Berry asks us to consider a different idea of the human: not the atomized consumer who will buy more tech trash if you push it on him, but the individual as a fully integrated member of a community. Where do we fit into that community, into a set of relationships and responsibilities tied to a particular place and time? Speaking at a 1994 conference on healing and spirituality, Berry said, “I believe that the community—in the fullest sense: a place and all its creatures—is the smallest unit of health and that to speak of the health of an isolated individual is a contradiction in terms.” In his worldview, humans are essentially communal creatures, as Aristotle said, bound to each other in community and to the larger stream of life on this planet.
Read all of “The Wendell Berry Moment” by Daniel Vollaro at Front Porch Republic.
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Ranging from the devastating effects of war on children to the endless problems of industrialism and the ubiquitous need for connection and community, Dispatches From Rural America captures a country isolated from its land and beginnings, too focused on mass production and output, and perilously estranged from the spiritual centers that make up the foundation of our lives.
Dispatches from Rural America: 16 Essays by Wendell Berry is coming in the Fall from Counterpoint Press.
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Dear Mr. Berry,
I’m writing to tell you about my dad, Pat Dietz, who was/is an incredible husband and father, beloved guitar teacher, and devout student of your work.
He was killed two and a half years ago, saving the life of his 16 year old grandson. My dad and Charlie were headed to a bookstore to pick out a book. In the parking lot a driver lost control of his car and sped toward Charlie. My dad wasn’t in the car’s direct path and he leapt forward to move Charlie out of the way. Charlie was spared from the worst of the impact but my dad was violently hurt. He died two days later.
The pain of losing my dad has been close to unbearable. He was the best of us.
Read all of “Letter from Wendell: How a poet and farmer and a guitarist and teacher connected across time and space” by Mark McDermott at Easy Reader.
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“Berry wrote his essay at a time when it went against the tide of widespread tech optimism, a future that was garnering embrace in most households and businesses. One difference with the dawn of computers and AI is the backlash AI has generated from the start. While many think it is inevitable, and some are gleeful about its possibilities, the majority in America are uncertain of its value, and opposed to its infrastructure. This may be, in part, because of the technology itself, but I think there is also a tinge of buyers remorse on the whole world of digital technology. Many now wish they’d been as perceptive as Berry and never become addicted to the glowing screen. “
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READING
Fiction
Arcadia – Tom Stoppard
Fulgentius – César Aira, tr. Chris Andrews
Her First American – Lore Segal
Hotel de Dream – Edmund White
Lord of the Rings (books 2 & 3) – JRR Tolkein
Malicroix – Henri Bosco, tr. Joyce Zonana
Marce Catlett: The Force of a Story – Wendell Berry
Mrs. Dalloway – Virginia Woolf
Shadow Ticket – Thomas Pynchon
Song of a Blackbird – Maria van Lieshout
The Skin of Dreams – Raymond Queneau, tr. Chris Clarke
The South – Tash Aw
Warlock – Oakley HallPoetry
Becoming Altar: New and Selected Poems – Kyla Houbolt
Don’t Forget to Love Me – Anselm Berrigan
Green Radius/ The Gate/ Parmenides in Minneapolis – Henry Gould
Model Answers – David Harrison Horton
Modern Poetry – Diane Seuss
Out of the Blank – Elaine Equi
Spilt – Jordan Stempleman
St. Matthew Passion – Gertrude Schnackenberg
The Form of a City Changes Faster, Alas, than the Human Heart – Jacques Roubaud, tr. Keith & Rosemarie Waldrop
The Odyssey – Homer, tr. Daniel Mendelsohn
Vessels – Robert Van VlietNon-Fiction
A Chance Meeting: American Encounters – Rachel Cohen
Cy Twombly – Jonas Storsve, ed.
Erik Satie Three Piece Suite – Ian Penman
Generations – Lucille Clifton
Love’s Braided Dance – Norman Wirzba
Manimal Woe – Fanny Howe
One Day Everyone Will Have Always Been Against This – Omar El Akkad
Unexplained Presence – Tisa Bryant
We Die Before We Live – Daniel Berrigan
Zero at the Bone: Fifty Entries Against Despair – Christian WimanVIEWING
A Complete Unknown (Mangold, 2024)
A Little Prayer (MacLachlan, 2025)
A Real Pain (Eisenberg, 2024)
Adolescence (Barantini, 2025 series)
American Utopia (Lee, 2020)
Art Speigelman: Disaster is My Muse (Bernstein & Dolin, 2024)
Black Bag (Soderbergh, 2025)
Code Unknown (Haneke, 2000)
Come See Me in the Good Light (White, 2025)
Death by Lightning (Makowsky, 2025 series)
Eephus (Lund, 2025)
Flow (Zibalodis, 2024)
Frankenstein (del Toro, 2025)
Hard Truths (Leigh, 2024)
Knives Out (Johnson, 2019)
Marcel the Shell with Shoes On (Fleischer Camp, 2021)
Nickel Boys (Ross, 2024)
Peterloo (Leigh, 2018)
Rumble Fish (Coppola, 1983)
Silence (Scorsese, 2016)
Sinners (Coogler, 2025)
Soviet Jeans (Tokalovs, 2024 series)
Take Out (Baker and Tsou, 2004)
The Last Republican (Pink, 2025)
The Phoenician Scheme (Anderson, 2025)
The Wild Robot (Sanders, 2024)
Universal Language (Rankin, 2025)
Vermiglio (Delpero, 2024)LISTENING
After the Last Sky – Anouar Brahem
Age of Monsters – The Bonnevilles
Fiery Gizzard – Joseph Decosimo
Getting Killed – Geese
Live at St. Mark’s – Clifton Chenier
Oh Snap – Cecile McLorin Salvant
Only Frozen Sky Anyway – Jonathan Richman
Opus 109 – Vikingur Olafsson
Sad and Beautiful World – Mavis Staples
Salt River – Sam Amidon
Satie: Piano Music (complete) – Jean-Yves Thibaudet (Pascal Rogé)
The Black Dog and the Wandering Boy – James McMurtry
The Delta Sweete – Bobbie Gentry
The Purple Bird – Bonnie “Prince” Billy
The Question – Anna Tivel
Twilight Override – Jeff Tweedy -
In this series of poems, the guiding concerns of Berry’s life merge. Here plowing (and not just in a metaphorical sense – remember, Berry actually plows actual fields) turns up the field of memory and gives us a glimpse of the beauty that comes when we love a place and its people particularly and deeply.
The poems stand in relationship with each other. The fields of one poem become fertile soil for a meditation on language in the next, which in turn yields a prophetic vision in which “On the other side of the partition / the dead are living.”
Read all of “Six New Poems by Wendell Berry” in Plough.
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Marce Catlett offers a path forward. At the same time, it reveals a road not taken. As the century moved along, the Democratic Party submitted more and more to the mandate of corporate power, doing its part to engineer what Sheldon Wolin acidly dubbed “Democracy Inc.” This structural submission became easier when, in a cultural sense, Pryor Berry became “backward” and John Berry Sr. a throwback. The party forgot both its story and its storytellers. Now we have Trump to pay.
Read all of “An Ancient Wealth” by Eric Miller at Commonweal Magazine.
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Joan Zwagerman offers some thoughts on the should-be-famous debate between Wendell Berry and erstwhile Secretary of Agriculture Earl Butz.
It would have been interesting to have been in the room with Butz and Berry. The sound quality, especially during the question-and-answer period, was poor, and it was hard to hear the audience.
I came away wondering if Berry had won many people to his side that day, but “winning” was not his goal. He called for a return to the traditional values of democracy, neighborliness, kindness.
Through the years, he persisted in farming, speaking, and writing. His intimacy with the land taught him to take the long view.
That long view seems to be bearing fruit. Today, more people are asking some of the same questions that Berry had been posing for decades. What are we doing with this inheritance of land? Why are we doing it? What is the truest and deepest value of our actions?
Read all of “Butz and Berry in debate” by Joan Zwagerman at the Storm Lake Times Pilot.
The debate in question can be found HERE on YouTube.
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Law & Liberty, an online magazine of Liberty Fund, has published two articles today that respond to Wendell Berry’s short new novel, Marce Catlett: The Force of a Story.
The first, “Growing Tobacco in Hell” by John-Paul Heil, criticizes Berry’s book for a shift away from literary art toward didactic dualism in service of a political position.
“Berry’s world really does sort into two camps: the intellectually enlightened, hard-working old farmers and their ignorant, ease-seeking prodigal sons. Certainly, we need both meaningful work and meaningful play to live truly flourishing lives. A life without hard work would be miserable. But the health of human culture is not determined simply or primarily by common work but by common worship, the highest leisure activity, the ultimate pursuit of a good in itself.”
In “Wendell Berry’s Epilogue” Nadya Williams replies to Heil, attempting to counter his reading by viewing Marce Catlett as a fitting conclusion to the narrative sweep of Berry’s whole Port William project.
“Berry at last offers his readers—and himself—needed closure. There is a force to the overall story of Port William, we realize as a result—just as there is force to the overall story of American farmers and others who live in towns like Port William or Port Royal. Most of all, though, there is force in telling stories of virtue prevailing over vice in an age that makes the latter so much easier. And the ultimate virtue is to stay, choosing to love a place and its people well.”
I lean toward Williams’ more generous perspective. Longtime readers understand that, of course, the elder Wendell Berry is likely to drift into didactic territory in his fiction (maybe predictable since Andy Catlett’s critique of the academics in Remembering). And in 2017 he explicitly allowed real people to visit his fiction in “The Order of Loving Care.” So I cut him some slack and accept this as the way he chooses to go—sort of how I handled a few squirm-inducing moments in The Need to Be Whole. Mr. Berry doesn’t require or expect anyone’s abject fealty. I’m grateful that even at this late date he is with us and willing to share his challenging, worthwhile understandings.
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Though we shared time in Lexington and in the Patterson Office Tower on the university’s campus, Gurney was never officially my teacher. That said, as seen above in the ways he encouraged me to listen more intently, Gurney did provide some clear instruction, especially as I pored over his writings and documentaries to learn more about him, his influence, and his place in Appalachian literature and in bringing countercultural ideas to the Commonwealth of Kentucky. Thus, I gladly count myself one of Gurney’s students. Unlike most of his students, I don’t write fiction. I do, however, write stories. And I remember vividly the moment in 2019 when I read Gurney’s “Storied Ground,” in which he insisted that “Stories are meant to be told and retold, again and again, not just by the original tellers but by others in a family or community who have recognized them as living treasures to be cared for and handed on.” As a historian, then, I learned from Gurney that it is okay to be one of those who is telling and retelling a story.
Read all of “Inside a Web of Love: Thoughts on Gurney Norman” by Richard A. Bailey at Front Porch Republic.
