people can be possessed.
Power is fragile.
Freedom exists only where resistance begins.

https://www.land.lu/page/article/950/343950/DEU/index.html

Irina Gabiani, Portraying the Universe at Nosbaum Reding Projects, Luxembourg

Irina Gabiani: Portraying the Universe

The exhibition Portraying the Universe by Irina Gabiani at Nosbaum Reding Projects marks the artist’s third presentation at the Gallery, continuing her profound exploration of the invisible connections that link all aspects of existence. This new exhibition builds upon her previous project, Minimal – Complexity, where Gabiani reinterpreted the visual language of Minimalism to unveil the intricate complexity hidden within seemingly solid forms and lines, reflecting her expansive cosmological view of the Universe.

In Portraying the Universe, this complexity turns inward, into the human being. Within the outlines of human portraits, Gabiani unveils landscapes, celestial bodies, or fragments of the Universe, reaffirming her core belief in the deep interconnectedness between humanity, the cosmos, and the self.

Through these works, Gabiani emphasizes that human beings are not separate from the Universe, but are, in fact, microcosms of it. Recognizing this indivisible connection is essential to cultivating greater awareness, responsibility, and peaceful coexistence, both with one another and with the Universe itself.

A key aspect of Gabiani’s practice is her use of collage. By incorporating fragments from present-day magazines, she captures and preserves ephemeral moments of our contemporary world.

These printed images, selected from media of today, become time capsules, silent witnesses of the present that may one day vanish as physical print declines. In this way, her collages are not only visual compositions but also archival gestures, preserving the rare material essence of the present moment.

Gabiani further extends and transforms the collaged imagery by drawing evolving patterns across and beyond the cutouts. These hand-drawn extensions act as metaphors for invisible forces, energy flows, thoughts, or connections, that move through time and space.

They bind together the past, present, and future, reflecting the unseen structures that shape both personal and collective realities.

An important element of her visual language is the play with scale and relativity. Gabiani often places immense celestial forms next to everyday or small-scale objects, prompting viewers to question established notions of what is “big” or “small”.

This juxtaposition invites reflection on the relativity of all things, reminding us that perception itself is not absolute, but shaped by context, consciousness, and the interconnectedness of all phenomena.

Exhibition dates: March 6 – March 29, 2025.

Nosbaum Reding Gallery I Projects

2+4, rue Wiltheim

2733 Luxembourg

Luxembourg

Website: www.nosbaumreding.com

View the catalogue of the exhibition:
https://online.anyflip.com/gbopv/odth/mobile/index.html

Back And Forth,Raffaella De Chirico Galleria d’Arte, Milano, Italy   

Artwork by Irina Gabiani, Structural transformation, 2021

Acrylic colour, acrylic pen, collage on canvas.

Se è vero che per guardare avanti lucidamente e immaginare cosa riserba il futuro bisogna sempre ricordarsi le esperienze del passato e coglierne i momenti più o meno significativi, allora la galleria con questa collettiva propone una riflessione sugli ultimi tredici anni di attività e prova a ritracciarne le fila, aggiungendo e prevedendo le future tappe che collaborano all’intreccio.

BACK AND FORTH

Group show

opening 25 settembre, 18.30/21.30

Via Monte di Pietà, 1A Milano

—————————————————

Participating artists:

Riccardo Angelini

Alessandro Armetta

Mirella Bentivoglio

Corrado Bove

Alberto Burri

Gisella Chaudry

Henry Chopin

Nunzio Fisichella

Irina Gabiani

Andi Kacziba

Horiki Katsutomi

Maria Lai

Elisabetta Gut

Hans Hartung

Sergio Ragalzi

Carol Rama

Elisabeth Scherffig

Eva Sorensen

TTozoi

Federica Zianni

https://www.dechiricogalleriadarte.com

Irina Gabiani´s solo exhibition: Minimal-Complexity” at Galerie pj, metz

Irina Gabiani: “Minimal Complexity”

From 24 th of February to 30th of March

at

Galerie PJ

10, rue des Jardins, Metz, France

Irina Gabiani 

Minimal Complexity 

Les œuvres présentées relèvent du concept harmonique de « Minimal-Complexity », inventé par l’artiste Irina Gabiani, qui opere une fusion où minimalisme et complexité ne sont pas en opposition, mais se complètent mutuellement. L’art minimal, avec son essence de simplicité et son rejet de l’ornementation superflue, offre un contraste net avec des œuvres qui se réjouissent dans la richesse des détails et la complexité des compositions. Cependant, les œuvres d’Irina montrent comment ces deux approches peuvent coexister de manière harmonieuse et intrigante. 

Chacune des œuvres dispose d’un motif de fond répétitif et détaillé, entremêlant peinture et papiers découpés, qui se combine harmonieusement avec un espace vide, monochrome.

Cet espace monochrome fonctionne comme une scène vide, un silence visuel qui attire l’attention non seulement sur ce qui est présenté, mais aussi sur ce qui est omis, en silence, oublié. Une toile de fond qui met en valeur la complexité environnante. Les motifs qui bordent cet espace inoccupé sont foisonnants et détaillés, invitant l’œil à se promener dans leurs complexités. Ces bordures ou espaces sont peuplés de figures, d’objets et de formes qui semblent à la fois aléatoires et soigneusement choisis, comme des acteurs dans une pièce où l’espace monochromatique sert de scène pour une performance qui n’a pas encore commencé ou qui vient juste de se terminer. Les couleurs vives – rose, bleu, vert, violet et jaune – enveloppent chaque œuvre, apportant une individualité distinctive. Chaque couleur provoque son propre ensemble d’émotions et d’associations. Les objets et les figures dans chaque tableau partagent la couleur dominante, créant une unité tout en ajoutant une complexité visuelle.

Enrichies par la texture et la dimension, les œuvres transcendent la toile pour inviter à une expérience tactile et visuelle plus riche. La peinture n’est que la toile de fond de ce théâtre d’ombres et de lumière, où les papiers découpés deviennent des acteurs dans un ballet de formes et de couleurs. Chaque découpe est une incision dans la réalité, un souffle d’existence qui défie la platitude de l’espace. Chacune s’élève, silhouette de papier, dans une danse délicate avec la gravité, ombres qui flottent sur la surface peinte comme les murmures d’un monde caché. Ce sont des fragments de rêves capturés, des instants figés qui semblent pouvoir se remettre en mouvement à tout instant sous le regard du spectateur. Ces papiers découpés ne sont pas de simples ajouts ; ils sont essentiels à la narration visuelle, des ponctuations dans le récit qui se déploie sur la toile. Ils ajoutent une profondeur littérale et figurative, établissant un dialogue entre le minimal et le complexe, le plat et le volumétrique, entre le sensible et l’imaginaire.

Dans le contexte de l’art « Minimal-Complexity », ces œuvres peuvent être vues comme une réflexion sur la nature de la perception et la manière dont nous attribuons de la signification aux espaces vides et pleins de notre environnement. L’espace monochrome de chaque œuvre pourrait représenter l’inconnu, l’indéfini, ou même le potentiel pur – un vide prêt à être rempli par l’expérience ou l’imagination. Les motifs périphériques détaillés représentent la réalité connue et inconnue, le monde tangible rempli d’éléments reconnaissables, présentés de manière inattendue. Ce jeu entre le vide et le détail, le simple et le complexe, engage une méditation sur la façon dont nous structurons et donnons un sens à l’espace autour de nous. Dans un monde surchargé d’informations et de stimuli, ces œuvres rappellent la puissance de la réduction, de la concentration et de la focalisation. Elles montrent comment un espace minimal peut être un terrain fertile pour une exploration complexe et comment le silence visuel peut parler aussi fort que l’abondance des formes et des couleurs. C’est là que le concept de « Minimal-Complexity » tisse son paradoxe, dans l’entrelacement des contraires – la simplicité austère et la complexité foisonnante.

Texte pour la vidéo :

Au cœur de l’exposition, une pièce maîtresse capte l’essence vibrante de la série « Minimal-Complexity » : une toile vivante où la peinture et le papier découpé rencontrent la dynamique de la vidéo. Cette œuvre, audacieuse fusion de médiums, est l’incarnation même de la complexité au sein de la simplicité.

La vidéo projetée présente l’artiste en méditation cinétique, jouant avec une assiette peinte – un microcosme du thème central de l’exposition. La blancheur de l’assiette, encerclée de noir et ornée de découpes et de peintures, devient un satellite en orbite autour de l’artiste, écho des mouvements célestes, une danse gravitationnelle autour de l’axe de son être.

Dans cette œuvre, la vidéo n’est pas une simple projection ; elle est intrinsèque à l’expérience de la toile, elle l’anime et la transforme. Le spectateur est convié à une interaction en temps réel, une dimension ajoutée où la performance projetée crée un dialogue perpétuel, un échange énergétique entre le créateur, le regardeur et la création.

Elle est un vibrant témoignage de l’évolution de la série Minimal-Complexe, un pont entre le tangible et l’éphémère, entre la permanence de la toile et l’effervescence de la performance.

Pierre Funes

Minimi comuni denominatori 

di Igor Zanti 

Il termine “minimalismo” fu coniato nel 1965 dal filosofo inglese Richard Wollheim nell’articolo intitolato, appunto, Minimal Art, all’interno della rivista Arts Magazine. Egli parla di “riduzione minimale”, ma nel senso del contenuto artistico, relativamente a lavori dove entrano in gioco oggetti indistinguibili dalla realtà quotidiana, oppure forme ed immagini con valenze anonime e impersonali, citando da un lato i ready-made di Duchamp, che sono un punto di riferimento fondamentale per quello che riguarda la componente concettuale di ogni operazione riduzionista, e dall’altro Reinhardt, dal quale trae l’aspetto relativo alla riduzione purista della pittura e la sua concezione dell'”arte per l’arte”, tesa all’eliminazione di tutto ciò che viene percepito come non essenziale. 

Senza ombra di dubbio la definizione del concetto di minimalismo non è andata a influenzare solo gli ambiti delle arti visive ma ha coinvolto tutto il mondo della creatività, dall’architettura alla moda, dal design al teatro. 

Le pratiche artistiche di sapore tardo minimalistico e concettuale, sono tutt’ora presenti nel mondo dell’arte contemporanea, sebbene siano passati quasi settant’anni dalla loro nascita e diffusione. 

Non è affatto raro girando per mostre, fiere, biennali, trovare opere di artisti che in maniera più o meno diretta si rifanno a questo tipo di pratica artistica. 

Sorprende però che l’artista di origine georgiane Irina Gabiani che da anni conduce una ricerca complessa dove prevale un raffinato e prezioso grafismo integrato, talvolta, con l’utilizzo di altri media oltre il disegno e la pittura, si interroghi sulla “complessità del minimalismo”.  

Innanzitutto vi è già nel titolo che raccoglie questo corpus di opere una stranezza o una curiosità. Se il minimalismo come sosteneva Wollheim è una azione di riduzione minimale, dovrebbe implicitamente escludere la complessità, quasi vi sia un rapporto ossimorico tra il concetto di minimale e il concetto di complesso. 

Irina Gabiani aggira e rielabora questo scoglio teorico cogliendo il processo di minimizzazione, cristallizzando la riduzione in minimi termini dell’opera attraverso due espedienti visivi e concettuali: la geometria e la mancanza, il vuoto, la sottrazione. 

Le opere in mostra infatti pur mantenendo e definendo lo spazio attraverso quelle che potremmo definire semplicemente cornici, per quanto sia più appropriato utilizzare il termine confini, che presentano la firma stilistica della Gabiani, con un minuto grafismo in cui s’intrecciano oggetti antropomorfi, contengono il vuoto, un vuoto che è simbolo di privazione, un vuoto che pare disciplinato solo dalla forma geometrica del confine, la geometria come forza regolatrice e dominante. La sottrazione per la creazione del vuoto si ripropone però in tele che sono solo apparentemente complementari e compensatorie, ma che rappresentano invece un emergere dal vuoto come uno scoglio che emerge dal mare. 

In questo caso il minimalismo acquista una complessità altra perché è colto nella sua forma più estrema: dalla semplificazione alla geometria, dalla geometria al vuoto, alla dissoluzione, allo sprofondare in un universo altro. 

 Proprio in questo tema dell’universo, della dimensione spirituale, ritroviamo uno dei topos del lavoro di Irina Gabiani che ha sempre introdotto una dimensione di forte spiritualità di sapore quasi sciamanico nella sua ricerca utilizzando simbolismi arcani, forme apotropaiche e rimandi antropomorfi, sapore antico quasi primitivo. 

Irina Gabiani fa un passo avanti nella sua ricerca, evolve il suo lavoro stravolgendo alcune certezze consolidate applicando le pratica del pensiero laterale e facendoci scoprire come il minimalismo nasconda nel suo processo creativo mille complessità svelandoci una nuova dimensione della sua complessa ricerca artistica. 

Lowest common denominators

By Igor Zanti

The term “minimalism” was created in 1965 by the English philosopher Richard Wollheim in the article entitled Minimal Art, within an issue of Arts Magazine. He writes of “minimal reduction”, but in the sense of artistic content, in relation to works where objects indistinguishable from everyday reality come into play, or forms and images with anonymous and impersonal values, citing on the one hand Duchamp’s ready-mades, which are a fundamental point of reference for what concerns the conceptual component of every reductionist operation, and on the other hand Reinhardt, from whom he draws the aspect relating to the purist reduction of painting and his conception of “art for art’s sake”, aimed at eliminating everything that is perceived as non-essential.

Without a shadow of a doubt, the definition of the concept of minimalism has not only influenced the fields of visual arts but has involved the entire world of creativity, from architecture to fashion, from design to theatre.

Artistic practices with a late minimalist and conceptual flavor are still present in the world of contemporary art, although almost seventy years have passed since their birth and diffusion. It is not at all uncommon when wandering around exhibitions, fairs, biennials, to find works by artists who, in a more or less direct way, refer to this type of artistic practice.

However, it is surprising that the Georgian-born artist Irina Gabiani, who for years has been conducting complex research where a refined and precious integrated graphic design prevails, sometimes, with the use of other media besides drawing and painting, questions herself about the “complexity of minimalism ”. 

First of all, there is already a strangeness or curiosity in the title that collects this corpus of works. If minimalism, as Wollheim argued, is an action of minimal reduction, it should implicitly exclude complexity, almost as if there is an oxymoronic relationship between the concept of minimal and the concept of complex.

Irina Gabiani circumvents and reworks this theoretical obstacle by grasping the process of minimization, crystallizing the reduction of the work to minimum terms through two visual and conceptual expedients: geometry and absence, emptiness, subtraction.

In fact, the works on display, while maintaining and defining the space through what we could simply define as frames, although it is more appropriate to use the term borders, which present Gabiani’s stylistic signature, with a minute graphism in which anthropomorphic objects are intertwined, contain the void, a void that is a symbol of deprivation, a void that seems to be disciplined only by the geometric shape of the border, geometry as a regulating and dominant force. The subtraction for the creation of the void, however, is repeated in canvases which are only apparently complementary and compensatory, but which instead represent an emergence from the void like a rock emerging from the sea.

In this case minimalism acquires a different complexity because it is captured in its most extreme form: from simplification to geometry, from geometry to emptiness, to dissolution, to the sinking into another universe.

Precisely in this theme of the universe, of the spiritual dimension, we find one of the topos of Irina Gabiani’s work who has always introduced a dimension of strong spirituality with an almost shamanic flavor in her research using arcane symbolism, apotropaic forms and anthropomorphic references, an almost ancient flavor primitive.

Irina Gabiani takes a step forward in her research, evolves her work by overturning some consolidated certainties by applying the practice of lateral thinking and making us discover how minimalism hides a thousand complexities in its creative process, revealing a new dimension of her complex artistic research.

Irina Gabiani new series of works: 

“Minimal-Complexity”

“Minimal-Complexity” is the title of the new series of works by Irina Gabiani, through which the Artist reinterprets the language of Minimalism. 

Gabiani unveils the complexity hidden in the apparently solid structures, geometric shapes and lines, in light of her view of the Universe, where everything and everyone is interrelated, interconnected, and where every behavior is, therefore, consequentially connected.

Reminding the viewers of such ontological characteristics of the Universe and of the consequent individual responsibility, which derives from them, is key to Gabiani’s Art.

Gabiani’s signature evolving pattern, which consists in the continuous transformation through drawings of an image into another one, is used to show the endless and continuous transformation that everything and everyone undergoes and the deeply intertwined reality we are part of. 

The collage itself, which is one of the techniques used by the Artist in her works, is specifically chosen for its power to reconduct everything to unity. The images chosen by the Artist are dictating the transformation path.

The complexity unveiled by Gabiani in the minimal structures often challenges the rules of the game and the rigid frames in which it is hosted.”

Ivan. M. Adorno

https://culture.lu/blog/articles/le-fabuleux-destin-de/irina-gabiani?fbclid=IwAR0xtq-8fxTnVNtyb-aMcXRBg3ORxjElkwPhFJXkTQ1bx_TLvhc4lU4U7tA_aem_ASnTvrK-grJfzVdHZkfFrgYsaWvLXMXu5JA_PUmfJf145hVEI_sM3Xacg6E9pK1xXDUa6icfQ3zmxyiwS7FVFiZQ

https://drive.google.com/file/d/1UDM-VeoFds3h8JISkVPAa4egyGUIuVRy/view?fbclid=IwAR0tR4zcD-ZMT0pbcgm9IuNNFGx0H6ndFAKd-wE0ZVPVwy3cpP0Sd6eqdss_aem_ASnduCrmBH2e4SPHtH_lvwdq0jHrJRm9Xc_yIU5QFfglu9cBugfamj2K8YE92605-aOd2KtnwW-ys_2ygnm0vJ4D

Qui non c’è niente da leggere, Museo d`Arte  Contemporanea di Villa Croce

Qui non c’è niente da leggere, Museo d`Arte  Contemporanea di Villa Croce

QUI NON C’È NIENTE DA LEGGERE
Libri d’artista degli archivi genovesi
…niente da leggere…tutto da guardare

a cura di Veronica Bassini, Caterina Gualco, Leo Lecci
Comitato scientifico: Veronica Bassini, Caterina Gualco, Leo Lecci e Francesca Serrati


Museo di Villa Croce, Genova
Inaugurazione mercoledì 10 gennaio, h. 18.00


dal 11 Gennaio al 30 Marzo 2024
 


Nell’anno di Genova Capitale del Libro, l’Archivio di Arte Contemporanea dell’Università di Genova (AdAC) e l’Archivio Caterina Gualco propongono un percorso espositivo dedicato al libro d’artista, genere multiforme e complesso che ha dato vita a un importante filone espressivo tra anni Sessanta e Ottanta del Novecento. Si inseriscono in questo arco cronologico i libri esposti, che provengono da alcuni archivi cit- tadini a dimostrazione di un dinamismo tutto genovese nel partecipare alle vicende più avanzate dell’arte contemporanea.

Il libro d’artista è un oggetto ambiguo, non sempre adatto alle mensole di una libreria, inquieto tra i di- pinti e le sculture di in un museo. È difficile da definire, a volte rispetta la struttura dell’edizione tradizio- nale, a volte espande le possibilità di tecniche e materiali fino a diventare quasi irriconoscibile. In mostra ci sono libri che non si possono sfogliare come quello in pietra onice di Mirella Bentivoglio o i Racconti non raccontati di Li Chi Choi.

Ci sono libri visuali che escludono l’alfabeto in favore delle immagini: ad esempio The Reader di Coco Gor- don, Pieces of reality di Philip Corner, Forsenic e Places di Berty Skuber.
Ma non mancano esemplari che prediligano la parola scritta, che tuttavia, frammentata e reinterpretata diviene quasi illeggibile: è il caso di Libro fatto con le forbici di Corrado D’Ottavi o di The Paper Snake di Ray Jhonson. Ci sono anche libri che più tradizionalmente abbracciano la scrittura: Obsoleto è un “ro- manzo di” Vincenzo Agnetti, Joseph Kosuth affida al libro Function Funzione Funcion Fonction Funktion un’investigazione sulla natura linguistica dell’arte, Wolf Vostell in Happening Calvario trascrive la crono- logia di una giornata riportando luoghi, azioni e orari, così da trasformare l’atto di voltare le pagine nella lancetta di un orologio che scandisce il tempo.

In questa sede, tuttavia, anche i libri da sfogliare e leggere sono proposti, per la loro rarità, all’interno di teche, risemantizzati nello spazio del museo che li tradisce proteggendoli, nel paradosso di una mostra sui libri dove “non c’è niente da leggere”. Niente da leggere, tutto da guardare….
 

Artisti in mostra:

Aldo Spinelli, Alison Knowles, Allan Kaprow, Angela Mambelli, Angelo Pretolani, Anna Oberto, Anton Burgess, Antonio Calderara, Antonio Flamminio, Art and Language, Augusto Concato, Aurelio Caminati, Ben Patterson, Ben Vautier, Berty Skuber, Carla Iacono, Chiara Veronica Natta, Claudio Costa, Coco Gordon, Corrado D’Ottavi, Dario Gentili, Didier Bay, Diter Roth, Douglas Huebler, Emanuele Magri, Emilio Isgrò, Enzo Mari, Enzo Tinarelli, Eugenio Miccini, Fulvio Magurno, Fulvio Testa, George Maciunas, Gerard Minkoff, Giacomo Bonino, Gianni Bertini, Giulia Vasta, Giuliano Della Casa, Giuseppe Chiari, Goeffrey Hendricks, Hamish Fulton, Henry Flint, Irina Gabiani, Jean Leppien, John Cage, Joseph Kosuth, Lanfranco Baldi, Lawrence Weiner, Li Chi Choi, Limbania Fieschi, Luigi Ghirri, Marcello Frixione, Maria Luisa Malerba, Maurizio Camerani, Maurizio Duranti, Mauro Ghiglione, Mauro Panichella, Michelangelo Penso, Milan Knizak, Mirella Bentivoglio, Paola Nizzoli Desiderato, Paolo Icaro, Philip Corner, Pino De Luca, Ray Jhonson, Rebecca Ballestra, Richard Hartwell, Richard Nonas, Rino Mangiapane Baldassarri, Robert Barry, Robert Filliou, Roberto Rossini, Rolando Mignani, Roland Sabatier, Sandra Chiesa, Sandro Ricaldone, Sarenco, Takehisa Kosugi, Tomaso Binga, Ugo Carrega, Vincenzo Agnetti, Vincenzo Ferrari, Wolf Vostell.


Eventi collaterali:

Nell’intenzione di promuovere l’esposizione, sono già in calendario tre eventi collaterali:

11 Gennaio 2024, Biblioteca Universitaria di Genova

Concerto del Maestro Andrea Bacchetti dedicato al libro d’artista Nell’ambito del Youth Genoa International Music Festival

Febbraio 2024, (Data da definire) Museo di Villa Croce

Presentazione del volume realizzato in occasione dell’esposizione (a cura del comitato scientifico).

Marzo 2024 (Data da definire), Area Archeologica di San Donato – Giardini Luzzati

Letture poetiche dedicate al libro d’artista

Some images of libro d’artista  by Irina Gabiani

https://www.museidigenova.it/it/museo-darte-contemporanea-di-villa-croce

Irina gabianis video AT “ART FOR FREEDOM”- MADATAC AT ARCO MADRID

Art For Freedom – 2023

International Video Art Project in support of Ukraine and Georgia in their fight for freedom

Participating artists:  

Adamo Macri, Alberto Guerreiro, Irina Gabiani, Maria Korporal, Maria Kulikovska, Muriel Paraboni,  Marcantonio Lunardi, Oleg Chorny, Oksana Chepelyk, Yuval Yairi & Zohar Kawaharada.

As we all know, there is a war going on between the free world and the totalitarian regime of Kremlin. 

We, artists, cannot fight this war with weapons, but we can show our support for the people who are fighting for their freedom through our art. 

Group of artists around the globe found it essential to form a project entitled “Art for freedom.” 

Art is our powerful weapon, much more powerful than any other created to kill people. 

First edition of this project was shown in 2014, in Georgia at the Saakashvili Presidential library in Tbilisi. 

As we all know, Russia made its first strike in this millennium in 2008, when attacked Georgian territory and occupied 20% of its land. Russia then massacred, killed, tortured the civilian population of Georgia. They burned their houses, which caused these people to flee from that area and drove them out of their homes. 

This was not enough for the bloody empire, and in 2014 Russia attacked Ukraine as well, captured a part of its territories, killed people, tortured them and drove them as well out of their homes. 

And today in 2022, Kremlin decided to go even further and threw bombs on Kyiv, the capital of Ukraine as well as other big and small Ukrainian cities and villages and decided to occupy the whole country – the independent European state.

Today Russia is trying to re-enslave and colonise the freedom-loving Ukrainian Nation, as it did in the past, with all Soviet republics during the period of the Soviet Union. 

We, the artists, must stand up to protect freedom and express our solidarity with Ukraine, Georgia and all countries that fought and are fighting against Kremlins hegemony. 

People of the free world, must always remember that in this war, Ukraine is fighting for all of us and for our children’s free future. 

Slava Ukraini and Long life the Free World!

Participating artists and lists of the videos: 

Adamo Macri, Canada, “Ukraina”

Alberto Guerreiro, Portugal, “U-Nite”

Irina Gabiani, Georgia, “Whispering for freedom”

Marcantonio Lunardi, Italy, “The cage”

Maria Korporal, The Netherlands, “Nevermore”

Maria Kulikovska, Ukraine, “To be or not to be”

Muriel Paraboni, Brasil, “Let them laugh”

Oksana Chepelyk, Ukraine, “Ukrainian Golgotha”

Oleg Chorny, Ukraine, “Summer 2014”

Yuval Yairi, Israel, “Memory sutcase”

Yuval Yairi & Zohar Kawaharada, Istael, “Land”

https://www.ifema.es/en/arco/madrid

Irina Gabiani at”Strumento musicale” Galerie PJ Metz, France

Wonderful opening yesterday of the new space of Galerie PJ in Metz,

with the exhibition “Strumento Musicale” open until December 23rd. I start with the selection of the new series of works by Irina Gabiani, from her new series “Minimal-Complexity”.

Post on the other two artists of the exhibition will follow.

“Minimal-Complexity” is the new series of works by Irina Gabiani, presented for the first time to the public in this exhibition, through which #irinagabiani reinterprets the language of Minimalism (lines, geometrical forms, monochromes….) in light of her cosmogonic view of a universe where everything is interconnected and every behaviour is consequentially related and through her signature evolving pattern, which consists in the continuous transformation of an object into another one….. like in real life, where everything undergoes a continuous transformation from one form to another endlessly.

All the works in the pictures are by @irina_gabiani and are from from the series “Minimal-Complexity”.

On show @galerie.pj , 10 rue des Jardins in Metz!

Text by Ivan Adorno

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