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Celebrating the World Cup
Welcoming the world, open seven days a week this summer. -
“Untitled” (America)
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Andy Warhol Family Album
Through Oct 19
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Hyundai Terrace Commission: Kelly Akashi
Through Aug 23
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Mabel Dwight: Cool Head, Warm Heart
Through Aug 30
Free at the Whitney
Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day.
The Whitney Biennial
The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026.
Family Programs
Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.
Video
Watch our latest video series to dive deeper into art at the Whitney.
Podcasts
Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.
Dive Into Our Collection
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Roy Lichtenstein, Girl in Window (Study for World's Fair Mural), 1963. Oil and acrylic on canvas, overall: 68 1/8 × 56 in. (173 × 142.2 cm). Whitney Museum of American Art, New York; gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President 2002.254. © Estate of Roy Lichtenstein,all rights reserved
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Elie Nadelman, Tango, c. 1920–1924. Painted and gessoed cherry wood, overall: 36 × 25 5/8 × 13 7/8 in. (91.4 × 65.1 × 35.2 cm). Whitney Museum of American Art, New York; purchase, with funds from the Mr. and Mrs. Arthur G. Altschul Purchase Fund, the Joan and Lester Avnet Purchase Fund, the Edgar William and Bernice Chrysler Garbisch Purchase Fund, the Mrs. Robert C. Graham Purchase Fund in honor of John I.H. Baur, the Mrs. Percy Uris Purchase Fund and the Henry Schnakenberg Purchase Fund in honor of Juliana Force 88.1a-c. © Estate of Elie Nedelman
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Hock E Aye Vi Edgar Heap of Birds, Crossing All the Borders, 1987. Pastel on paper, sheet: 22 × 29 7/8 in. (55.9 × 75.9 cm) Image: 22 × 29 7/8 in. (55.9 × 75.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Drawing Committee 2018.137.10. © Hock E Aye VI Edgar Heap of Birds
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Lee Bontecou, Untitled, 1961, 1961. Welded steel, canvas, wire and rope, overall: 72 1/2 × 66 × 24 3/4 in. (184.2 × 167.6 × 62.9 cm). Whitney Museum of American Art, New York; purchase 61.41. © Lee Bontecou; Courtesy Michael Rosenfeld Gallery, N.Y.
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Ruth Asawa, Untitled (S.270, Hanging Six-Lobed, Complex Interlocking Continuous Form within a Form with Two Interior Spheres), 1955, refabricated 1957–1958. Brass and steel wire, overall: 63 7/8 × 14 15/16 × 14 15/16 in. (162.2 × 37.9 × 37.9 cm). Whitney Museum of American Art, New York; gift of Howard Lipman 63.38. © 2020 Estate of Ruth Asawa / Artists Rights Society (ARS), New York. Courtesy The Estate of Ruth Asawa and David Zwirner
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Kay WalkingStick, April Contemplating May, 1972. Acrylic on canvas, overall: 49 7/8 × 49 7/8 in. (126.7 × 126.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2018.138. © Kay WalkingStick