Showing posts with label pentecost. Show all posts
Showing posts with label pentecost. Show all posts

Thursday, May 28, 2015

The Introit for Pentecost Ember Friday: Repleatur os Meum ("Let my mouth be filled with your praise")

Here's a recording of this beautiful introit, sung by the "Choralschola of the Niederaltaicher Scholaren":



The text is taken from various verses of Psalm 71:
Repleatur os meum laude tua, Domine. Alleluia.
Ut possim cantare. Alleluia.
Gaudebunt labia mea dum cantavero tibi. Alleluia.
In te, Domine, speravi,
non confundar in aeternum:
in iustitia tua libera me (et eripe me).

Let my mouth be filled with thy praise, O Lord. Hallelujah.
That I may sing. Hallelujah.
My lips shall rejoice when I sing to you. Hallelujah.
In you, O Lord, do I take refuge;
let me never be confounded:

In your righteousness deliver me and rescue me.


And what is "Pentecost Ember Friday," you ask?  Here's an explanation from the Catholic Encyclopeida of 1913; my bolding below:
Ember days (corruption from Lat. Quatuor Tempora, four times) are the days at the beginning of the seasons ordered by the Church as days of fast and abstinence. They were definitely arranged and prescribed for the entire Church by Pope Gregory VII (1073-1085) for the Wednesday, Friday, and Saturday after 13 December (S. Lucia), after Ash Wednesday, after Whitsunday, and after 14 September (Exaltation of the Cross). The purpose of their introduction, besides the general one intended by all prayer and fasting, was to thank God for the gifts of nature, to teach men to make use of them in moderation, and to assist the needy. The immediate occasion was the practice of the heathens of Rome. The Romans were originally given to agriculture, and their native gods belonged to the same class. At the beginning of the time for seeding and harvesting religious ceremonies were performed to implore the help of their deities: in June for a bountiful harvest, in September for a rich vintage, and in December for the seeding; hence their feriae sementivae, feriae messis, and feri vindimiales. The Church, when converting heathen nations, has always tried to sanctify any practices which could be utilized for a good purpose. At first the Church in Rome had fasts in June, September, and December; the exact days were not fixed but were announced by the priests. The "Liber Pontificalis" ascribes to Pope Callistus (217-222) a law ordering the fast, but probably it is older. Leo the Great (440-461) considers it an Apostolic institution. When the fourth season was added cannot be ascertained, but Gelasius (492-496) speaks of all four. This pope also permitted the conferring of priesthood and deaconship on the Saturdays of ember week--these were formerly given only at Easter. Before Gelasius the ember days were known only in Rome, but after his time their observance spread. They were brought into England by St. Augustine; into Gaul and Germany by the Carlovingians. Spain adopted them with the Roman Liturgy in the eleventh century. They were introduced by St. Charles Borromeo into Milan. The Eastern Church does not know them. The present Roman Missal, in the formulary for the Ember days, retains in part the old practice of lessons from Scripture in addition to the ordinary two: for the Wednesdays three, for the Saturdays six, and seven for the Saturday in December. Some of these lessons contain promises of a bountiful harvest for those that serve God.

Here's some of the entry for "Ember Days" from Wikipedia; unfortunately there's no mention of the very important purpose described in bold in the entry above:
In the liturgical calendar of the Western Christian churches, Ember days are four separate sets of three days within the same week — specifically, the Wednesday, Friday, and Saturday — roughly equidistant in the circuit of the year, that were formerly set aside for fasting and prayer. These days set apart for special prayer and fasting were considered especially suitable for the ordination of clergy. The Ember Days are known in Latin as the quattuor anni tempora (the "four seasons of the year"), or formerly as the jejunia quattuor temporum ("fasts of the four seasons").

The four quarterly periods during which the ember days fall are called the embertides.

Ember Weeks
The Ember Weeks—the weeks in which the Ember Days occur—are the weeks:
Origins
The origins of the observance are open to considerable debate. Some hold that the concept of the observance predates the Christian era, and that since Ember days have never been observed in the Eastern Churches, any pagan origins must lie in the west.[citation needed] Some point to specific Celtic origins, linked to the Celtic custom of observing various festivals at three-month intervals: Imbolc, Beltane, Lughnasadh and Samhain. In any event, the ancient Christian church often sought to co-opt pagan feasts and reorient them to different purposes, and that seems to have been applicable in this instance[citation needed].

In pagan Rome offerings were made to various gods and goddesses of agriculture in the hope that the deities would provide a bountiful harvest (the feriae messis in July), a rich vintage (the feriae vindimiales in September), or a productive seeding (the feriae sementivae in December). At first the Church in Rome had fasts in June, September, and December. The Liber Pontificalis ascribes to Pope Callixtus I (217-222) a law regulating the fast, although Leo the Great (440-461) considers it an Apostolic institution. When the fourth season was added cannot be ascertained, but Pope Gelasius I (492-496) speaks of all four.

The earliest mention of four seasonal fasts is known from the writings of Philastrius, bishop of Brescia (died ca 387) (De haeres. 119). He also connects them with the great Christian festivals.

The Christian observation of this seasonal observance of the Ember days had its origin as an ecclesiastical ordinance in Rome and spread from there to the rest of the Western Church. They were known as the jejunium vernum, aestivum, autumnale and hiemale, so that to quote Pope Leo's words (A.D. 440 - 461) the law of abstinence might apply to every season of the year. In Leo's time, Wednesday, Friday and Saturday were already days of special observance. In order to tie them to the fasts preparatory to the three great festivals of Christmas, Easter and Pentecost, a fourth needed to be added "for the sake of symmetry" as the Encyclopædia Britannica 1911 has it.

From Rome the Ember days gradually spread unevenly through the whole of Western Christendom. In Gaul they do not seem to have been generally recognized much before the 8th century.

Their observation in Britain, however, was embraced earlier than in Gaul or Spain, interestingly, and Christian sources connect the Ember Days observations with Augustine of Canterbury, AD. 597, said to be acting under the direct authority of Pope Gregory the Great. The precise dates appears to have varied considerably however, and in some cases, quite significantly, the Ember Weeks lost their connection with the Christian festivals altogether. Spain adopted them with the Roman rite in the eleventh century. Charles Borromeo introduced them into Milan in the sixteenth century.

In the Eastern Orthodox Church ember days have never been observed.[1]

Timing

The Ordo Romanus fixed the spring fast in the first week of March (then the first month), thus loosely associated with the first Sunday in Lent; the summer fast in the second week of June, after Whitsunday; the autumnal fast in the third week of September following the Exaltation of the Cross, September 14; and the winter fast in the complete week next before Christmas Eve, following St. Lucy's Day (Dec. 13).

Other regulations prevailed in different countries, until the inconveniences arising from the want of uniformity led to the rule now observed being laid down under Pope Urban II as the law of the church, at the Council of Piacenza and the Council of Clermont, 1095.
These dates are given in the following mnemonic:
Dant Crux, Lucia, Cineres, Charismata Dia
Ut sit in angariâ quarta sequens feria
Or in an old English rhyme
"Fasting days and Emberings be
Lent, Whitsun, Holyrood, and Lucie."


Another way to remember it, in the form in which I've heard it recently:  "Lenty, Penty, Crucy, Lucy"!

More from the article:
The ember days began on the Wednesday immediately following those days.

.....

They may appear in some calendars as "days of prayer for peace".[4]

....
Etymology
The English name for these days, "Ember", derives from the Anglo-Saxon ymbren, a circuit or revolution (from ymb, around, and ryne, a course, running), clearly relating to the annual cycle of the year. The occurrence of the Anglo-Saxon compounds ymbren-tid ("Embertide"), ymbren-wucan ("Ember weeks"), ymbren-fisstan ("Ember fasts"), ymbren-dagas ("Ember days") makes this etymology quite certain. The word imbren even makes it into the acts of the "Council of Ænham"[6] (1009): jejunia quatuor tempora quae imbren vocant, "the fasts of the four seasons which are called "imbren'".[7] It corresponds also with Pope Leo the Great's definition, jejunia ecclesiastica per totius anni circulum distributa ("fasts of the church distributed through the whole circuit of the year").

However, others maintain that the term is derived from the Latin quatuor tempora, meaning "four times" (a year), while folk etymology even cites the phrase "may ye remember (the inevitability of death)" as the source. J. M. Neale's Essays of Liturgiology (1863), Chapter X, explains the etymology:
"The Latin name has remained in modern languages, though the contrary is sometimes affirmed, Quatuor Tempora, the Four Times. In French and Italian the term is the same; in Spanish and Portuguese they are simply Temporas. The German converts them into Quatember, and thence, by the easy corruption of dropping the first syllable, a corruption which also takes place in some other words, we get the English Ember. Thus, there is no occasion to seek after an etymology in embers; or with Nelson, to extravagate still further to the noun ymbren, a recurrence, as if all holy seasons did not equally recur. Ember-week in Wales is Welsh: "Wythnos y cydgorian", meaning "the Week of the Processions". In mediæval Germany they were called Weihfasten, Wiegfastan, Wiegefasten, or the like, on the general principle of their sanctity.... We meet with the term Frohnfasten, frohne being the then word for travail. Why they were named foldfasten it is less easy to say."
"Quattuor tempora" was rendered into Irish quite literally as Laethanta na gCeithre Thráth, meaning "the days of the four times", and into somewhat archaic English as "Quarter tense".


This is a beautiful setting of the Introit text composed by Jacquet de Mantua, a name new to me.



This is actually a shorter take on Psalm 70/71, including only vv. 7-8 (note that the numbering system for the verses in this Psalm varies from translation to translation):
Repleatur os meum laude, ut cantem gloriam tuam, tota die magnitudinem tuam.
Ne projicias me in tempore senectutis; cum defecerit virtus mea, ne derelinquas me.
Let my mouth be filled with your praise, and I will sing a hymn to your glory and magnificence all day long.
Do not reject me in the time of old age; do not abandon me when my strength fails.

The YouTube page lists this group of singers:
Paolo Costa y Claudio Cavina, contratenores.
Fabio Fùrnari y Giuseppe Maletto, tenores.
Marco Scavazza, barítono.
Marcello Vargetto, bajo.
Delitiae Musicae.
Marco Longhini.

And Wikipedia says this about de Mantua in its intro; there is more at the link:
Jacquet of Mantua (Jacques Colebault, dit Jachet de Mantoue) (1483 – October 2, 1559) was a French[1] composer of the Renaissance, who spent almost his entire life in Italy. He was an influential member of the generation between Josquin and Palestrina, and represents well the transitional polyphonic style between those two composers.

Friday, May 22, 2015

The Communion Song for Pentecost: Factus est repente de caelo sonus ("Suddenly there came a sound from heaven")

The Communio for Pentecost is taken from the story from Acts 2 of the original day of Pentecost; no word on who the singers are here:




CPDL has the Latin text for this chant, plus an English translation by "the St. Ann choir":
Factus est repente de coelo sonus,
tamquam advenientis spiritus vehementis ubi erant sedentes,
alleluia;
et repleti sunt omnes Spiritu Sancto,
loquentes magnalia Dei,
alleluia, alleluia.

Suddenly there came a sound from heaven,
as of a mighty wind coming where they were sitting,
alleluia;
and they were all filled with the Holy Spirit,
speaking the wonderful works of God,
alleluia, alleluia.


Here's the full score:




Here's another video of this, sung in a bit of a different style; very pretty:



The video was uploaded by "La Mission de la Maison du Coeur" - about which I am trying to find more.  Not sure if the singers are somehow related to that group or not.


Here's a polyphonic version of the song; the composer is Gregor Aichinger, who lived during the 16th Century. The singers are the Ensemble Vocale di Venezia (dir: Gianandrea Pauletta).




Don't forget to read Full Homely Divinity's Pentecost entry!  And whatever you do, don't forget to sing The Pentecost Sequence (Veni, Sancte Spiritus) and "Come Down, O Love Divine".  And that's not even to mention Veni Creator Spiritus!  The Holy Spirit certainly inspires some spectacular music.

Here are links to all the propers on the day, from the Benedictines of Brazil:
Dominica Pentecostes ad Missam in die
Introitus:  Spiritus Domini (cum Gloria Patri)(5m07.0s - 4798 kb)  view score
Alleluia: Emitte Spiritum tuum (1m55.4s - 1806 kb)  view score
Alleluia: Veni, Sancte Spiritus (2m02.9s - 1922 kb)  view score
Sequentia: Veni, Sancte Spiritus (2m29.7s - 2341 kb)  view score
Offertorium: Confirma hoc, Deus (1m35.3s - 1491 kb)  view score
Communio: Factus est repente (1m16.3s - 1195 kb)  view score
Ad dimittendum populum: Ite missa est (28.7s - 451 kb)  view score

And here are Chantblog posts on the Pentecost propers:



Here's a beautiful, delicate piece of Pentecost art I haven't seen before: it's "tempera and gold on parchment," from a "Bohemian Master (1400 - 1425)."  It currently resides in the Museum of Fine Arts (Budapest).



Veni, Sancte Spiritus....

Friday, June 6, 2014

Chant for Pentecost from Fontgombault Abbey

Here is the chant from the Vigil of Pentecost, the Mass of the Day of Pentecost, and Pentecost Vespers.  Very pretty, all a capella; as far as I can tell, this comes from a 1993 CD, which may be a re-release of an earlier recording.



Here's the music list:
Vigile de la Pentecôte

1. Antienne D'Introit  DUM SANCTIFICATUS
2  KYRIE XII
3. GLORIA XII
4. Antienne d'Offertoire EMITTE
5. SANCTUS XII
6. AGNUS DEI XII
7. Antienne de Communion ULTIMO


Messe du Jour de la Pentecôte

8. Antienne d'Introit SPIRITUS DOMINI
9.  KYRIE III A
10. GLORIA III B
11. ALLELUIA EMITTE
12. ALLELUIA VENI SANCTE SPIRITUS
13. Sequence VENI SANCTE SPIRITUS
14. Antienne d"Offertoire CONFIRMA HOC
15. SACTUS III
16. AGNUS DEI III
17. Antienne de Communion FACTUS EST

Vepres de la Pentecôte

18.  Verset DEUS IN ADJUTORUM
19.  Antienne DUM COMPLERENTUR et Psaume 109
20.  Antienne SPIRITUS DOMINI et Psaume 110
21.  Antienne REPLETI SUNT et Psaume 111
22   Antienne LOQUEBANTUR et Psaume 112
23.  Capitule CUM COMPLERENTUR
24.  Repons bref SPIRITUS PARACLITUS
25.  Hymne VENI CREATOR
26.  Verset LOQUENBANTUR
27.  Antienne HODIE et Cantique MAGNIFICAT
28.  KYRIE PATER, Oraison DEUS QUI HODIERNA
29.  Verset BENEDICAMUS DOMINO

This blurb is from the YouTube page:
Voici une très belle interprétation du chant grégorien (sans accompagnement de l'orgue) et dans la pure tradition de l'abbaye de Solesmes dont Fontgombault est une abbaye-fille de Saint-Pierre de Solesmes. Le ton est parfait et la prononciation latine l'est aussi. Il est à noter comme je l'ai déjà fait dans l'office de Pâques et de l'Assomption que le ton est plus haut que les régions nordiques, belges et espagnoles. Santo Domingo de Silos chante plus bas dû par l'influence du mozarabe.

Cet office de Pentecôte est admirable car le chant du propre et XII et de la III sont difficile à interpréter et d'ailleurs peu connus.

A.G. O.S.B.

Here's a translation:
Here's a beautiful interpretation of Gregorian Chant (without organ accompaniment) and in the pure tradition of the Abbey of Solesmes;  Fontgombault is a daughter-abbey of Saint-Pierre de Solesmes.  The tone is perfect and the Latin pronunciation is, too.  As I've previously noted on the videos of the Offices of Easter and the Assumption, the tone is higher than the Nordic, Belgian and Spanish regions.  Santo Domingo de Silos sings lower because of the Mozarabic influence.

The Pentecost Office is admirable because the chant propers of (Masses) XII and III are difficult to sing and are less well-known.

Wednesday, June 4, 2014

The Pantheon on Pentecost

Who'll be doing this at their parish this year? It's a splendid practice, I think; listen for Veni Creator Spiritus in the background.


From the YouTube page:
Rome, May 23, 2010: Solemnity of Pentecost at the Pantheon; rose petals are dropped from the open oculus at twelve o'clock noon in commemoration of the descent of the Holy Ghost on the day of Pentecost, the birthday of the Church. As the "dew" falls, the choir chants the sequence Veni Sancte Spiritus!

About the Pantheon:
The Pantheon (/ˈpænθiən/ or US /ˈpænθiɒn/;[1]Latin: Pantheon[nb 1]) is a building in Rome, Italy, commissioned by Marcus Agrippa during the reign of Augustus (27 BC - 14 AD) as a temple to all the gods of ancient Rome, and rebuilt by the emperor Hadrian about 126 AD.[2]

The building is circular with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening (oculus) to the sky. Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome.[3] The height to the oculus and the diameter of the interior circle are the same, 43.3 metres (142 ft).[4]

It is one of the best-preserved of all Ancient Roman buildings. It has been in continuous use throughout its history, and since the 7th century, the Pantheon has been used as a Roman Catholic church dedicated to "St. Mary and the Martyrs" but informally known as "Santa Maria Rotonda."

Saturday, May 18, 2013

Veni, Sancte Spiritus (Dufay)

Here's a wonderful recording of Guilliaume Dufay's (ca. 1400-1474) setting of the exquisite Pentecost Sequence hymn,  Veni, Sancte Spiritus.  It's sung here, I believe, by La Capella Reial de Catalunya; M. Figueras, M.C.Kiehr (sopranos); K. Wessel (contre-ténor):



The original hymn is one of the most beautiful in the entire Gregorian repertoire, especially in its text (Latin and English below the video):


Veni, Sancte Spiritus,
et emitte caelitus
lucis tuae radium.

Veni, pater pauperum,
veni, dator munerum,
veni, lumen cordium.

Consolator optime,
dulcis hospes animae,
dulce refrigerium.

In labore requies,
in aestu temperies,
in fletu solatium.

O lux beatissima,
reple cordis intima
tuorum fidelium.

Sine tuo numine,
nihil est in homine,
nihil est innoxium.

Lava quod est sordidum,
riga quod est aridum,
sana quod est saucium.

Flecte quod est rigidum,
fove quod est frigidum,
rege quod est devium.

Da tuis fidelibus,
in te confidentibus,
sacrum septenarium.

Da virtutis meritum,
da salutis exitum,
da perenne gaudium.


Holy Spirit, Lord of light,
From the clear celestial height
Thy pure beaming radiance give.

Come, thou Father of the poor,
Come with treasures which endure;
Come, thou light of all that live!

Thou, of all consolers best,
Thou, the soul's delightful guest,
Dost refreshing peace bestow.

Thou in toil art comfort sweet,
Pleasant coolness in the heat;
Solace in the midst of woe.

Light immortal, light divine,
Visit thou these hearts of thine,
And our inmost being fill.

If thou take thy grace away,
Nothing pure in man will stay;
All his good is turned to ill.

Heal our wounds, our strength renew;
On our dryness pour thy dew,
Wash the stains of guilt away.

Bend the stubborn heart and will,
Melt the frozen, warm the chill,
Guide the steps that go astray.

Thou, on us who evermore
Thee confess and thee adore,
With thy sevenfold gifts descend.

Give us comfort when we die,
Give us life with thee on high,
Give us joys that never end.

Amen.

TPL says this about the hymn:
Veni, Sancte Spiritus, known as the Golden Sequence, is the sequence for the Mass for Pentecost. It is commonly regarded as one of the greatest masterpieces of sacred Latin poetry ever written. Its beauty and depth have been praised by many. The hymn has been attributed to three different authors, King Robert II the Pious of France (970-1031), Pope Innocent III (1161-1216), and Stephen Langton (d 1228), Archbishop of Canterbury, of which the last is most likely the author.

O ignis Spiritus Paracliti (Hildegard von Bingen)

For Pentecost, "O fire of the Spirit, the Comforter," by Hildegard of Bingen (1098-1179); this is among my favorite texts.   The original Latin, with an English translation, is below the video.  


O ignis spiritus paracliti,
vita vite omnis creature,
sanctus es vivificando formas.

Sanctus es unguendo
periculose fractos,
sanctus es tergendo
fetida vulnera.

O spiraculum sanctitatis,
o ignis caritatis,
o dulcis gustus in pectoribus
et infusio cordium
in bono odore virtutum.

O fons purissime,
in quo consideratur
quod Deus alienos colligit
et perditos requirit.

O lorica vite
et spes compaginis membrorum omnium
et o cingulum honestatis:
salva beatos.

Custodi eos qui carcerati sunt
ab inimico,
et solve ligatos
quos divina vis salvare vult.

O iter fortissimum
quo penetravit omnia
in altissimis et in terrenis
et in omnibus abyssis
tu omnes componis et colligis.

De te nubes fluunt, ether volat,
lapides humorem habent,
aque rivulos educunt,
et terra viriditatem sudat.

Tu etiam semper educis doctos
per inspirationem sapiente
letificos.

Unde laus tibi sit,
qui es sonus laudis
et gaudium vite,
spes et honor fortissimus
dans premia lucis.



O fire of the Spirit, the Comforter,
Life of the life of all creation,
Holy are you, giving life to the Forms.

Holy are you, anointing
The dangerously broken;
Holy are you, cleansing
The fetid wounds.

O breath of sanctity,
O fire of charity,
O sweet savor in the breast
And balm flooding hearts
With the fragrance of virtues.

O limpid fountain,
In which it is seen
How God gathers the strays
And seeks out the lost:

O breastplate of life
And hope of the bodily frame,
O sword-belt of honor:
Save the blessed!

Guard those imprisoned
By the foe,
Free those in fetters
Whom divine force wishes to save.

O mighty course
That penetrated all,
In the heights, upon the earth,
And in all abysses:
You bind and gather all people together.

From you clouds overflow, winds take wing,
Stones store up moisture,
Waters well forth in streams --
And earth swells with living green.

You are ever teaching the learned,
Made joyful by the breath
Of Wisdom.

Praise then be yours!
You are the song of praise,
The delight of life,
A hope and a potent of honor,
Granting rewards of light.

 Note: The English version is adapted from Barbara Newman's literal English translation, in Saint Hildegard of Bingen, Symphonia: A Critical Edition of the Symphonia armonie celestium revelationum, 2nd ed. (Ithaca: Cornell University Press, 1998), 151.

Thursday, May 16, 2013

Alleluia, Emitte Spiritum Tuum - an Alleluia for Pentecost

Alleluia, Emitte Spiritum Tuum is the first Alleluia for the Day of Pentecost; here it's sung by the monks of Prinknash Abbey.



The text is from the wonderful Psalm 104, v. 30; here are the words and a translation from a William Byrd page at CPDL (the text of the second Alleluia is in brackets, following that of this, the first):
Alleluia. Emitte Spiritum tuum, et creabuntur et renovabis faciem terrae.
[Alleluia. Veni Sancte Spiritus, reple tuorum corda fidelium: et tui amoris in ei ignem accende. Alleluia.]
Alleluia. Send forth Thy Spirit, and they shall be created, and Thou shalt renew the face of the earth.
[Alleluia. Come, O Holy Spirit, fill the hearts of Thy faithful: and kindle in them the fire of Thy love. Alleluia.] 
(See also this older post on Alleluia 2.)

Here is the full chant score for Alleluia, Emitte Spiritum Tuum:



Here's Byrd's setting of this text; beautiful!


Recorded LIVE June 2012 as part of the Pentecost Concert "A Musical Festival of Joy and Thanksgiving".
Location: Holy Spirit Catholic Church, Annandale, VA

Singers:
Sopranos: Allison Mondel & Emily Noel
Altos: Chris Dudley (Director) & Kristen Dubenion-Smith
Tenors: Joe Regan & Jerry Kavinski
Basses: Doug Yocum & Karl Hempel
Classical Concert

Don't forget to read Full Homely Divinity's Pentecost entry!


Here are links to all the propers on the day, from the Benedictines of Brazil:
Dominica Pentecostes ad Missam in die

Introitus:  Spiritus Domini (cum Gloria Patri)(5m07.0s - 4798 kb)  view score
Alleluia: Emitte Spiritum tuum (1m55.4s - 1806 kb)  view score

Alleluia: Veni, Sancte Spiritus (2m02.9s - 1922 kb)  view score

Sequentia: Veni, Sancte Spiritus (2m29.7s - 2341 kb)  view score

Offertorium: Confirma hoc, Deus (1m35.3s - 1491 kb)  view score

Communio: Factus est repente (1m16.3s - 1195 kb)  view score

Ad dimittendum populum: Ite missa est (28.7s - 451 kb)  view score

And here are some other Chantblog posts on the Pentecost propers:

For some reason, I always really like Pentecost icons; here are three. The first is described as 18th Century Russian, "egg tempera on a wood panel":


There's no information at all on this one (although it's clearly Russian):


This one comes from the website of St. Mark's Coptic Church in Toronto; it's described as "above the South Altar Door by Bedour Latif and Youssef":


And wow!  How great is this 1534 painting by  "Vasco Fernandes, aka. 'Grão Vasco'"?  It's "da capela da portaria do mosteiro de Santa Cruz de Coimbra" - "over the door of the Santa Cruz de Coimbra monastery," that is.