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STRIDE
www.stridemagazine.co.uk
This site is the archive of Stride magazine for 1999-2015
As of May 2016 Stride magazine is published at http://stridemagazine.blogspot.co.uk/
COPYRIGHT
The copyright of everything published here remains the author's.
RUPERT LOYDELL is the author and editor of many books. You can read
about his Shearsman titles here and his Knives Forks and Spoons titles here.
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THE
ADVERT OF ITSELF
Clark Allison offers Some Notes
on Robert Sheppard's History or Sleep
SUBSETS
OF EXPERIENCE
Guy Birchard's Hecatombs
GOOD
GRIEF
Max Porter's Grief is the Thing with Feathers
WAKING
THEN WAS LIKE DREAMING
new haibun by Mark A. Murphy
UNDERGROUND DREAMS
A.C. Evans gets visual
ALL
COLOUR WILL COME TO COLLAPSE
Charlie Baylis is dragged gently to the shore
TAKING ON THE SUBLIME
David Hart on Kim Addonizio's Wild Nights
'NO IDEA WHAT HE'S ON ABOUT...'
Charlie Baylis on Pete Smith
A WORLD AWAY
Jane Routh on Kathleen Jamie
POSSIBLY TELLING
John Mingay writes in triplicate
FREEFALLING
Neil Fulwood on Bethany A. Pope
THE BONES OF THE STORY
James Bell is stuck on the wall
SUFFUSED
WITH BLUE
David Miller's Spiritual Letters
FUMBLING,
DISTRACTED, DRIFTING
follow Clark Allison's train of thought
from
THE SILENCE INSIDE
meet Doctor Doubt
from TIME RHYME
Joel Chace is incandescent
JOHN GIBBENS 1959-2015
the lightness and darkness of living
NOTHING IS LEFT UNDONE
from John Gibbens's
'London Bride'
PRISING
OPEN WALLS
Clark Allison on John Wilkinson
A
GOOD COMPANION
Alan Halsey on Edmund Hardy
WITHOUT A DAY IN MIND
Simon Perchik's headlights are off
INTO DANGEROUS TERRITORY
A.C. Evans on Nigel Wood's take on John Dee
FOLLOWING THROUGH
Simon Collings on Vahni Capildeo
DIFFERENT ANGLES
Steve Waling on Kelvin Corcoran,
Alan Halsey and Claire Crowther
PRETTY IN PINK
Charlie Baylis on A.K. Blakemore
A
QUIET DISCOVERY
poems i.m. Lee Harwood
ANATOMY,
ATOMIZED
Noah Ross feels his heart
from Hariot Double
new poems by Gavin Selerie
SOMETHING TO BE RECKONED WITH
Steve Spence on Reading Barry MacSweeney
STRIPE MAN
two new titles about Sean Scully
THE
BEAUTIFUL LIBRARIANS
Marc
Woodward on Sean O'Brien
IT'S
ALL IN THE TITLE
Sarah Hopkins reviews Elizabeth Burns,
Mary O'Donnell and Debbie Walsh
OF ICE AND MEN
Sue Burge makes moondogs dance
HOLD EVERYTHING DEAR
Three letters to the publisher of
Kent Johnson's I Once Met
SHOUTING ONESELF AWAKE
Norman Jope is keen to stay faithful
LINGERING AND LOVING
new titles by Tim Cumming, Antony Owen,
Marc Woodward and Fani Papageorgiou
A
CAREER
Luke Kennard's pet project
LOTS
OF RISKS
Peter Jaeger and Peter Philpott
LANGUAGE LIVES!
David Hart reviews new titles
IN
RESPONSE TO YOUR ADVERT...
An application for Destruction
'footsteps
measured in millennia'
Peter Riley's DUE NORTH
THE MIXING OF THE LANGUAGE
Martin Anderson and John Berger
MIST AND METAPHYSICS
Richard Berengarten and Geoffrey O'Brien
ADVERTISMENT
A Kick Up the Arse of Poetic Farce
GOING DEEPER
John Daniel and Jane Spiro
TOY
BALLOONS
Andy
Brown on Wislawa Szymborska
PANDA DIPLOMACY
new poems by
Damian Furniss
A LIFE OF EXTREMES
Ian Seed on William Wantling
MAVERICK VOICES
Poems for the Millennium vol. 5
CORN ON SPEED
All Betts are off for John Mingay
ITSELF
Simon Collings on Rae Armantrout
PAINTING PICTURES
Charlie Baylis reviews Annie Freud
WE ARE NOT OFTEN WHERE WE ARE
David Grubb's Thunder Cracks the Heart
PAMPHLET
PANDEMONIUM
recent poetry pamphlets reviewed
THE
LIFE OF IMAGES
Charles Simic's selected prose
TIME TO GET GOING
John Ashbery's Breezway
GLEEFUL SAVAGERY IN THE CLAY
Jack Clemo's Selected Poems
ISNESS AND NOTNESS
Richard Berengarten, Tom Chivers, Peter Sansom
POLITICAL PROPERTY
Paul Sutton is a man of string
CONVEYING THE NECESSITY
Shazea Quraishi, Kim Moore, Philip
Gross
UNDERSTANDING THE TERRAIN
Sarah Hopkins reviews new books by Isabel Galleymore,
Angela Gardner,
Rosie Jackson and Isabel Palmer
OUT ON HIS OWN
Jane Routh on Colin Simms' Hen Harrier Poems
A
HIGHLY SPECIFIC PROBLEM
new poems by Steve Spence
GOOD THINGS COME TO THOSE WHO WAIT
Charlie Baylis on Clive James' poetry
MIXED METHODS
new books by Barry Tebb, Tim Allen,
James
Turner and Tom Jenks
MORE THAN WE DESERVE
David Hart on J.H. Prynne
SOLE
UNDERSTANDING PHANTOM
Ian Seed's Glass Touches
CRITIQUE WITH CELEBRATION
More sonnets from Peter Hughes
NIGHT TERROR DUCK FEATHERED
new poems by Sarah Cave
DISCRETE
OBJECTS
Stephen Emmerson's Comfortable Knives
STILL
TRYING OUT THE LAST VERSION
Simon
Collings is out west
ANTIDOTES
Charlie Baylis' cup is for vowels
LOTS OF TREES
Sarah
Cave on Peter Larkin
ACTION
SCORE GENERATOR
Steve Spence on Nathan Walker
COMMON NOTES
Martin Caseley on John Deane
ALL
WE GHOSTS SHOULD WISE UP
from The Co-Ordinates of Doubt
RECREATIONAL SHOOTING
Andy Brown on Tom Raworth
KINSHIP
David
Hart reviews four new titles
SUNLIT
STONES & THUNDER TREES
Jay Ramsay is echoing the smoke
SURFING THE VOID
Charlie Baylis on Sam Riviere
NEW
YORK SCHOOL PAINTERS & POETS
Martin Stannard is dazzled
A
FIRST FIREWORK DISPLAY
Neil Fulwood on Iain Banks
INSTANCE TO INSTANCE
Aiden Semmens, John Milbank, Stephen Bett
THE CHIMERA OF PASSION
Paul Stubbs on Paul Sutton
MODERN
LIFE IS RUBBISH
Charlie Baylis reviews in a blur
EFFACING
THE EGO
Andy Brown on the road north
COW
PUCKERED UP
FOR ROUND OF APPLAUSE
Mike Ferguson finds his Lovehearts
ERUDITE AND UNPRETENTIOUS
Steve Spence on Mark Totterdell
SILENT HIGHWAYS AND LAS VEGAS
'Viva Exurbia' says Phillip Clement
SIX
KINDS OF QUIET
David Grubb is painting angels
FRACTURED IMAGES FLOAT FREE
Peter Gillies reviews Steve Spence
HOOKS IN CASE OF TREES
Peter Larkin's populations of attachment
INFORMATION
DRENCHED ANXIETY
Paul Sutton interviews Rupert Loydell
THE
SMOKE OF OLD HOPE
new poems by Donna Pucciani
PAPER AEROPLANES
Simon Armitage and Martin Stannard take flight
THE LAST WORD IS GOLD
Charlie Baylis is in San Francisco
PAINTING
OURSELVES IN CORNERS
Ron Riekki leans against the summer
AN
ACT OF FAILURE
Paul Sutton interviews Paul Stubbs
THE
QUALITY OF ATTENTION
Jane Routh reviews
WHAT'S
THE BIG IDEATION?
Joel
Chace is standing outside science
SHADES OF COOL
Jon Thompson's Landscape with Light
IN CASE OF THIS. IN CASE OF THIS.
Sheila Mannix's case was not unique
SOLITUDES AND QUANTUM POETICS
David
Hart is doubtful
A
TEST FOR POETS
How well will you score?
SPECULATRIX
Chris McCabe's latest reviewed
SPEECH
IS OPTIONAL,
WRITING'S
A MUST
Peter Dent is never at a loss
BETWEEN
THE CHOLERIC
AND THE MELANCHOLIC
we find Daniel Y Harris
SUCKING
IN THE SIXTIES
Charlie Baylis on Rosemary Tonks
LITTLE
WHITE BULL
Steve Spence on John Muckle on British fiction
TAKEN FOR GRANTED
Martin Stannard on Dylan Harris and D.E. Oprava
THE
EDITOR'S PICKS 2014
EVERY
POET PAINTS HIMSELF
David Pollard's Self Portraits
A SLOW GAME
Lee Harwood's The Orchid Boat
NOT
EVERY MAN KNOWS
WHAT HE SHALL SING AT THE END
Mark Strand, 1934-2014
THE GARBAGE CAN KID
David Lawrence pulls licorice from his ear
TRUTH MY ARSE
Martin Stannard kicks the rootball
of experience into touch
THE DEFIANCE OF DUST
Norman Jope hymns the past
INSIDER ART
Tim Allen's unsociable sonnets
SINK OR SWIM
'Five poets are out in coracles...'
Sarah Cave supervises
LIGHTING
NOW HIDES NOTHING
Paul Sutton braves the spotlight
POETRY WE NEED
three
new translated volumes
TONIGHT
THE SUMMER'S OVER
Belinda Cooke on the damage done
to Rory Waterman
NO
MORE BLANK CLOUDS
Charlie loves Elizabeth
HOYOOT
Phillip Clement on Tom Pickard
ANGELIC ACTIVISM
Norman Jope on Jay Ramsay
WELCOME TO BEFUDDLEMENT CITY
Martin Stannard is confused
FUTURE
DAYS
Norman
Jope on David Stubbs on krautrock
'NOT
ONLY IN DREAMS'
Phillip
Clement on David Harsent
SOME SORT OF NIGHTMARE MEMORY
Paul Sutton on Jesse Glass
NUCLEAR SOUNDS
Charlie Baylis on the Faber New Poets
EIGHT
PAMPHLETS
reviewed by Geoff Sawers
MAKING
TIME
Alan
Garner's Red Shift finally on DVD
BACK TO BIRMINGHAM
Martin Caseley on Roy Fisher
ENTHUSIASTIC AND ERUDITE
Steve Spence goes to hell with Philip Terry
CLOSE TO THE EDGE
Andy Brown's Exurbia
FFFE,
DUH, UHH, RIGHT
from James McLaughlin's Revelation
A
PURELY OPINION BASED PIECE
five untitled sonnets by John Lowther
SILENCE
IN PROGRESS
John Mingay is about to have
DEAR
READER
This is not what you are meant to be doing
from FALLING OFF
new poems by Paul Sutton
SIGNS
OF LIFE
Martin Stannard takes tea with Alan Halsey
TOP
OF THE LIST
Martin
Stannard on Paul Violi
AN
INSTINCT FOR VOICE
Sirkka Turkka and Ihor Pavlyuk
MANIFESTO AND INTERPRETATION
Sam Richards and Kelvin Corcoran
STATEMENTS AND PRAYERS
Ilya Kaminsky and Jay Ramsay
FOUR
FOR THE FLOOR
from Nine Arches Press
BLANK
CLOUDS
Charlie Baylis grapples with Terror
LIFE AFFIRMING
Belinda Cooke on Thomas Kinsella's Late Poems
MODERN ROMANTICISM
Phillip Clement reviews three new titles
THE CROSSING OF PATHS
new books from Carrie Etter, Tim Allen,
David Greenslade and Peter Dent
TRANSLATIONS, TRANSFERENCE AND RESPONSES
Poems from The Poetry Translation Centres
and Deryn-Rees Jones' Helen Thomas
ONE FOR SORROW
Simon Jenner's Two for Joy reviewed
SIGNIFICANT
David
Hart reviews two new titles
I
LOVE YOU YOU'RE A BOOK
Lucy
Harvest Clarke's BABA
from
ABSENCES
Ian Seed will not tolerate intruders
HALF-LIFE
Belinda Cooke reviews Michael Hulse
SURREAL
TRUTH & OTHER PLEASURES
four new Arc volumes of translated poems
GEMS AND ASSES' HEADS
John Ashbery's Collected French Translations: Prose
HIDDEN,
UNCOVERED, WASHED ASHORE
Alisdair Paterson reviews
CODE-OBJECTS FOR THE EPHEMERAL
new poems by Harry Guest
HEARING VOICES
new books by Bill Lewis and Jay Ramsay
THE PHYSICAL AND THE ABSTRACT
new books by James Davies and Nathan Thompson
WHO
ARE THE MEN WHO MADE US THIN?
Steve Spence finds it hard to navigate
JAGUAR VARIATIONS
David Chorlton is one of the chosen few
A DAVID MILLER SPECIAL
1. A review of Reassembling Still
'A beautiful vision' says James Davies
2. An interview with David Miller
questions, questions, questions
3.
'The Notes that We Hear'
for David Miller
IT WOULD BE NOBODY'S FAULT
Scott Kinder-Pyle's contingency plan
ALPHABETICAL INSTRUCTIONS
compression poems by Iain Britton
THE POETICS
OF THE CROOKBACK
new poems by Hazel Smith
IN A FORM OF SUSPENSION
Pansy Maurer-Alvarez reviewed
THREE BRITISH BIRDS
by Stephen Meek
NOT WHAT YOU MIGHT EXPECT
Steve Spence is minding his Ps and Qs
LESSON
NUMBER 1
Andy Brown on John Ashbery's translations
AURORA
BOREALIS SCREENSAVER
Camille
Martin slam dunks her trope
A
FIGURE FLITS IN & OUT OF MIND
James
Davies on Scott Thurston
THINGS TO BE GRATEFUL FOR
Carrie Etter and David Scott
READING
THE CENTURY
new books by Alan Baker, Anne Carsons,
Ian Seed and Chrissy Williams
CAUGHT UP IN THE MOVEMENT
Tim Allen, Alasdair Paterson and Ron Silliman reviewed
VERSIONS
OF THE IMPOSSIBLE
Peter
Dent is making a dash for it
ARCABOLENO
RAINBOW
David Hart is curious
NO MORE WHORES IN BABYLON
Surrealist poetry in Britain
ACROSS HISTORY
Richard Berengarten's Manual
SCENES
OF ABANDONMENT
Phil Bergerson's American Artifacts
WRITING & REWRITING PLACE
Isabel
Galleymore on Falling into Place
and Maps & Legends
REFRESHINGLY
NOW
Simon Smith and surface dazzle
EPICS
OF OPTIMISM
Martin Stannard is a scribbler of hope
RELAXATION AND CONTROL
Steve
Spence on Philip Terry's Advanced Immortality
HOW
TO WRITE ABOUT WRITING
David
Kennedy on John Hall on Performance Writing
KING
ITCHY BLEACH
SETS HIS WATCH BACK TO 1967
Andy Darlington behaves badly
DOWN
TO EARTH
singing and squatting poems
PROPERLY
TASTE THE LEMON
Andrew Taylor is tracking the movement
LOCKED ROOM MYSTERIES
Alasdair
Paterson is Waiting for Bluebeard
THE BODY WAS INDEED COLD
Rodney Wood stretches toward the impossible
OVER THE TOP, AGAIN
Martin Caseley reviews John Greening
TRAVELLING SOUTH
Tony
Lucas catches at the ragged edge
AN ASTONISHING CONTRADICTION
Tom
Jenks' Streak Artefcats
FACE
THE MUSIC
4AD,
David Sylvian and punk 45s
THE EDITOR'S PICKS 2013
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