The Next Big Thing

I was tagged by Toby Altman, in this relay interview project called "The Next Big Thing."

QUESTIONS:

What is the working title of the book?

The Narrow Circle

-Where did the idea come from for the book?

Since ideas are inspiration in the abstract, I'm just going to answer this question with the inspiration question below. 

-Who or what inspired you to write this book?

A combination of: having a child; spending time as a "stay-at-home" dad; getting magnetized by poems I read; trying to crisscross the boundaries between self and other; having a body; digging tunnels between zones of experience; burrowing in general; my lover's taco-shell lips.

-What genre does your book fall under?

Poetry

-What actors would you choose to play the part of your characters in a movie rendition?

Jeff Bridges, John Goodman, Steve Buscemi, Julianne Moore, and John Turturro would all have roles. 

-What is the one sentence synopsis of your book?

"I was in love with the apple tree, the invisible city that seemed to be growing inside it." 

-How long did it take you to write the first draft of the manuscript?

About 1 year. Other drafts took other years.

-What else about your book might pique the reader’s interest?

It has many pictures in it! 

-Will your book be self-published or represented by an agency?

Coming out on Penguin, May 2013.

My tagged writers for next Wednesday are:

Joel Craig

Catherine Theis

Genevieve Kaplan

Shane McCrae
Christopher Hund

A Confidence of Vertices

A Confidence of Vertices, by Brandon Morse. More here and here.

I'm teaching some Yeats tomorrow!

Perloff, Duchamp, Surrealism

What I don't understand about Marjorie Perloff's take on avant-gardes is how she can laud Duchamp on the one hand yet be so dismissive of surrealism on the other. Duchamp never signed on to surrealist tracts, and much of his work certainly transcends artistic trends associated with surrealism, but he was always on friendly terms with the surrealists, participated in and even helped organize  their exhibitions. And most importantly, the core of his work -- the ready-mades, the punning, the use of chance, the disparity between language and objects, and supposed indifference to art -- are thoroughly entrenched in the milieu of surrealism. No, not just entrenched: they make up the core of surrealism's aesthetic.

Mes rêves sont avant tout une liqueur, une sorte d'eau de nausée où je plonge et qui roule de sanglants micas.
-Artaud, "Le Mauvais Rêveur"

Convulsive Launch

Scott Reeder is rad

Spaghetti and ‘Cubist cokeheads’? Artist Scott Reeder seduces with humor. from WBEZ on Vimeo.

Not only is his work funny and strange and lovely, but his spaghetti paintings got my 2.5 year-old son into painting. Thank you Scott Reeder!

broadcasting from the interior

A poem of mine is up at InDigest's podcast series:
Voice of the Interior

The surreal is a normal calf

Spent some time today with a book of Brassaï's work (Brassaï The Monograph). He has this wonderful bit to say about the surreal:

"It should surprise, but not with just anything. And certainly not with things which are astonishing, surprising or strange already because they have never been seen, are unusual or out of the ordinary.... The surreal is not a monster, a calf with five hooves or two heads, the freak result of nature bungling one of its creations, but it is a normal calf.... The surreal exists within us, in the things which have become so banal that we no longer notice them, and in the normality of the normal."

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The book I have gives an overview of Brassai's periods and thematic concerns. I especially love his "Involuntary Sculptures" (1932), which I didn't remember looking at before:

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These loaves of bread, they seem suddenly like bloated worms embracing. And then the bus ticket sprouts wings and its shadows drift over the sleepy passengers. I'll get off at Les Halles and walk fast to avoid the shadow of the Tour Saint-Jacques.

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As much as Brassaï avoided the doctrinaire surrealism of Breton, these are great examples of convulsive beauty, of all the minute "jolts and shocks" which may not have "much importance" in and of themselves, but are part of this larger scheme, the "one Shock, which does" (Nadja). All these little ticks, pings, pricks, spasms, shocks, convulsions are indeed involuntary, which can be dangerously misunderstood as arbitrary. But like breathing, they are both involuntary and vital. 

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The Involuntary Sculptures reminded me of my favorite Duchamp piece, "Dust Breeding," which Man Ray photographed. If memory serves me, Duchamp discovered these sublime patterns on the "La Mariée" glass after it had been in storage for a substantial period of time:

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The surrealism of the everyday seems to me an assault on perspective: an act of looking and thinking that erodes habitual points-of-view, that facilitates their collapse, and spawns a reemergence of new points of view, in language, film, or wherever viewpoints position themselves.

But it is also a surrealism of nature, of materiality, of time. Of dust: the great involuntary signal of mortality.

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Words

You catch water with a pin,

the water turns to slush.

You point at the tree with your hand,

the tree burns.

You divide lines with a shadow.

You open the door for love and death.

-Tomaz Salamun (from Selected Poems, trans. Salamun & Anselm Hollo)

Double Nate

TOMORROW NIGHT @ MYOPIC BOOKS 7 PM

I'm reading with Nate Slawson, author of the wonderful Panic Attack, USA

It will be delicious!

Bernadette Mayer's journal ideas & experiments.

Thanks to Hai-Dang Phan for pointing this out on Facebook!

I'm Reading this Wednesday at Danny's

Novemeber 16, 7:30 PM with Lina ramona Vitkauskas and Garin Cycholl



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Please come to the Interior!

"The great inconvenience of new books is that they prevent us from reading old books." (Joseph Joubert, trans. Paul Auster)

Though the opposite could be said as well.

Bataille TV

Who put this guy on TV???? Awesome!

Live From Prairie Lights

I'll be reading at Prairie Lights this Thursday, 10/13, at 7 PM, with Wayne Miller. Looking forward to this homecoming of sorts!