Note: This review was originally published as part of our 2026 Sundance coverage. The film opens on August 14.
Last summer, in the middle of The Bear’s...
Note: This review was originally published as part of our 2025 Telluride coverage. The film opens on August 14.
The Bend in the River, director Robb Moss' t...
A selection at SXSW Film Festival 2026, Hot Docs 2026, Fantasia International Film Festival, 2026 Black Star Film Festival 2026, and more, Maya Annik Bedward's...
The End of Oak Street opens with a rollicking gusto, Michael Giacchino’s assured heavyweight score ripping us straight from the production cards into a 1982 su...
The best movie I’ve seen in Locarno this year is set in Paris after dark, on sleepy side streets, in fluorescent eateries and nocturnal cafes and bars. At ...
Lê Bảo’s Hearing opens in the drunk cacophony of a bar somewhere in Saigon, but for most of its runtime, this enigmatic, seductively elusive film unfurls i...
When, a few years ago, I agreed to interview the filmmaker Rob Tregenza on the eve of his career-spanning retrospective at the Museum of Modern Art, I did not ...
Following up Corsage, Marie Kreutzer returned this year with her Cannes premiere Gentle Monster. Starring Léa Seydoux, Laurence Rupp, Jella Haase, and Catherin...
Following their Main Slate announcement, the 64th New York Film Festival has unveiled its Spotlight lineup, which features the world premieres of Tom McCarthy’...
After winning both the Grand Jury Prize and Audience Award at Sundance earlier this year (which last happened with CODA, which went on to win Best Picture at t...
