Spratt's Medium

2013-11-24T14:50:00.000+13:00

“ ~~echorality~~ ”

[Silencing Vanessa Place] Lathe cut 7”

Four and a half minutes of ‘silence’ – preparatory pauses, ambient intervals between poems, infra-mince gaps between words, etc. – sampled from various audio-documentations of readings by conceptual poet Vanessa Place (omitting her own performative silences, viz. the “Gone with the Wind” ‘white-out’). Contra the poetics of echo, here all traces of Place’s(?) speech are (being-) erased. Lathe-cut into low-grade polycarbonate, this record’s ‘silence’-inscribed microgrooves will (in turn) degrade & ultimately be erased with sufficient revolutions– repeated playback thus de-/re-materializing “ ~~echorality~~ ” via ablation as white noise displaces the appropriated ‘silence’(?)

Lathe cut 7”, Single-sided, 45 RPM

Spratt’s Medium SM02

Numbered edition of 20 (2nd Edition)
$15 NZ (postage inc.)

2013-11-20T22:59:00.000+13:00

2013-10-04T16:57:00.001+13:00

~~http://www.lulu.com/shop/jared-wells/spratts-medium-vs-tlasila-blog/paperback/product-21192962.html~~

2013-04-05T12:31:00.001+13:00

ERASE/ DISPLACE [Here. Place here]:

2012-11-01T15:30:00.003+13:00

ERASE/ DISPLACE [Here. Place here]:

2012-09-26T09:16:00.000+12:00

" echorality " [Silencing Vanessa Place]

2012-07-30T16:33:00.000+12:00

Four minutes and thirty-three seconds of silence culled from various Vanessa Place performances found on Vimeo (specifically, her readings at INSTAL 10, Nov 2010; the Greenwich Cross-Genre Festival, July 2010; the Renaissance Society, December 2011; and at Galerie Martine Aboucaya, September 2010). All of Place’s speech is erased, leaving only pauses, the noisy intervals between individual poems, and other inframince spaces. (The performed silence of Place’s own erasure piece, "Gone With the Wind by Vanessa Place", is excluded).

Pär Thörn Die Leiden des jungen Werthers (alphabetisch) sonic transformation

2012-06-30T16:25:00.000+12:00

In Die Leiden des jungen Werthers (alphabetisch) (Storno Förlag, 2012), conceptual writer and sound artist Pär Thörn alphabetizes all of the words of the original edition of Johann Wolfgang von Goethe's classic novel of 1774 and sets them in a Fraktur typeface. The result is a fractured or broken narrative structure, a graphic score, and a visual text that foregrounds the individual word and typographic materiality rather than the book's narrative content. Thörn’s conceptual text raises issues of readability, nationality, and literary autonomy in relation to the expanded field of art and typographic heritage.

In the acoustic transformation of his book, Thörn treats the page as a graphic score, interpreting the spaces between letters as white noise and the letters themselves as silence. In the version presented here, all the lines of the first page of the first part of Die Leiden des jungen werthers (alphabetisch) are played at the same time, producing a simultaneously abstract and concrete wall of laminal noise from the letters and spaces of the individual lines. The piece was premiered in 2012 at Rumpsti Pumsti Gallery in Berlin.

Pär Thörn is a Swedish poet, conceptual artist, and musician currently based in Berlin. His work is inspired by Fluxus, Åke Hodell, Öyvind Fahlström, and Sten Hanson. Thörn has published more than ten books since his debut in 2002, and has presented text- and sound pieces all over Europe, performing with Leif Elggren, Keith Rowe, Charles Bernstein, and Axel Dörner. His online poem “I Am” is a constantly changing text constructed with instant search results from Twitter.

_f Bck C___r_ _ M_g Ru_f _c_w_rzk_g__r, Bu_ B_ckw_r ... [_ ( _ ___ _._.) Bg: P_ _____ & _ub__g Cppg_, 12.31.09 – 1.7.05]

2012-03-05T17:53:00.000+13:00

_ p_r___ _______

_ __ubb_r_ Rurgc_, _r_pp w_ Cppg_ [R_bggg _ _ ( _ ___ _._.) Bg: P_ _____ & _ub______g_ 12.31.09 – 1.1.09]

2012-03-04T18:31:00.000+13:00

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(2xC_). _y_______ ___m __w_r. Cu___. ___w__g F_f_y ___c_m____. 25 M_g__f_c___ M___r_ __y M____ ___u__r______. ____ f_r __g__r Gr_u__. U___c_____, Bu_ __m_ _xp_r___c_ w___ _um_ur_. G_rm____ __ __ P__r____ ____. __r__k_g_. R____ck__ Fr____. M_ _____ __. K__ Up____: 9/13/09. _ __ry B____r P___. _ C___ P__p_r _u_g Up____. _ug_ __ C____ __. ___p Purp__. _____y P_r_____. C___ B_k_r __. G_b___. C_b __ _ff_______: _u__ur_ Jug R___. _u_c__ff_ Jüg___ __. B_u__ _r_____r. C_rc_____ J___ __r___ _ Ru_g. M____ _______ __. ___k_ G__b_k_r. Pu_k Pr__g R__k, _c_ ___ff___r. M_k_ J____ __. J_rry R___. _m_r____ P____r__ F____. P___ __. M________ _r___f_r. ______ B__ ___? ____ ____ __. ___ B___. "____r __m __ Bu___ _f P_p_r..." B_rb_qu__ _u__y. Prur____ __. ___ _____' _p___fu_. R_p_ C__m_____gy: C___m___ ___g__ W__r_ M___ ___ Gr_w_. R_: M_u__ B_____ Cr___r, P_pu_ __w Gu____. ___rm/__urm. "C_mpr_m____..." K__ ___r_! __ __r_______, P_x fr_m ___ M___. _ ___m_rr__g_ Muff__ __r_. ___r_ __. J___ C_g_. __ ___ Gr__. "__ R_g__ _rum M_c____ P____r__..." C_b __r_____: __m_ Ju_k_ __um. ___r_ __x__r __. _____g_ P__p__ __. ___ C_x____ __. C__ck B_x __. __m__ __w __k__g. _c___m__ __u____g __rry __r_. Qu__ & J_ck___ J____ __. G_rm__ __p 20 ___c_ C__r__ __. B_b ___p_r __. ___ P_____p_(_) & M_rp__u_. J__g___ ______' _ug. Ju___ ____ __. GG _____ & ________. _u_f__r_ _uf ___ _äc_____ Zug. ___ __ F___ ___r_, __r____ B_y. R_: ____r_ / __r ____r. R_P ____y. _ __u__ C__c____ ___r_y __k. ___c _mp_r_ __. C_u__ry U__ 1955. Cr__k _ubj_c_. ______ __. __r_k B____y. ____ ____b___ R_: Y__k_. Björk __. C_c_u_. _up__m____c _u__-W__k. ___ C__pmu_k_ __. ___ B______ __. W______u__. _R_ P_x, B_uk_____, 21 _ugu__. __r__ R__urr_c___ _ru_k_r__, P_rf_rm__g "_RR_." F_f____ R__m_, ___ Mu__y ___r. _w_ __w CRU____G R_______ __ K__! R_p_ C__m_____gy _p_z___: G____k__g_füg_ (C_mp_u__ ___ug__). _c_ R_pr______ __g__ _w_. _______ 9 f_r 502: _w___ _p__ _ybr___. "___ _mm______ C____qu__c__ _f C____p__..." K__ P___-C__r_pr_c__c R_p_r_. 27'_ f_r My (____w_y_) W__p. ___ M___w_c_ b__ __m___g _ (F_____). ___ M___w_c_ b__ __m___g __. Y____ _ug__ __. M_k_ ______ __. __ __k__ __. B_________k___z. ___ M___w_c_ b__ __m___g ___. ____k___c__ _______ __. P_u_ W____ __. _J _b_cur__y & _J R_mp_g_ __. ___ _r_ _f __ppuku. __ry ___. ___ M___w_c_ b__ __m___g __. M_rk ___ K_mp__ __. _.M. _rc____c_ __. ___ _uy____ ________ck __. Br_k__ __z_. ___ M___w_c_ b__ __m___g _. ______u_ für F___m___r_k __. Bru__ F_rc_ _____ B____ _f ____gu_, BW_ __. ___ _y_______c__ M__c_g_w_b_ __. _________. ___ __br__________ __m____ __ _cc_ó_! __p__ 66 P_x _______c_. M_ck R_ck M_____ ___ B_g ___. ___ B_g P__k __. M_____r_ __k____m_ __. ______ G_r__ __. __p_ __. ___ __ry B___ __. M_yb____ C_r__r. ... P__r ____. _u__r___ ___ P_r_______y, __________ ___r__c__. J__ R___ __. G__ _ry_____ __. B___m___ __. _ubr__k_ ______. My _y__, _cc_r___g __ P___c_ R_p_r__, ___r__ Y_ur '___c__. Upk__p (C___.). _r_ur_ w___ C__f____c_. 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W_rmr__ __. _p_______u_ Mu__c ____mb__ __. _________. ___r____c J_ur___, _r ____m_c ____r_. Z_z____w P__r__k __. K___ __mk_ __. __m __. ___ F_m_____ C_mp__x. ___p__r __ ___ B_w W___ _f __f_____ ____um. ___ Fu_ur__m __ _______-R_____ C-__c____. B___ __. C___r W_____ __. Fr_u__ __r F_m____ __. ____r. _ fur___r _____ _ub________ _m_______ (_J ______ m_x). _b_g_r __. B_y_ __w_ G__g __. __rg_r___ __. P__r_ck C_w__y __. __g_ F______ ___c_ Mu__c __. __rg___u_g __. _r___z_r_. __'_ _b_u_ __ G__ __ck (____g __ ____ R_____g _ B__k). __ w__ _____ f_r ___ p______ f_r ___c__rg_, _____, ___ Pub______. Z__k_ ___g_ ___g_ __. ___ BP_ (f___. _ggy P_p) __. _J P_u_ __. B__g_ __mbr_u_. K__ _r__r_ _w_y / C_m__g __x_. ___ P_r____c__ ___um_ W_rk__ _pp_______. _M_: ___ _________ B____ __. ___ (C_) __. ______ _______ & _p_k_ __. Kw__kw__ __. _rö__-Z & M___c_____k. ____ _r_g____ Cur_ "_c____ R___, R_w____'_ B__g_." F_____ ____r__ ____ Pr_c__c_. M______ _p_____g_r __. J___ M_r_y_ __. M_c__p__ __. __r_ ___. R_: "_w_-_p___" J___, Z_rb___, 1798. ___g_r Z___k_ __. M_____g Pr__um__ ____ __. __m __r_. __r__u_u_ ___ W_rk_ F_ur __ F_r__. __k_ur___ M_r_um __. __u_____ __gu_ __. C____ Fuck_. R_P _____ C_rr_____. ___ "_" __ K_____g_r, ___ ___ ____r-K_____g_r. F_w _____r __. ___g_r M_u__ & _p_rk____r__ __. G_r__ ___u_ __. Pr_fu__ 73. ____ _r_pp__ _ccup___, __m_____. ___ Fr__ M___ ___c_ C___r __. W_r C____ __r___ __. ___ P__ Gr_up. _ _r_p__ __p____ w___ _r___, P_____. R______ __rry __ _cum. __ G____m___ M__rk___ _____r. ___ M___ P_rp__u__. F___ __ck_ _f Fr___ f_r Br_W_. _r __ W___r _r___ M_r_ M_____? B____g_ F__r___ __. Ru__m____ry P___ __. R_____r __r_c_____. __cur__y ______c_ __rg___ _____. ___ P__c_ __. __rr_r__m __. R___y Gr__f. _ur__g ____ P_r___ _f ___u___ry Br___c_____g. ___c_____g __rk____ __. __ckcu__ __. ___y C_r_y. ___ ___r_! (___ M__k). J___ C___ __. J___ C___ __. J___ C___ __. Pr_____u__ ___f_gur_m___. Fr_m "__r _w_g_ __g." "_ c_____ _______ _g_____ _____f c_____ _____." _____r B__ck, _____r B_x__g __g__. __k R__g_ B_y_ __. _ur_______ C______ 2009 __. M___ F_gz. ____rb_rg_ __ "___ G_r_fr____ _xp_r___c_." ___rup____ _f ___ C_rc_____ C__ck. Z___ J__u_ __. _.Y. ____g_ __. _____ _u__ _x_r_c__r. __b_cc_ P_____, ___ck_ ___ ______g Pr_mr____. C__y Pr__c__r_ __. B___r__ __. _________. Fr_m "___c_," 1971: __m_____ J____! __umb___g ____ ___ B___ ___ F_rm__. B___ F______ __. R_ck F______ _f '77 __. Fr__k__ _ym__, Jr. ___ Ju__ _ ___-C__ Fr__k. ___r___ Bu___ P____ __ __u___. P_rcy F____ & ___ _rc____r_ __. _____ __. P_kk_____. __r ___r _y__ _ ___g__ Gr___________ _ug. Fr__z F_r______ __. __w ____'_ W___ _ C___ P_w_r B______ __. ____m_u5. Cu____g Cr_w – ____! – __ ___ ______m ____r___ M_m_r___. _.U._. __. B_g M_m_ ___r____ __. _p_rk_. __r_w __ ___ G_r____z ___ Y_u'__ G__ _ _r_p_yc_. __g__ __ ___ __ur_ _f _u__g__. _______ _u_g___ __. ___ ___c__ __. C_r__ M_cr_. _y__p___: ______ry ____ #326. M________gy: ____y___ _f _____r ___ck__g pr_c_____, ____ __m__u____ __qu__c__, ___ _x_gg_r____ m____r__g _x_rc____. Fr_qu__cy _r_ff_c b___ _b_____ ___ _m____r____ __r_ug_ ___ u__ _f r____m_y ____c___ _u__-_qu___z_____ cur___. R_ck ___ fuck _u_. __ ___r_ub ___ __ C___c_. M______ W__zk_'_ 8B__'_'R___ F_______, __y _w_. Cu____g B__r_ _w____ __ Y_ur ____c__c_. _y_____ C__u___u __. __r__g__ __ru __! __. __g_ __uw_r__. M______ W__zk_'_ 8B__'_'R___ F_______, __y ___. __ur__ M_y ____ ____ F___ F__g_r_, Bu_ __ __f______y ___ _ P____. __ P___ P_rf_c_ Pr_gr_m ___ur__g. W_u__r _____u__ __. ___ P___y P____. Krüg_r 60 C__'_ B_ __y W_r__ ____ W___ P__m. _ _c____r__g _f _w___ M_m___um, __ug___r _f ___ _____. W_____m B_____k_ __. ___ Ur_____. Cru__ ... K___ ... P__y B___cm__g_ M___ F____. F___k___ __mp_ & __/B_BF __u__ __mp___. __w fr_m K_r_ _c_m___ __r__g! F___k___ __mp_: 26. F_bru_r (K__ 018). _b___u____ ______m __ ___k__g B____r ___ ___ __m_. K_r_ _c_m___ __r__g: F_r__c_m__g. ____ ____ __ _u_____ __ur. __ ___gu_ _______ __. __mp_r_ B___ __. Pu__yc__ _____. __ _mm_cu____ J_b _f P__y__g R_b Gr_____. P___r ____r_y __. __c_p_c______. My C_u__ry (by _x_______) C_____u__ __ B_ _ ______ _u__ ____w_c_. K__ ___ ___ F_r__ ____r_bu__r. F____w__g ____ B__g. ____, Bu_ ____r ____r! F_r _1_1 _ymp__m C_mp_______ ___y. J_m__ ____ __. __F. __ _y___r_ __ M__c_ ___ C_r_br__ ____cc_____. B__ ____! _-_-U-R-_-_-_-_-_-Q- ... __m_! _ B_urr _b___ R_pp___ (___-F_____g _m_ck M_x). ___y G_g_ __. M_g_c__ P_w_r M_k_. _y_r_______p'_ ____ ______ __w __ R_fr_____g ___b___ _qu_f_r ___ _umm_r___ M___ F____r_! ___r___my __r_ Up____. W___ F_r_ _c______ __ __m___b__. ____ Murr_y __. ___ C_r__g_ (__r____ 01). _____ __ ___ ___ur____ _y___m! _w___y Y__r_ _f _u____ __f___! ___z_b___ __y__r M_ur__ (__ __r _____ _____). _ C__pp__ _ C_ur_ (u__ ____ __ck__ ___). K____ P_rry __. ___ ______r. B_r___, 9:05. R_p_ C__m_____gy: __ur F___, _pr__ 9, 2009. Cr_w_ __ck___ K_r____, __r, Y_u. __f_____ __. _____. R_P M_r__y_ C__mb_r_. _ __w _______u_ f_r ___ U_br_____ F_w. R_p_ C__m_____gy: ____, ___k_ _rp Br_c__, _______r, _pr__ 11, 2009. R_p_ C__m_____gy: __ur __r__, _pr__ 7, 2009. Fr___ __rág_k __gyé_ c__pp _____ __ő. B___ B_r____y ___r. _ ___r_ P_u__, ____ ____x_____. _u___y _p-__ ___k_. _f__r ___ M_m____ ____ C_p__z__. M___r_u__-__u_-B___, 8:55. __rr Pr__z __r_k__ _g___! R_p_ C__m_____gy: R____r____, __y #2. R__ __up f_r ___ J____r_ _______. C_r___! _ K__w __ W__ ___ky, Bu_. K____ (U_-)C___. ___fb_ck_ _bu_ B___ J_b. __ _b___c_ _f ___rgy __ __ ___rgy _Q. ___ __u___u_ _f __w_r___ ____r_. R_: __ _RR_ _m _c__mm__. __w_y __g___ __ U-C___r? __ ___g __ __b___'_ ___ ________, _'m __w_. ___r_ C______ __ M_____g_. _ _____ ____r W___ ____ _p___ _g___. C___r____ __c_ ___ _ky. "Fr_u K_m_ k_mm_..." _w_ __w P_x fr_m __r__ R__urr_c___ _ru_k_r__ P_rf #2. ____c_. K__ ____y __ ____. ____ W_u___'_ ____ B___ G___. __r__ __w R_______ __ K_r_ _c_m___ __r__g! __ _RR_ _m _c__mm__ (C_R). "__m_ ____g_ ___'_ C___g_ __ Gr___r'_ C_r__r_." _________... ___ _c__ __ _ R_k_. __r__ R__urr_c___ _ru_k_r__ (u._.) ____g__! __ _____'_ G__ Muc_ __x__r ____ _r__ck_w__r____. _r___gu____ Y_ur ___p__r! R_g_r___g J___ Y__ ___ ___ Bu__ __J. R_: J___ _u___c__. _u__ur__ C_rc__ _b___ Gr_u__ Z_r_. __r__ R__urr_c___ _ru_k_r__: P_rf_rm__c_ #2! ____ Kuzm_-__p__j_w_k_: _ _____ _f _____ry. _rr_______ _ur____r_ _f _ P_____ _m_g_. M____g_ ___m_ B_r_z_ __. _______ Br___. __mp__ Crumb___ ___ Cru__ U___r_____. R______ Gr_b_ & ___ K_p____ __r __r_ö__u_g __. B__ck _____r. __r__-_____' Br____ C____mm__. R_b_cc_ _y__ & __ck__ ___ __. ___y __y. W_y ___ _ug_ J_ckm__ __ ____ __x? Kö__g_w_r___r__r____, M____g__. F___gr_f _uf Fußw_g. "____y... ____y-B_y..." ____ __w_r __ K_r_ _c_m___ __r__g! U__ ____r_ 31. J__u_r (C_R). ___ (__b___ __u____) __ Gr_w __. K_j_m __. R_g_. __w __ K_r_ _c_m___ __r__g! K_r_ & ___ _______c__f___ U__ö__g_rw____ _u__-G__u____ K_____k_r (C_R). ____m___ ___ry _f _ W_rk__g _c____k. ___ P_rf_c_ M_m___. F_ur____ __w C_________: __y 7. C__r___ _z____ur __. C.C C__c_. F_ur____ __w C_________: __y 6. J__ ___mp__y & ___ U__qu__ __. G__rg_ B___r_y ____. F_ur____ __w C_________: __y 5. W_u__r __m__ __. ___ C__p__ _____r_. F_ur____ __w C_________: __y 4. M_:__ __. _up_r _j___ B___. F_ur____ __w C_________: __y 3. Åg_ ___k_____r___ __. C____y. F_ur____ __w C_________: __y 2. M_r_ ___c__ _m___ __. ____. F_ur____ __w C_________: __y 1. M_x_y_ __. __u. _w_ __c____ _f W_____ _ff_r_ C_m__g __ W__fu_ Fru_____! _w_ _____ _f J_ck ___ __ Fr__ç__z Br_u_. ___k_r Z____r __ P__'_ _____. _ M___r_b__ __y _f _____. ___ __f_m_ ___r___k: __f_____ R______ Bur_. R_P M_x __u__u_. _m__ J____ ___ _m___ P_r__c__ _p_c_ __br__ ____r__m___. _ W__ _r_m _f ___ B_f_r_ ___ _ubbub. ___ F____ __r___ B_f_r_ ___ __u___r_ W_r_ _r_w_. __w C_r___ ___ó___ __ _____ _u_ __w __ K__! C_r___ ___ó___ __ _____ _____b__ _____r (C_R). R_P J___ M_r_y_. ... ___ w_'r_ b_ck! __m_. F___z _____r_ár__ C__u___! __/P__r_ G_m__/_r_p_ M_c_c_: _ _écu__ P_x. ___fp_r_r___ __ ___g. _ Cr_w_ _f M___. _w_ __w R_______ fr_m K_r_ _c_m___ __r__g! K_r_ _c_m___ R_m_______ ___ __c____x_u___z__ F____ R_c_r___g_ ___. 1 (C_R). Mu__u C___cçã_ B_r_r__: ____r_ __ _____ _x__b_____ (___ M_r_). K_r_ _c_m___'_ B___ Bu_y. P_x fr_m ____ __g__'_ _____r P_r_y. _f__r____. __ ___ 19__ ___ 20__. W_'r_ G___g ___p F_cu_ f_r _____r. R_p_ C__m_____gy __bu_ – __w __ K__! R_p_ C__m_____gy ___c___c_ F_______. W____ Y_u'r_ __ __, _ry ___ M_rcur_c_r_m_ Fr___. ___ ___y ________, ___r. G____ ____ ___ W__c_m__g __c_r. __rg_. __m_ M_m____, C__r_r_u__ R_f__x____y. __f_m_ __ C_____ ___ B_ck. __u ____ __w __ K_r_ _c_m___ __r__g! __m _m___ __mp_r_ W__k___ __ _ __m____r_ __ __c_ucu_ (C_R). ___ 18. ______ fr_m ___ 11__. "___ $10 _r______ ___g___r." ___ $10 _r______ ___g___r: P_y__g ___ Pr_c_ f_r __g__ Y__r_ _f Bu__. __w ___ F_r__c_m__g R_______: J__u_ry 2009 Up____! K_r_ _c_m___ __r__g: __mm_r__r____ ___. 1 ______b__ __w! __m _m___ __mm_r__r____ ___. 1 (C_R). __w fr_m K_r_ _c_m___ __r__g! __m _m___ & P__ ___ck – ___g_ P_u__, ____ __c_ ____ Z_g_r____ (C_R). _cc_r_____ __ ___ __ump_. Fuck. _u__p_____ R____g. __rr___ __f_rm______: ___ Wr_____r. "__'_ _ Bu____ M_c____ f_r ___-__r__..." __w R______ fr_m K_r_ _c_m___ __r__g! Brü___g / _c_u_m_c__r / _c_m___ – _x_r_k__ u__ __f_rm_______ (C_R). __ ___ P_____g_, P_. 1-2. F___z ___ ____!

__y _g F _ C__c_-___ Rum_r M___ … [R_bggg _ _ ( _ ___ _._.) Bg: P_ _____ & _ub__g Cppg_, 12.31.08 – 1.1.08]

2012-03-03T09:57:00.000+13:00

M____ ___b___g_p______ ___ 2008. ___b__ > P_x ___ 5. __y __x __ Up__ U_. ___b__ > P_x ___ 4. ___b__ > P_x ___ 3: ___ _f__rm___. ___b__ > P_x ___ 3. ___b__ > P_x ___ 2. __w P_x: B_r___ > ___b__ (__y ___). W_r__ F___. W___ B________ _rb_ _r_ Gr_____g. M_rry (__c!) C_rr_____mu___. U__ Fr___ W_____c____ ___ __m u__ C__u___! _ _upp___ ____ W__ B_f_r_ "_r_ W_ ___r_ Y__?" B_f_r_ "____ k_c___ C__k __r Cr_w". Fuck Fr_mp___ F_r___r. K_r_ _c_m___ __r__g. K__ 001 _______ K____r_k____ u__ __rz___mu_ (C_R). P___-Gu_ Wr__c_ ____y___. ______g & M____r__g. B___z_ Pá___ R_c_mm____. M_rk M_rg__ R_c_mm____. __rr___ __f_rm______: ______. "___ M_r__fu_ G_rb _f F_rc_..." Br___ _ur__r R_c_mm____. Mu___r __. Mu___r. ___ ___rr__g M_c____ _u__k_ff __ _r__ ______y. __r __mu____ _ __r__. _ub____c_ __. B__r__ & __r C_ub _f G_r_. B_cc_fum_ W____ ___ C___r__cur_ B_ck. __w ___ fr_m ______k_. _____ M____ W___-B____ _rump_ _c_u__ _____ M____. Z__-u_-__qu_ __ _ W_m__: __________ _p_____ f_r __ ____r C____r_c__my. _u ____u_ __. _____y & ___ J_______. W__r_ ___ c___r _f m_ur___g __ __ __r_y ___w. R_P Jør_ U_z__. ____p C__qu_r__ (F_r ___ ___c_). ___r P____gr_p__ _f M_g__. _m_r___, __k_ & P__m_r __. M_r_____ F____fu__. C__f_b r_: C_r__g_ _3.0. ___r_'_ _ _____ ______ ____ ___ ___w R___. __r____ __r__ Up____. ___ P___k_ _f ___ Br__g_. _____g _u_c___ ___ _u__ Cur__, ____ __ P__'_ _____, _______r. W____g M_____r__m __r_ug_ ____ C___ury'_ _r_ P___. __ ___'_ K___m___. Qu_____y X b__ _r___rb_____ zu "___ ____ G_w__r 2". __ ____ ___ _____ __ _._. __x___ _f ___ M_r___ R__g. C_f_ G__ck___ / ...u__ __r bö__ W__f / C'm_xX. ____ __ ___ _ _um__ ___gu_ ___g. P_ä__r _b ___r. _ W_rb__ _xc_____g 13 Jup___r M_____. __ ___r__ P_____ ___ __f_______ __y___ Buzz_r__ B__. _b______ – __w_y_ _uc_ _ ____fu_. "__u_______-______r _m _p___p_r_____..." C___, C___, C___. _b_c___ ___ __f_c____ __ ___ P____ _f ____r__c____. R_P MM. ___ J_m_ ____r_x _xp_r___c_ __. J_ck Bruc_ & Fr_____ __. R_m___m. __b___r_ ____ B_u_ B____. __ ____ ___ _____ __ _._. M_r_y B____ (___y Gr___y), _pr__g '67. B_ck __ _Q. B_r___: __g ___r. B_r___, 9. ____mb_r, 14:20 U_r. "_m ____r____ R_um b____ __c__ R_uc___..." B_r___: __g ____. _____r__g W_____ Pr___c_____ B_u___. ____ __ ré___u____! Fr__zy __ ___ B_w_ry. J_, W_r __b__! ____y __ ___ __y. R_P JCB. Fr__k__ __y P_____ ___'_ M_k_ ____ ____ _ G____m___ _-___r_. __ ___ J__-__g F____. __m_cr_cy __ _c____ (_r...). ___ _b_m_rc___. ___ M__ R_____g _c_ ____'_ ____ _ ___. __rcu___' Cru__ Bum-Ru__ _f __y___u_. R_P J_rry G. ___ ____um __ M___um. __ W_r_ f_r Pumpk__ __ F______? B_cc_______ ____b___: __rm_rk ____r __ M_rr_r. B__w___ W____ u__ Wr__g. ___ R_____ P_r___gm F________. __ B____y ____, _ __w-__m_______ c_u__ry __u__. __ ____ ___ _____ __ _._. "__r-__r," ___ __ "__r," ___ Pu_-M_u__. ___ G______gy _f _r_____ (_cc_r___g __ _r_c_-__r__). W_'r_ _umb_r... _r, 36!! Upp__g ___ ____ __ ___ _up_rg__ ___k__. Fuck __ W___ – ___'_ G__ ____y! _ _r__m__ _ ____ur__ _r_u__ ____b___y ______. _ __g_ Qu______ _f _m_______ _______g__c_. "W___ __ W_ __ __ W______?" ____r. __ __b_w __ ___ __r... __m_! W___ ____, __r! K_____ __ _g______ R_p___. M___ P____b__ ___k__g P____ __ _um__ _____ry. ___r_ U___k__y __ _ry. F_r__ __p____ _f ___ __y. ___ B_____ _f ___-__-ur_ __ _ _____ub_ _ggr_g___. W_ W_rk ___ Ku__ur B___ __ Y_u ___'_ ____ __. __x___y. My _y__! My _y__! My _y__! My _y__!! ___m___y f_r __up___? (__ ____?). W_y __f_ __ _ff__g W____rfu_. _ P_x __ P_____c_ (f_r __w). _____ Mu__ B_ _C_R__ __ McC__c_r'_ C___k_. Y__ ______r G_P C___r_ __bu_k__. U___r_y __bu_k__, __c_ ___ f_r ___. ___m_rk Üb_r _____. Ju__ _____r__? Y_u B__c__! M___ __g_ ____ r____w__ __ B__g____u__. _b_m_ K__w ___ ____g. __. ____ __ W_y ___y ____ U_. __w M___ __g_ ____ R____w: 9 _u_ _f 10 __ G_rm__ __c_. _____-fuck__g-__r__u_. F_y M_ __ ___ 99__ F___r. Fr_m _uffP_: "____ R_fu___ _b_u_ _y_r_ ___ _b_m_." _______ __. W_r___ #5. _______ __. W_r___ #4. C__gr__u_______ C__r__ ___ ___r_w! ___ _____________ _f _r___ky (__ P_rf_rm__ by ___ C___ _f ___ _____). _______ __. W_r___ #3. _______ __. W_r___ #2. _______ __. W_r___ #1. __w! _______/__r__c_r_ _p___ C_3! __m_ M_____r __ __y ___ug__. W__z__bug __wc__w. ___'_ __ug_. _'__ Y__ __ ___f__x "___ C______g_," __w___r. ______ ___ F____ _pu_-Br___ _f __ U_c__g_____ _r_m_ W__r_. ___ __rk ___r_ _f B______y. ___ __ _ R______ ____. __ ___u__ Crumb__. C_____ K____ U___ (__r_ ______). B_ck-___ C_b_c_r_m_ _g___? __ __g___g___ _f __r__x. __rw___ __ ___ McC___ Fumb__. F_rgu___ __ McC___'_ _u_p______ (_f Pr__c_p___). ___r__uc__ Pub_c ___r __ ___ __f_ _c___. _u__y Murr_y'_ U___uc__b__ F_c__r _pp__ C_r__. ____pu_ K__w _ ____g _r _w_ _b_u_ W___ __ G_ug_. Br_g__ F______g __r_b_ _ff_c_! ___ _qu_b_ ___ P__w_____ w___ R_p_r_. My F_r__ F___ R___. _mp R_p_ _xpr___ _mp R_p_ _xpr___. __ur_______c_ _rump C_________c_. Fr_w_ ____ __ PK_ ___ck 3. _ _____ ____y. Fr_m K__: "__r__ __m__ __ ___my _c____." ___ ___p___ __c___ Y__ ____ ___ _rc____. "_ru_______ ___g__ _ C_m_b_ck." _ Pr_y__ __ J__u_ C_r___ f_r _ M____ _ C_u__ ___w My K___. Bumm_r. _f Y_u'__ B___ ______g _ff __ ___ K___. __rr___ _r__f_c_ _____ ___. 5. K__ __ ___ P____ Y____ __ck. U__c_r__ ___ R___r_ _f F___ ___ Fuck M____rfuck__g McC___. __w ___ __m____ __ _c_ __w __w __w __w! __ ____ ___ _____ __ _._. & ______y R_pp__ _/_ _p___. __k__g ___ _y__g Cu___ __ ___k. R_P R_ck Wr_g__. __rr___ _r__f_c_ _____ ___. 4. "W___ _ __c___." B______g _ C_____, F_r_r___-__k_ _x__r__r. ______ Q ___ C__u__ P____. ___ __u__ __ F____fu_. ______ Q Pr__qu_ _u! __p___ck __ _ ___ ___ __ck _f ____. "___ '_m_r_c__ ____' C________." W_____g f_r J_mmy _ur____ __ ___ F_y w___ "___mmu_g." J___ __ B_rb_r_ __p____g_. "McC___'_ ____gr__y." M_M: C___r_____ _mp____b__, __ ___r_ _r_ __ ____. R_p_ C__m_____gy: ___ ____r ____ M___. __mpr_y_' G____ '_' _c__. P__c_ _f _mm_r_____y ____, WC__-FM, __w___ _____ U____r___y, __w___, M_ry____ (25 M_y 87). ___ B_x _w____ ___r_______y. ____ __g__ w___ J_mmy B_y _. ____r___ ______ ___/___R__ F_y-By: W_y C___. Y_rk, P____y______, __p__mb_r 4, 2008. __P_!! __r____ __. ___p_rk__. P__c_ _f _mm_r_____y ___ B___ MUX! Gr_____u__ __rr___ _r__f_c__. ___ W___r-C_rr__r_ _b_____ ___ Buck__ Br_g___. _f Y_u'r_ ___ _c_r__ ________, Y_u ___u__ B_. M____ru_ __. M____u_ ___ B__ckw____ __g__c __y__. "W_y _ W___ ___ ____ f_r J___ McC___." ___ (U_-)___y ____ ___p___. __ck _f B___g __ck_r. __gr___b__ R__g __ F_urf___ C___m_r__. P__c_ _f _mm_r_____y ... ____ "____." _______g U___r X-R_y_ ____ _r_ug__ _f R____. W__z__bug Mu___c___ (___g_ _pru_g fr_m _p__g_). __g___-_m_r_c___ U____! (__ _b_r____ Pr____!). _ R_m____r. ____ __y _m_r_c__ F_rg__. J__ ___w_r_ __ _m_r_c_'_ Gr______ ___m_p_rk ___r_c____! _ C__ __f_rr__, _ur___g M_m. C____ R__g__ __ M_r_. ___R W_r___g! __r__g__ __ __ _umb_r ___. ___p_r _____. R_fu___: __-Pr_gr___. ___ "_cr__c_" P_rry: R_p_____c_ _u__-Pr_m_ Gu__. __ymp_x ___pz R_p___. ___ F______ f_r ___ F_u____. 3:07 ___ ___ _ m__u__ ___ ____. 20 Y__r_ _f __g__ _w____ ____r. __ ____ Fu__ _f _c__. Wr__g__g _u_ ___ ______. __ __w__f_ #14 Fr__ __p_. __w_r__g ___r__. Br___r_ck Cr_wf_r_ __. ___rbuck_. __ ____ ___ _____ __ _._. __g__ C___ (36 __) ___ C_r__ M____r (44 __), W__ _r_ __c_____g. Y__ ______r R_____ __ ____y ____y'_ _u_c___. P_' P_' P__ P__-C_r_ R____m____! _u__r__ _u__r__ __. __m _m___ (__w ____). ___y Fuck__g _u_-B____ ___ B__ B_r__! P__c_ _f _mm_r_____y ____, ____r_y ___ Mu__c 4*, __xu_ C____r f_r C____mp_r_ry _r__, _______, M_rc_ 31, 1989. Gr_______. __w R______: _______ / __m_____g____ ___w ___c_ ___ _ry _ump. R._.P. J_rry W_x__r. ___ _w_ M___ R_c___ R_______. _ _ppr___ ____ ____ppr____. __ __ f_r Ju___. __w __ C__ B_ ____. ______ M__k_y_ __. ____c __y__, 1986. C_ur___y _f B___z_: "M______ R_m_x G___ _ff!!!" ___p___ _c_______gy, __b_. "M_r__y R__urr_c___": F_xy __g______ R____w. 100 Y__r_, _____r W_y. P__c_ _f _mm_r_____y "J______" My B__ck ___ - R._.M. __ __r _upp_y! ____ ___r __ ___ __r__ru_ M_rr____! M_____g w___ ___-___y. J___ C. ___m__ - _ __y __ ___ __f_. P_r____ ___ Gr___: __w Bu_____ R____w_. __r__ _u__r__, ____ Fu__ ___p. _______ M___up F_____: ___c_r_c ____ __. M_gg_ P_y__ __. __r __c__r Uw__f_ __. P_____g_r _f ____ __. ___u __. Mu__qu__ M_______ __. Z'__. __rr___ _r__f_c_ _____ ___. 2. R_: "M_r__y R__urr_c___." __, W___ _ _____r__ W_b W_ _w___up. __m _m___ & F_y__g _u____b_c__r_ - ____, F_r_____ B_w_, C__c_g_ (22 __c 95). __rr___ _r__f_c_ _____ ___. 1. J___ McC___, ____zy C_ck_uck_r P_. 666. B_p___m _r ___c___. W_____m _c__mm__ _cc_r____ R________. ___ ___ W_r _f Pr_f_r__c_. ___m____ G__á_ F_u__. _r__. ___. Y_ur C____r__ ___ My C____r__. ___m____ G__á_ ___m____ G____. ____ ___ Gr_________ W_r_ U___. _yp_____c __g____ __. J_rry Mur__'_ __rm___c___. W__ ______ ___r ___ ___r_ ___ W____w_. Pu__y G___r_ ____ B___. C__r___ K_mm__, f_r ______g "___ __x ____c_". M___r___ __. __ _ü______rf. _____r _____'_ "W" _r____r. _ub_um_ ___ _m___-_c___. R___ ____k_r __. _/_/M. Pr__ump____ C___ump____ Cr____-__-C___f. P__m__g ___ F_ur-F___ B_x. ___ück __. ____r _ur__r & ___ R____g ___r F_f_ & _rum B___. B___z_ P____: ___ _w_ ___ My___ry. ___ ____ _ub___ f_r ___ K_uck__. R_cyc__p____ C __. C_c___. "__ muc_ __ _ fur, __ _ w__c_..." ____b___ __. (R_ck _u_) M_gm_. _w_ P_r__ _qu_ ___ __ ___ P_r_ _u_r_m___. Pu__y G___r_ ____ B___ (_r_g____ __r____). ______p__ U_c_r_, M__-__b___g_. _r_c _u___ __. ___ P_p____ & ___ _rc____r_. W_ ___ ___ __w_ ___ ___g B_f_r_ Y_u C_m_. __pp_r Zuk__ __. _m-B_y. Cypr___ w___ R_p__ W_rk___p_. _______är __. ___ W_m__. ___ w____r__ u_mög__c___ G____ _u_ __u__c_____. Y_u _____ ___ ______ My _____ by ____ __qu_f_c____. J____y M_____ __. G___c___ _rg__. __ru_p_x K_x. ___ __ F_c_ _ G____ _y_. ___ _____y ____ __. W_r_. ___r____ ___ _rb_r_ W____u_ C______ _r _____. _._. __. __p__ '_ __p__. ___ _p_k_, ______g _ur ___r__ __ B___ _f R_bb__. 11b__ __. P___r Wy_g_r__. __ R__m f_r __p_yx_____g _mpu____. ____ Mu___ __. __ Gr__p 65. _______: ____r___w w___ ___ M__c____ Br____r_ (r_p___). __ ____ ___ _____ __ _._. __ ____r___w w___ ___ M__c____ Br____r_. __ ____r_______... (r_p___). _r_g____ ____ __. _r_ ____mb__ _f C__c_g_ & __rku_. W___ B_rr___ f_r _ug_r (___ M_j_r __jur___). _____ G_____ __. Gr_up_r. Fr_m ___ ______ ____ G___ U_ ___ck__u___. 89% Pur_ C_k_ __ ____ ___ R_pub__c. F_______c F_ur __. _k_r_ R_b_____. ___ K______ ___g__ _f Cr_y_____ __u_r__. J_______ W____r_ __. ___y ____r__g_. _ __ubb_r_ R__urg__c_, _r_pp__ w___ C__pp__g_. J_____ J___ __. __u___ _u_b__r. ___p__, _______y W__p__g. _ry _c_ __. M_p_____p_____. F_m___ ___r_ _f ___ ___g______. M_c____ ___m___ __. C__pm__-W_____y. __w_ __ ___ __g__ (K___m___ M_x). ____ R_______: B_u_-C____r Gr_u____g_ R_______ by ___ C__g. _c____ Mu__c_ __. B__k_r _ & ___ MG_. B__ck _qu_r_ __ _ W____ Gr_u__ (C__-C_'_ _c_p____ M_x). K____ F___r____ __. M_y_ ___mp___. ___ _y__m__m _f _______ _ucc______. __ F____ ___ ___ ____p___, _______ __c___. _ G____ __ __c_r___. Gr_y W_____ __. P___ _c__. _umm_r _____g_ __ Ju__ _____! J_c__y_'_ M___ B__u___, _____r'_ _kr_w_r___r ___, W_____'_ J___pur_, R__'_ C_uck_, ___ M___y'_ B_____ F___, 75% _ff! _______ __ Y_c___ Y_u'_ M________. 4" B_ 2" __. P___. ___f __c____, ___f _yp___g_c__ B_rqu_. W_____ ______ __. ___c_ C___r___. Τρεις παραστάσεις του συμβιβασμού από Ξενάκης. My M_g_-R_uc_u_ F_ur__. _b_u_ 20 _f U_ G____r__ __ ___ __w_r C__mb_r. ___f_ __k___ __. Burzum. _ F___ ____py ___ __c______ __ _ Qu_ck_y _r_ck___ __w_. ___ ____ur__ __. _______ Fu_g_. C_______ Buzzk___. _______ _ur_ 2008 F___r_, P_. 2. ___y W_u__ R____r B___ _u_ ___ _w_ ___gu_. B__g___ _ub_ __. P__ R__z R___. ____ur__g ___ Gr___ W_r__ _f M____ ___ G_______. J___ W_y__ __. M_g_k M_rk_r_. __p_c__ _f _p__c_ W_ M_g__ __m_r_. ___f C_urc_ __. _m_gm_. __u__ __ _ _p__g_ _f Fr____m-_r-__m_____g. B___y M_ck__z__ __. P_yc__r_m_. ___-_c____ B_______ __ ___ ___g__ _f ____r P_w_r_. ___ C_r__g_: _up_r-__cr__ Kr_u_-P__k. Fr_m__ ___ Fru__fu_ __ ___ _b______ Wr__c_. ___ F____ __. __ F__m__. B_u__ Up w___ _mb______c_: _ M_r__ _r_m___z_____. _J _____ _umm_r __. ___ J___ R____ B___. __m___ U__qu_ __ __u__ _m_r_c_: __w_r_, M____ ___ G____. _____p_ __. __r_c___g ____. "M_r__y R__urr_c___" C_r___ ___ Cub__. _r__g_-Cr__b_rry M____ ________. _. _y_uk__ & F. _p__m __. _uc_ F_rm______. C______ __ Pr_m__ __mb_. _r_______ __. Br__(...)P__ (2008). _'__ ___ Y_ur ____p___ M___p__r, ___ R____ Y_u _ __f_____ ______gy. C__c __. My___c M____ _rc____r_. R._.P. G__rg_. _______ _ur_ 2008 F___r_, P_. 1. _c__m_____g_ Z__g__-Cr_m_. __ ____ ___ _____ __ _._. - 30-m__u___ mä___rcr_m_. P_____r-M__k, W___r__gg__ R___. B_r__ _f ____y __. P___ P_r____. _ M___r __ccup __ __p__mb_r 1787. B____ K_rc___ __. Pu__y G___r_. _r_____'_ ___p_r_____ ______. __ckb_y __. ______. __z _rm__r__g'_ __c_ M_g P__c_ __ R__ B____r_. Pr___p___ ______c_____. ___ M___ __. Gr_g K____y. __ W__ ____ __ ____ ___ B____. B__ Fr___ __. P__k _ku__. _b_____c_, ___, B___, B_w. C_____c_ __ __. M_rk ___w_r_. B__w___ __umb ___ F_r_f__g_r, ________. G__ ___p__r__ __. ___ __r__g__r_. R_____ ___ Urg_ __ Bu___ ____r__m____ __ __u__ Y_ur W_rk_. _____ Bru___ __. B_krug. "_'m _____g R_pub__c__." MMJ > P__ > _MG. ____ _u_ ___ R_____g? "_ur_, _r_m____u_..." M_rcu_ _c_m_ck__r __. B___ F_br_c. P____ Cr_____: _y___r_c__ B__ck_u_, Pr_m____u_ ____. _____m __. Fr__c_ G___. ___ ___r-Gr___ C_____ _r__p M_r____y. C____k___ __. ___ __r__. _w_____, _____, P__rc__ by _p_k__. W___y __rm__ __. ___y_r__. __ ___ __r__ P_r____ _ W__ ___r__cu____. __w___ W____r & G_r___ R_u_m __. B__ck __c_. "W_rk __ ___ ____g __ _ __m_ U____ F_______..." __gg_r K_j_k & __z_ __. M_rr____ Ru__. __ck____ _b_u___ B__g: _______ ___k_. _ ____ur _f ________. _w__k__ __. ___ ______ry C_rc__. _b_y__c__ Cum, M_rr_w_(_) __m_. ____ Y__. W___ __pp____ __ Gr_ff___ ___ ___ _r_pp__ _w_r__ ___ _k____? W____r_ __. _____ W_____. ___ _r ___ ____r _f My _____ __ Pub__c. K____ _u____ __. _c____r. "___ ___r_ B_ __ _____ _f __m_..." _____ __cy __. C__r___ _______. _ur 1,000__ P___! ___ __r__ _m_r_c____ __. _ky___k_. _f ___ P___y ___p__g ___ ___ ___y __rugg__. J___f B_uy_ __. J___ Fr__ & ___ P__yb_y B___. W___ ___ __gu_ B_g__ __ _bb. M___y _______ __. _u__y Murr_y. F_ur Gr___ ____g_ _b_u_ G_rm__y. ___ __rk F_gur_ __ ___ ____g__ B_r __c__w__. Fr__k _____r_ __. _____ __u_. _ _ugg___ __ _cc_____ __ ___ R_g. Ry_j_ _k___ __. _g__ ____mb__. R_gr______ __ __r___c_. ___ C_u__ & _____ __. B____ ___r__. "___ Guy_ ____ Y_u W_u__ B_ M___gr_mm__!" 16 B__c_ P___up __. __wc__u_. ___ F____ __ur ____: ___ __u__ry R__m. _28: Pr_f_gur_____. _uf W____r_____ __u__c_____. _*__ G___ __ __ _____ G_bäu__ (__ F*r_). R_____f___ __ M__c____. G__z__ ___ __fu___. ______r P_rf_c_ __y. _ B__gg_r'_ __k_ __ ___ P_r__ P_rf_rm__c_. __ug. P_r__ P_x. __ ___ f___ (__ __u_ _____ rég_é). M_rg_ ___ F___ ___r___: M_y 19 P_x. _ _r__ _f __mburg P_x by C__u___ Fr__k_. __mburg P_x. ___ ___g ___g: G_____ __ __mburg. W__ __ U_ R_ ___pz_g. __u_____ __ G_____ > C___ 12: P_x. F___b___'_ ___-B___r___ Br__kf___ K___c_. _p ____u_c__ ___ __g__ R__c_ __ __p_r_gu_ C_m__ __ __w_. ____ P_____p_' __u_____ P_x. _y__ __ __u_____ > C__ém_ _b_ò: P_x. ___r___ ___ _r__cu_____ Gr___. _b_ò_g _ppur_____c_. Ju__ _ry__g __ K__p My ____ __g____r, M__. __u__u__ __ _y__ > ____c: P_c_. _bj___ _r_u_é_. __u__u__ _rr____: P_x. G___r__ / ___ __b______: F_r_w___ P_x. G___r__ G_z___x_ P_x. M__r__ __ G___r__: P_x. R._.P. R_b_r_ R_u_c___b_rg. M__r__ P_x. R_b __w_ ____r___ ___ ___c____c_. _____c__ P_x. ___ R___ __ _p___ F____ M____y __ _ur _____. R____ur_c_ó_ __ __ Z_p___ R_j_. B_rc_____ __ _____c__: P_x. _______ __ ___ Gr__ ___. f_____g ____ ___ _rm_ _f _______. _____ ___á G_yb_mb? __r___ __ M_r______: P_x. __r___ P_x: __r__c_r_ _ ____. b__u-f___ à c____ux r_ug_ ____ __ __u___ __f_r. _rr_____rc_ ______! R_m_, M______ (C_mpr___ u_ ___gg__ __ C_______). ____ F_____y F________. R_m_ P_x. __ ___ ____ _f ___ Gr_p __ R_m_. M_r___g __ _ F_rm__u__ _u_____ B___g__. B___g__ P_x. X_ __ ___ XM. _r_____ _ ____z__ P_x. Fr_m Ru__ __ R_ck __ 140 K___m__r__. _______ 1, M____k___ ___m__ 0. Fr_m _p___ __ _jub_j___: P_x. __c_p_ fr_m ___ Bu_k_r (__r_ug_ ____). Z_gr_b __ _p___: P_x fr_m Mur__r R___. Ku___ __ _g_r ___ ___m K_ck_. __u_ __ _ __m__ck __ Y_ur C_r_f__k__. Bu_ by __f_______, __u_ __ _b___u___y ___ _ __z_ _k__, __fr_ck__, __m_-r___b________, _r ____rw___, _ru_k___y ___g ____-__g __ y_ur ___g_ (p___-c__c_r_), _r __ump__g, _________, __ ___ ___rw_y _f y_ur _r_____g r__m. ___ __p___ Mu__ ___ B_ ___um____. _p______g __ F___. Z_gr_b ___ ____c_____ C_____u_____. Bu__p___ __ Z_gr_g: P_x. _____ M____ __w_y_ __k__ _ B_ck____ __ ___ Qu___ ___rm. Ö___rr__c_ __ __r_g__ f_r ___g____g. Br________ __ Győr (By W_y _f ______): P_x. W___ __ Győr ___ ___ _ ____ __ ___w f_r __ __ ____ G____m___ B__ck __bb___ (___-_r_) _-___r_. Br________ P_x. P___-_p_c__yp__. Pr___ P_x. ____ M_m____ __ Pr___. P_z__ń __ ___ Cz_c_ B_r__r ___ ____ Pr___. P_z__ń P_x. ______g __ ___ M_g_c__ ____. W_r_z_w_ P_x. __c__r Jump __y__ __. M_cr_w___b__ ___ B_____ry. Fr_m ___ Wr_cł_w ___p-Fr__z_. P_____ Cru___ __w_ B__g____, B_r___ R_fu___ U_ ___ My___r___ Bu_ W___ ___rb__r_ __ ___ _p_gr_m_. Køb______ P_x. K_ck__g _g_____ ___ C_____ ___ Pr_-_r______. År_u_ P_x (__c_u___g M_r___g __ _______r). W_ _r_ Jump __y__ (__r_ug_ _p______c F____r_). _______r P_x. B__k__g __ B_uk_____. B____g__ by _yp_c__ _mm_r___ R_f_r__c__. ___ _____ B_f_r_ ___ ___rm. R____r__m > W_RM R_c_r___g _______ P_x. ___burg > 013 P_x (__c_u___g J_k_, ___w_rp__ _M). ____c___ P_____ fr_m ___b_rg ___ R____r__m. _____c__! _c__u_g! B__z___p_ck u__ Pr___g___b_. ___w_rp__ > _c____'_p__ P_x. Brux_____ > __m___ F_______ P_x. _uj_ur_'_u_ ___ M__ ______r___r_! _____ P_x. J_rk__' __ ___w_rp__. __ R_u__ __ J_ck________ __rp_r_, _pr__ 8. W____ W_'r_ _w_y. B_r__y R_c_g__z_b__ F_gur__, P_g___-____r'_. J.J. Bur___ __. ___ Br____r_. __'__ ___ ___p __m, M____r-M___ C__g_____. W___b___ ___ __. ___ ____b_y_. B___ P____ fr_m My _._. _r_p. ___r_ W___ B_ __ ____r ___. Pr_____u__ ___f_gur_m___ __. __rb__ ___c_ck. __c___ B___ P____ fr_m My _._. _r_p. _ __ug___ w___ __r __ ___r___y ____r. ___ ____yw___ ___r_ __. ___ R_mbr_____. _y__ Up C____ __ _r__c__r_u_ __k. __w _r____ __. __w_r_ J____. _ff_r______y R_p_____ M____r_y. _rm _c_ R_c____. F_x__' _____ Up__ __. ___k Wr_y __. R_b_r_ Fr_pp. _ P__y. W_ W_r_ _p_____g _______r, G___ __ _u_k. J_ck _c___ __. Gr___ __c. Gr_c_fu_ Ju_c_____ _k__ w___ B_____ _f __r__. C_mm____r C__y & ___ ____ P_____ __rm__ __. ___ur__ ___w Bu_____g_. W_m__ ___k_y_ f_r _ Br___-P__c_. ___x___r_ ___p___ & __r__ Z_gm__ __. B_g B__ck. F_____ __ ___ K___k. __ ____ M_r_ ____ ______ __mp__ F____. _rc__m____ B__k_r & _fr_ 70 __. M_c___ __. __ B__ M__. __r______ __ Cru__ R_c___ Y__r_. ___ J_y__r__g_ __. __ck C___ & ___ B__ _____. _ ____ _mp_r____ _xpr______ R______'_ B__ck M__k Fr__-P__y. _k_r_ _. & __ G_r____ qu_ _rr_r_m __. _____ M______. ___ ____ R____m C___c_! _ __r___ ______c_____y _c_rr__. C__ck__ ___ck __. K___ ___g_ku. "Y_ur W_rk __ Y_u, ______g M_r_." R_ck _____y __. _ (U__r_k_r). __y, ____ ___ C____r K___ ___ Wr__k___ Cur? _ubw_y __c_ __. ___ Qu_ck. __ ___ _c____ _f _ ___ F___. _y__ ___m___ __. P_r_______. _____ w___ _ K__f_, f_r _ _____ ___ ___ _p__ _rm_. C_r__ W_____ __. __c__r_ _f M______. ___r_ W__ _ G_r_ W__ _____ __ My Bur__-_u_ ___r_. M____ux & J___ W____ __. _r_pp__' _c___c_: Gr______ __mp___ fr_m ___ B_u_ ____ __b. R_p_____ by R_qu___: P__u__ _u____r_m_. G_r_____ Gr_u__ __w_ __ G___m. M______ _c__ff_äu__r __. B___ __ug_-_-__rm__y. P_r____ ____ ____ C_m_ U_m__r__. _G G__g_ __. R______r_ fr_m _p_c_. W_k_ __ M_r_. __ ___ Br__k _f _r___fu_ _p__c_. K__ R__m __. ___ G_____g_. ___ ____p____ _w___ ___ _r_f_. ___r_-M_c___ R__c___ __. _ryk__ B__u. __ ____ ___ _____ __ _._. _____r _____r B__w____r (C____gu_u_ M_x). __ R_: ___ M_r__f___ _m___-___p B_ckc_mb. U-R_y __. R__u_ _____r. P____ur_ ___ ____r_ __f_ __ ___ ___k. ___r__ G__b_r__ __. B____g. __ ____ ___ _____ __ _._. "_____ Bu___" __. M______ Pu__y B___m___. ___ _u____g C___ ______ ___ Bu___-_y_. ____y P_r___ __. R_g_r Ru_k__ _p__r. _pr____ _u_ ___p______y (__k_ fr_m ___ K____p). ___ ____ C__rk F___ __. ____ P____r M___ær (__ __.). M___w____, ___ pr_m_ m___r_ __k__ ___ ___k _f ___ _p_c_r_. M___ ___c_r__ __. ___ ___r_w_ _____r_. R__ppr_____ _f ___ R__c_ _f ___ P__c_. ___p____ Gr_pp____ __. ___r _f ___ M_____ur. Y_u C_u__ ___ ___ W_____ _____y. ___ ____w____r_ __. _____ __gg. F______ _f M_m_ry, Cr_w___g. C_c__ __y__r __. C_r__ ___m_y. R___y __ ____ G_f__ _f __f_ C______ __ _z_rb__j__ __ __y ___. WFMU __. WFMU. ___ Br_____ B__r_ _f C____r_ ___ _ M_g__fy__g G____. ___p_r___ B_cyc___ __. W____r _m___k. ___u___g __f___c_ fr_m ___ ___g_ __ ___ c_b__ f___r. W_____m _____ __. __w_r_ ___r_. _f C_ur__, ___ ___ __ug___g __ __ug___g __ P__p__. _c_ff___ __. ____c__ _____. C___r_c___g fr_m _ ___r _f ___ F_r__ M_g___u__. B_rb_r_ _y__ __. _u P__r_. ____z p_ur u__ _é__c_ 2: R_c_ur__ __ F_rm. __mu_ ____c____ __. _____ M____r B___. ___ _umb_r_ ___'_ ___. C__c___g Up. J____ J_ck___ __. __g________. B___y J__ R_y__ __. __mp_r_ W__k___. __r_u_ R_x __. C__ju___ __ Ju__ R_y____. Br____ ___ __. __b_uc__ry. __um___ ___b__é __. +++++++++. ____ M_r_____ R____c_r. __ry ___ __w_. __ ___ F______g C_rp__ Qu______. Kr__ Kr____ff_r___ __. J____y R__g_ & ____r ______r. B_g ____, M_r_ M____r. Ák__ Rózm___ __. ___x__ K_r__r. ___ _urpr____g C______r__g ___ ___g___-y F___. B_____ _f ___ _______ck_r_: __y __r__. _xf_r_ ___r__, B___ _____, C__umb__ U____r___y. B_____ _f ___ _______ck_r_: __y _w_. C______u____ _. C_w_r__c_. __r__ _x_r__r____ry _____. _ R_f____ ____g_z_ ________c. B_____ _f ___ _______ck_r_: __y ___. ___ F_ur ____r_ ___ ___ F_ur ___ry_____r_. ___ K__g_m__ __. G___fr_pp. Mc_c_____ '08. ___ W___ P_____um __ 16... ___ U_? _ __y _r_c__r ______r__ __ ____ P____, ___ _w_ C_pp_r K______. ___ ___y __gr_ __. _____r _____-__b__. R__c___g _u_ __ Cu_ __ __ ___ Qu_ck. M_____ry & C_-C___p_r___r_ __. X_u X_u. ___ff W____ ___g___g fr_m __r Wr____. __x _____ __. __k__ _____. ________c_, ______ B_____ ____r ______. Z___x & _c______r __. J_mmy G__m_r & ___ F_r_b____. "_b_u_ _ ___f qu_r___ _f w___k_y..." _c_rf_c_ __. G__w K___. ___ __r___r B__k_ _r_ ___ Grumb___g B_g __g. ___ry C_w (BBC ________ b_____g) __. _______ B____gf____ (P_ck__fu_ _f _u______). __c___ Y_u_g F____w, _ry__g __ R_m_mb_r. ____y ______ __. ___r__y C______. __ur Up____: 17 F_b 07. _rg__m__r__ U___r ____ck! M__ör____ __. _BB_. _w_mp _____ R_p ____rc__ _u__ __r_p! M_c_ __. R_f___ __r__. ___ F___y _f ____ck__g _r__. M__y _f ___ F____r_ ____g___ ___u_u_ B_____ __ ___ __g___. R_b_r__ F__ck __. ____ F_m__y. _ 45-__r_z ____ __r_k__ ___ Pub__c'_ ___r_ ___ __u_. B____r & Kr_u__ __. ___ 5.6.7.8'_. R_g____r_ ___k__ __ ____r Fu_____. Wy____ C_rr __. M___m_rf___. Fuck McC___. B_r_____r! __r__ U____r___ _b___r_ __m__! __zz__ G_____p__ __. B__y ____c__. ____ __ __cum____ry __y__ (___u___ __ w____u_ __m_). _______ _____ __. K__ __r____. G____k_ __ __ G____k_ ____. _ W___ __ P____ __m_____g U_______, ___ __w_r _____f, M_rk_ ___ __g__. W_u__r ___ _________ __. ___ M___y B_u__. W___ __u__w____ G__ B_r__, ___y _ur_ __ R____ _f W____ ___m____ P_p_r. _____ B_k_r __. __y_. U_c_rr_c___ Pr__f f_r U________ ____r_bu____. J___ _u___r __. B_____ ______y. _____ ___ ___ ____ __ ______. Bu_ W___ C_u___ ___ ___ck ____ C_u___ __ __f_c____? C.W. McC___ __. M___r____ M_____ Y_g_. __ _ M____r _f F_c_, R__ Cur_____. G_______ __z_r___ __. ____f_rm. M_k__g C____r______ f_r ___ __k_ _f _ ________ R_c___. ___-__-__ __. Pu___ _m____r. __r__ Br_w_ w__ pr___k__ by Gru__y __ w___. K___ G R_p __. Kr___.m___m_. _______ P__u_ C_r_ by __gr___. G___ C_mpb___ __. ____-_r__m_. _ F_r__ ___c___r__ _____ Pr_____ __ My U_c__'_ __u__. R__c__ F_____ __. __ck_r. Bu___rcup_, _______, _w__ ___ W___ ___y ___m. ___ W____ ___g_'_ _w___g__ ______ __. R_xy Mu__c'_ __r_____. _ucc__c_. _ F___r ____, ___ __ ___ F__. __br_ry __p__ __. _w__g _u_ _____r. P___r ___k: _mp__f_c_____ ___ _ff_c__. J___ Gr_b__ __. __w_r_ ____z_r. ___r_ _r_ W_r__ ____g_ ____ _r_p_______ ____c_cy. ______r J_____g_ __. _u__c_r_. _c____g ______r ___ck _f _cc_p___c_ _____r_. ____ ___g __r_ug_ M_ __. ___ K___k_. _ W__k __ G_____ _y_ ____k_. B_rk__g_r __. ______ __guc__. B_u______, __f_____ _______g. B_____ __. _____k____k. R_-______g B__g___c_ ____m_. ____u_ Qu_ __. _p___p_. ____k _____ f_r P____-____g___c___. FCC ___k_ __ F___ _BC $1.4M F_r ____c___ "_YP_ B_u_" _p_____. R_cur____ ____r___ _qu__k. ___ Buck__g__m_ __. J___k _c___f_r. ___rru_ by __g__. ___ _fr_c__ __w_ __. __c___ R____. Cr__k__g _ Gu___ __ ___ __g_. _my W_____u__ __. C_r__ck____. _____c__ Pr_m_ M_x. C_r__g_ Pr____w_ P_____! _______ ___ C_r__g_. _______ F_c__ ____w___ by ___ Bur__u. __g_r B. _m___ __. Z__mp_. _xp_____ fr_m ___ Pr_f_______. ___rup_ __. Fr. P__ B_rk_ry. W___ __ C_m_ __ F_______, __r Cur___ C________ __g_ ___ _ F___-M__r_ G__z_. ____ F__zg_r___ __. B_ur_. U____ _____ __r_w_ __r C_g_r____ __ ___ ___k. Yu_ _____r_ __. Ju__ ___. Ju__ _ P___w_r__ _f Gr___. F__ B_y_ __. M_gm_. ___m__ P____, ___ _f _ Qu_k_r C_r___m_k_r. C____ _ur F____ ___r __r__k__ _____c_. P____ __. ______ & Y_k__. ___m____y ___ ___ 0/2/5. M__qu____ f_r ___ ___ _f ___ B_____ "U__r__f_c___ ____m_______." R__ 'P___'_ __b____r_ __. Kr_k__. __ _ W_r_, M____m___c__ _ymb___. C_r__ W_____ __. B____, _w___ & ___r_. _______: _f__r____, __y _____. W____u_ _ ___, __r__y __c___. ___ B_____ _p____ __. ___. _ _m ______g __ ___ _m______ R__m. K__ __. _k_r_ _fukub_. B__y _urf_r_ ____ ____g ___ __rc_. ''____ky P___'' K_____w __. __m____. ___ug_ __w_____ C_ur_. G___ P____y __. _y____ K__g. _______, __w_ _f __y __r__. _F__ P_r_ ___: ___ ____y B__u_y ____ M_k__ M_ Ug_y. _ F__ck _f ___gu___ __. J_zz F__g_r. R_P M_c____ Gr_ff__. _F__ P_r_ __: ___w_y ____pp__r__g _umm_r B__c___. _ F__ck _f ___gu___ __. M__c_rr__g_. _F__ P_r_ _: ___ C_mp__x ___u____ _f _g_. _ F__ck _f ___gu___ __. ___ __u____g. "Qu___-____'_-__c_" (_______-G__ X_r_x). B___y G___m__ __. ___w ___c__g __c___y. F___ F____g _______ M_k_ Y_ur ___ P_ck_r Cur_. J___ C__u_r_c __. J_ck__-_ M____rfuck_r. F___ R_____ Up, F___ C____ __w_. M_c____ F__w_r __. K___r_. _ugg_br__m___k _r_ __ ___ ____f__k! Bur___ __. Y____w _w___ & ____r_y ____g______. Fr_m __ G__r____'_ B__g, "___ F____." __ ___ __w R_xy, ___y ____ F____ R_c_r_____ M_k__g F____ R_c_r___g_ _f __r___r_ F____ R_c_r_____. __ ____k_ __. __uc_ 66. ___ _r___r Y_u P___, ___ B_____r Y_u _ug__ ___. ___-__r__ __. J_m__ G__g. R_P ___ry C__p__. R_: "______g __pp____g ___r_..." ___'_ __ M_k_ My B_________ F_g? Qu__p __. Cry____ G_y__. 1) ____c_u__ 2) Rw_____ G___c___ 3) 2004 __u__m_ 4) __w W___. _p_c_r_ F__k __. B___y J___.

_. Ru___ck _. '_._. M_ub_r__y' [R_bggg _ _ ( _ _____ _._.) Bg: P_ _____ & _ub__g Cppg_, 12.31.07 – 1.2.07]

2012-03-02T10:03:00.000+13:00

F___r___ Mu__c _f 2007. ___ry____g Mu__ G_!!! (P_. 3). P___-C_r___m__ __pr______ __. K__g Cr_m___'_ R__. ___ry____g Mu__ G_!!! (P_. 2). Xm__ _crum __. P_____u. ___ry____g Mu__ G_!!! (P_. 1). ___c_r_ Pu_k: ____ __ R____u____ __. _m_ky M_u_____ C_r___m__. ___ _w____ F_____ _f Pr__mz_u_ (__ Gr____ B_uff_ _______). ___ _w____ F_____ _f Pr__mz_u_, P_. 12: C__w_y _w___y'_ _ _w___m__ ___ry __. ____ry _uff'_ _____ C__u_ ____. ___ _w____ F_____ _f Pr__mz_u_, P_. 11: C_____ R_y_'_ C_r___m__: ___ G_f_ __. J_m R_____' C_r___m__ ___gb__k. ___ _w____ F_____ _f Pr__mz_u_, P_. 10: C____ B__ck'_ ___k__g f_r C_r___m__ __. K___y R_g_r_' C_r___m__ __ _m_r_c_. ___ _w____ F_____ _f Pr__mz_u_, P_. 9: Bur_ ____' 20__ C___ury M____r_: ___ C_r___m__ C____c____ __. __rry ___ C_b__ Guy'_ C_r___m__ __ __rry____. M_rry C_r___m__ u__ C Новым Годом! R_P __c_r P___r___. ___ _w____ F_____ _f Pr__mz_u_, P_. 8: Bu__y _mm___' C_r___m__ __u___ _f ___ _____ Gu___r __. __r____ _y__'_ 20__ C___ury M____r_: ___ C_r___m__ C____c____. ___ _w____ F_____ _f Pr__mz_u_, P_. 7: Buck _w___' _ M_rry ''___ __w'' C_r___m__ __. M_r__ __m___'_ M_g_c _f C_r___m__. ___ _w____ F_____ _f Pr__mz_u_, P_. 6: Br____ ___'_ R_ck__' _r_u__ ___ C_r___m__ _r__ __. M_r__ __gg_r_'_ _ C_u__ry C_r___m__. ___ _w____ F_____ _f Pr__mz_u_, P_. 5: B___ ____r___'_ C_r___m__ __. _________ _up_rp_ck_r_' P_ck__' __ C_r___m__. __x_: __p ___g ___ U R_y __ R___ _____ C____ 1868! C_r___m__ __ ___ P____r___ __. __u___ 1. ___ _w____ F_____ _f Pr__mz_u_, P_. 4: B____my Br____r_' _r_p_c__ C_r___m__ __. __mmy K_r___w'_ C_r___m__ __m_'_ _ C_m__'. ___ _w____ F_____ _f Pr__mz_u_, P_. 3: _my Gr___'_ _ C_r___m__ __bum __. R_y _______' C_r___m__ __r_ug_ _ __ff_r___ W____w. __r_y _g___. ___ _w____ F_____ _f Pr__mz_u_, P_. 2: ____ J_ck___'_ ___ky ___k C_r___m__ __. __by K____'_ C_____c C_r___m__. ___ _w____ F_____ _f Pr__mz_u_, P_r_ 1: ___m Br___ & Fr_____' C_r___m__ __ _u__r____ __. ___c_ G___ & ______ __w___-J___'_ '___ ___ ______. Kr__g__'_ M_rr_r__ _____p_p_ ___c__ by _rr___ Guyw_r_. Pu___ _m____r __. _____. __ru_ __k__ ___ Mu____x _f__r ___. __ ______g w___ J___ _____r __. ___ Z_pp____, _2 _r___, ______, __c_mb_r 10, 2007. ____k_ck M_rr___ _p_____k __ G_mü___c_ ____-F__ck. ______ __y __. W___r_p_r__ & C___g____g. C__ryb___ B__w_ _ff __y___u_ f_r _ Qu_ck C__p w___ P___y. ___ M___ _w___m_ ____ ___c__g __bum __. Y____w _w___. R._.P. _k_. P___-___ck__u___: ___ _u__. ______ W__ G______ _f ___r_w___, ___? ____ M_u_k_ur_ __. M__r_xy Pr_g____r___ _c_____. Y_ur ___r____z _r_c__ _ __r__r. __r__ _m_k_ __. ___m P_ck___. _____'_ _-P_ck__', ___ B__x__'_ _-C___u____'. Buck _w___ & _u___ R_y_ __. Mu__c_ _____r___c_ ____. U___r ____y M____r__mu_. Pr__c_ J_zzb_ __. M_u__ Fuj_ ___mj_zz C_rp_r_____. __ (__rr____) M_m_r__m. K_r_____z ___ck__u___ __. F____. _b_c____. __ck__g B______ ___ __rm_c _f _r_y-P_r__ Ru_w_y 4. ____ky __y_ (__ ___qu_ j_u__) __. G__m. ___ R___ Cr____ ___ C________ __ ___ Br___ F__g__ _____. Cr_zy Fr_g __. ___ __f_ B_y_. _k__ ___'_ ___ __'_ __ck__ Up __ B_. __ Ku_pp_r __. _r__ Br_k__. ___ _______r. Pu____g __ ___ W_k_ _f ___ Purg_. ___y _____ B-_____ __. ____c Y_u__ B-_____. _ ______r-b_____ Cur__w W__k_ ____ ___ _ump C_b__ B___r_g_ R__m ... ___ __k_ "____ y_u ___r_ ___ ___ _b_u_ ___ __ _ W__'_ WR___ ___ W_R_ '___WB_R_'!" ____ Murr_y __. _p_y____. W__fg__g F_ür / F____r__g_y _p___ ___ck! ______y_ _p__ __. _____r _pp___. Y_ ____ _______ ___: U___r____! B___z_bub pr_f_r_ M_rk'_ __x__ ____ __ ___ W____r'_ C_rc__ (_r M__'_, f_r ____ m____r). P__g_ __. ___c___. __ M______ _f "Y__k__ R__p_r" _c___u___ __ ___ ___r_ __rm. ____ R___ __. ___ _yk_ P_rk_. ___ G_zz_r_-F____r__ ______'_ G____ R___ __ W___. P_m____ __. C__r___ _______. G____, G____r, __c. P___r Cr___ __. P___r C_r____p__r___ __. C_r___c __w_. Cr___-Ku__ur'_ C_ur___y C____. K__m_k __. _rc___ C_mpb___. R_p___: ____ 1. R_m____ ___g___y _f C_mmu___y _c____: _____ C_____ G____ _r___! J___ __y __. ___c__r_ 1981. __c______ _r_ ____f_ _c____; ___-Pr_gg_r_ _r_ ___ __c_. P_rry C_m_ __. B______. ______g R___ Up _ P_j_m_ P_r_y __k_ G__ ___ ____-C__________ P___m_c. _w____r_, __k_ Y_ur M_rk_! _rc____r_ B__b_b __. Ju___ ______. "_ug_r __p_" _c_r__ f_r Cryp__b_____. __ __r_ __. __c____. W___'_ P_w_____ f_r "M_r_ P___y __ ___ M_____r_"? W___ _urk_y __. P_c___u____ (2007). __r_ u_ m__ __ m_r. C_r___ G_ff___ __. __gg___ & M______. W_r__ R_c_mm________ ___r. _f Y_u C_u__ R___ My __p_c__ M___ P__yb__k. _y_____ C__u___u __. G_r___ __g__f___. M___up _P #100! B_____ _y__r __. _r___ ______. M_r_ _xqu______y Fuck__ P______ ____. __m Ju__'_ _y__p__c C____p__, (G_rb___). __ _K __ug f_r__ ____ ___ f___k _f ___ "_urg_" _ucc___ my__. J___r_ __ccup__ ___ ___r My ____-___p. R___y J_ck___ __. ____k_____ & _____r. _ur F_r__ _____b____ _m__r... _www! R__ B____r_ Qu___ _______ b_c_u__ __m _m___ _m____ __k_ P__. C___ur My W_r__ w___ _ __b____ _mpr___ __ __r_p____'_ Mug. Y_u_g M_rb__ G_____ __. C__c_g_. Up__ ___ M_rr_w W_ P_r_mbu____ ___ __urry. __ ____ ___ _____ __ _._. ___ C_r__g_. _f ____ B__ck C_____r_ ___ M___g__ Ru___f _c_w_rzk_g__r, Bu_ B_ckw_r__. _b__ B_c_um __. __gm_r Kr_u__. _ B_c_m_ ____c___ __ ___y_ _____g _ __c___ __m_ U___r ___ F____w__g C_rcum____c__. B__ck _r_____ Gr_up __. ___ _ub__. __c W_____ __ _____ G___, ___ __rry R___y? __rry K___. M_c____ F__w_r __. __m___. __rm__ M____r. ___________ R_____ Cry____ ___p___ ___p__y_. ___ F_g__b_rg __. _k_r_. "___ Y_u ____ __ __r___." _ry __ _ M_y, _ C__'_ Qu___ F__ ___ Bö_____rf_r __ C___y'_ Bu_g____. ____ C_mpb___ __. K___y W____. '08 __u__m_ F_r_____. __k_ ___ ____r___ _r_u__ ___ ___-Z___ P_r_m___r, ____ ___w_y _m___ __ __ B___ w___ _ _u_g_r-_upr______ C__p. ______y__ __ __r_ __. _r___. B_____r__g __ _b_u_ B__u_y ___ Y_ur B____y __r____y. __gur Ró_ __. __c_____ P_r____. __w M_x__ _rr____g ____r ____y. W_W'_ _u_q__r__ + __y'_ Gr____p____ = ____-_m_ (_r __ _____ __m__ __w __k__g, __r_ _f...). __c__ _ Mu______ __. ___ P___m___c_. _f ___y P__é ___ __u____ U___r C__r_ R_ckm_r_. R_r W__f __r B___ ___ Ru__. __ ___ ____r G__rg__, ________g _ __ff_r___ __r_ _f R___. ___g_-__g__ f_r __c_M____® _b______. ___ _u___b____ ___g_r_ ___ _rc____r_ __. M_rzb_w & __r___rgr. _f, __ J_cqu__ __rr___ _ugg_____ __ G___, "___ry ______ __ _ pr_______," ____ ____ __f_r___ c________ _p_r__ 665 p__r_ _f w____ ___y_ C_urrèg__ gr_pp___g ___g_. _f Y_u ___'_ ____ P_r__ Y_u'r_ _______g ___m_ __ Y_ur Pr______ _x_m. Mr. ____r_y, Y_u'r_ __ C_r_ Cr_ck. P____u_ Üb_r _____ __. B_by___mb___. ___gg__g Up ___ Mu___-__f_rc_ __ ___ __w_. B_rb_r_ __r______ & B_rry G_bb __. Gr_c___ M__cur ___. P_r______y, _'_ r____r ____ M____ur_ ___ b___ b__k__ f_r ___r_. C__umb__-Pr__c____ _MC __. _CP. _____ _____. W___rb__r___g, Up C____ ___ _mp_r_____. _'__ ____ ___ _______g Ru__ Urc___ w___ __ ___m__ Cru__ __ ___ ____. _xPxCx __. ___u_ C_____y. G_z_ _xyg__ B_r _m___ ___k. K____ J_rr___ (___ M_r___ McP_r_____) __. ____m__g C____. ___ _u__r__ _r______ __m__ C____r ____ ___ C______ _f ___ C___. B_by C_m_ B_ck __ J_kk__ Kōbō. P__y_r __. _ōru __k_m___u. ___'_ G_ug_ _u_ Y_ur P__p_r_ Ju__ Y__. __F Gr_m_____ ___ ___ B_z__r 4 __R. ________ ___r__ __. 1910 Fru__gum C_mp__y. _c___y M__r_, ______ ___ G_____m__, __ __F _r___m____r! _ub __ck_r___ __. J_fr_ C___u-_____m_. Pu____g __ ___ __ ________. K____f __. ___ B_rk __z_. ____k C_r___ f_r _u___y (P_. 666.7). F___ _-34 ___k_ _urr_u____ ___ C_b_ñ_. J_mmy Buff___ __. ___um_. __, W_y _x_c__y ___ C___c_u__ ___c_ JF_? __rry Pu__y: M_cr_gr____, _______ (3 M_y 97). _ ___y _u__ Up f_r B_c____. __r____y __ ___ __c__m_ _f _ __u_ __m__ "K___ Y__u__." __r__ __. ___m 69. "__ __r____ _rb _r_____ __ __ _CP f_r __mp P__u__." _r __ r___ ___ ________ fr_m 1631. __mmy _____ Jr. __. R________. ____ck__ by B__g_ P___ B__c_ __g_. _______: ____, ___ __g_, F_. __u__r____, F__r___ (X_ Mu__c F___), __c_mb_r 1, 1995. C_br_ ____m M_x__ w___ ___ ___ B___-B___. __c_k_pf Pr__c_p__ _c__z_p____c_ _P. ___ __ ___u_: W_y ___y _____ ____ J_ck_ __ ___ __g___ ____. P__u__ _u____r_m_. __r F_r__ ___f _g___ __ _____w. ___gc_rc__ M_u__ Mu__c. _c_w____r_' __u___r. __r_c_ärf__ __r___mu_g R_qu____ ___ P____ur_ _f Y_ur B____f___ ____. _______ 20 P___ _p Wr__g__. __y______ _p_r__. M_r___ __j_ __. P__r__ B_f_r_ _w___. Fr_m ___ __m__: "_ Pr_z_ f_r Mr. G_r_ ___ _c___c_." P_____g _ff ______r _p___ _f P___g___ _____c. K____ __. ___g__y _c_____ Mu__c Pr_j_c_. __ '82 J W_u__ C__cur. P_b__ Cru___ __. By__ & J_rb__. ____ M_x __ _uc_ __ _-____. _______ Pr_____ C_p_ W____u_ _ C___r: B_rry M_____w __. CM. __r__ _r_f__r_, ____ __ ___ f_g. C_mf_r_ K____. M_____ P___. P'____r_ __. PJ __r__y. __, __u___g _ B__k__ _f __r_y __u__ry __ ___ B_ck _f Y_ur __ur ___ ___'_ C_mp_r_b__. – ∆ _ (M__u_ _____ _) ___ Pr_j_c_. __c____g B__w___ ___ _____. K_r_ ___ K_r_ Gr_m____. G__ __ _cr_p_ ___ __u___c_p_ _ff Y_ur _____. C_r______ M_rc__y F______p_. Fr_m Cr__k_ ___ ___r_, __ C___ Y_u M_____ __. P__u____x__ _p___m_c_, ___ ____r B__y Ru____. _______ Pr_____ BXC_BC __ M__ __u__ur_ __up____ '07-'07. M_j__ _____-__ __r_pp__ __ M__k R____ Pr__z; Rubb_r __gr_ R_c_r__ __r P___. _k_r_ _fukub_ __. M_u__u_. P_r__m_u__ ___f____: __x_c C__u__ _f __u__, ___ ___ _ _______ ___ ____. ___ P_r__m_u__ ___f____ ______uj__: ___ P_r__m_u__ ___f____ __ ___ R_y__ __b_r_ ____. ___ _m_ck ___r_ G____ ____ __u___ ___ '___. ___m____ G__á_: ___ M______gu_g_ __bum. R___ub___ #3. _ ___-M_ C________ _f F__m __ug_ _r______g __ M___m__ ____c__y. J_cy __ ______r_ __. M___ Mu_r_. _ _m___ Y_u __ ___ _x B_w P___. B__wf_y __. _____ ___p (__ __). R___ub___ #2. _r_ck__g ___ ____p__c___ _f ___ Br_w_ _w_r___. __r_k ___ ___ __m____ __. __rry Pu__y. R_fu___ by ___ _-M___. U_____rr__ B_____(_) ___p_: _p__. B_ckr__ __cr___y Pr_f_rr__ C_rm__. _U __. R_c___z___rum. R___ub___ #1. _r____g __ _b_u_ Cr___u_ ___ ___ ___ _____m___ R_g(_). _c___ ___pp __. Bur___g ___r C_r_. B__ C____ __gr_ G_r_ G___ ____. M_r__ C_____ __. _ru_k_ w___ Gu__. ___k__ fr_m _uffP_: ___ck __c_r___ C__f_b. G__äc_____ __r ______. _____ J___ __. __ur____ M__r_. _'__ C___ Y_ur __m_c_m__g, ___ R____ Y_u _ C__c________. Gr_c_, ___-_ru_k _g___ __ Br_u_'_ Mü___r-__urg_u. B____ F____ __. M_r___ Br_w_. ______g __ ___ F___r __ J_m__ C___c_'_ R_qu___. ___ _c___m G___ B_r__ __ _xc_____. Br___ __w W_r__ __. M___ __g_ ____. ____y_ M_rb__ _____ __r C_C_3. ____ ___'_ f_r ___ ______. ______ M__k_y_ __. _____r_ _ur__r Gr_up. M___ __g_ ____ Up____! _w____w__ __ ___ M_r___g _f _ Bu_y __y. __ F__g__ ____r____m___ __. B__ck W__g ___r ___ ____. F_r P_pp_ F__m__g __ ___ (__m___) B_r____y. _____ürz____ __ub_u___ __. ___ F_ur _______. M____g __ ___ Mu__c _f ___ P__ B___'_ _____r. B_y C__y R____r_ __. ___um & _r. M_c_br_. _ __p_ _f _ W____, __b__-__k_ ___r_ __ _w__c___ __. ___ F_x ___ _-__ruc_ & _KC __. R_ck_b___y Xm__. "__ __c_ __rr_b_y U_ju__ ___ P_rf_c__y W___ ____r___..." ______ ___g_r __. ___ W____ __r_p__. ___ B____y __c__p____ _f _______b____y. __rm___ ____c_ __. P__yp____c _pr__. __k_ _ X_r_x _f _ C_r B_mb __ B___ C_b_ ___ B_______. _uc F_rr_r_ __. _c_rp____. _______ y C__c_ _______ __mb_é_ Muc___. __fr___ Z___rr___ __. B_r___m_ (77B___rum_). W____w__g __ _r___c_____c_. __u R___'_ B_r___ __. M________u _rc____r_ ____ __ ___buy_k_k____, __ky_. __ ____r_______. _r_g____ ____ __. _r_ ____mb__ _f C__c_g_ & __rku_. R_P J____ M_r___. 1988 _ccu_______ ____ 1671 __r___ __y__. _.W._. __. ___ R_y__ Gu_r__m__. _qu__z_ My __m__ ('___ ___ 2,3-_____y_p_______ Ru_ __w_ My W____ ___y_ P_g __g...). ___y J__ W____ __. ___ R____z__ _é_u_é_. P___-C_r__g_ C_________? ___ M_u____ __ R_____. J___ Z_r_ __. M______ ___m. _____ __cu-___m__y #667. _______: ________ _ub-__r___ (__gm____ _-_). _______: GBM P_x, 28 _ug 07. _______: ____k ___k _____ #1 (25 _ug 07). _______: WFMU _______, 27 _ug 07. _______: ____k ___k, __y _w_, 5PM-11:50PM. _______: ____k ___k, __y _w_, 12 PM-5PM. _______: ____k ___k, __y ___, 7PM-11PM. _______: ____k ___k, __y ___, 2PM-7PM. Fr_m ___ M_u__ ________. Gr_ggy bu_ U_p_rf_r____. R_P ____y. W_'r_ __ G___by_ B_u_ M____y. C_mmu__qu_ fr_m ___ ___p. __m_ __rby __c__ry __p: C__ck_r__ F__g ______ Up ___ P_____ _r__ _f Pr_pr___y. ___c___èqu_ 70: Gu__é_ __. P__rr_ B_u__z. Für _____ (_R___M / Québéc___ _______). Cé____ ____ __. ______. _uc_f_r Pr_f_r_ Mr. M____r. _u_y __w__ & ___ __w_ __. K_r_____z ___ck__u___. K_____r_ _c_ä_z_ __m __u_ ___ _b._r (___. 2). K2 w___ Ru_z_____r_ & Gurg____øck _____ __ur__m___ ___. 4. R__c_ __k_ F_____ _______ w___ Gummy _r____. M_r_____ M__k __. _m_r___, __k_ ___ P__m_r. B____r B__r F_x B_x B_u_ ___p _qu__c_ _qu_wk. B_bby B_r_ __. ___ Mu__c M_c____. M____r__c__ _m... Krug-__ör_c_ub! M_r__ Mu___ur __. _pp_r__. ___r_ __ _ M_r_g_g_ P_ck__, ___ ___'_ _p_r_ ___ ___bu ___bu. __c_p_c______ __. J_ck ___z_c__. W_y Z_____ ____ __. M___r_zz_ r______ w_r__ _f W_r__ Cup __ur. K_____r_ _c_ä_z_ __m __u_ ___ _b._r (___um__ 1). Cr_w_ U___ / R._.M. (R___y) Y_u J_p__ __ur 08:98. ____ My Cr__p_ ____ ___ ___b__-J__b___. __rm__ Br___ __. __g_ _c____ Mu__c__ (w___ _p_c___ gu___ M_rc__ _uc__mp). __w_r_ ___ F_____, w___ _____. ____ __u__ & ___ B_____ __. __m __r_____. R_P M_x R__c_. __c____ _r ____-P__yf___ _r __c_u___ _r ____ ___r W__? W___ ___ ____ __ ____? __ w__ r_c_r___ / _r___cr_b__ fr_m Ru___f _b._r'_ _r_g____ c_py, ___ _'m ju__ _ g___ ___r __y _f 1,000% p_______ ____ __ ___'_ C_r____'_ 1998 f__x_ r______ (w___ _cc_mp__y__g 16-p_g_ b__k___) _______. _ w__ _crupu__u_ _b_u_ c_py__g p_r______ __f_rm_____ fr_m ___ __r__u_ _r___ur__ _ r_pp__ fr_m ____'_ _rc____, bu_ p_r__p_ _ _rr__... __ff_r__c__: __c____ w__ _p_____ _-_-C-_-U-_-_-_ (___ _____c __r____) __ ___ ______; w__r_ ___ _______ f__x_ ru__ _ppr_x_m____y 3:30, ____ u_______ p__c_ b_r__ ____ y_ur __ub__w___ __ __ _ff_c____ 2:30. _______ _____ fr_m 1998, w__r___ ____ r_c_r___g __ g____ _ 1995 p____ _f _r_g__... _ __m__ ___ __g__ __ ____ P____p_' __u___ _p_c_ m_y ____ b___ ___ __m f_r m_ __ pr_p_r_y r______ __ "8," bu_ __ ____ f___-y__r r_m___ _ c__ __ ___g_r b_ c_r____. C_'_ __r_y (pr_ R____r-_____) __b__ w__ yc__p_ _____ _rc___ für ___ u__ __c_____, bu_ _ __cr_b__ ___ f__x_ (__ p_r pr_____ cr____ __f_) __ "__c__r__," ___ _____ __ _rc___ für ___. (___ "__" m__r_x w__ c_mm__ __ _______ ___c_ _f ___ __y.) _'m _____r c_rr_c_ _r ______y fuck__g ____gm___c. __y___ k__w ____ ___g-g___ ___' pup? C_r____ __c_(u)___ (_k_ ____-P__yf___) _rc___ für ___. Y_ ____ C________r__ __r_u_. Ju_y G_r____ __. W__f _y__. Pr_r_qu______ f_r __cr____. Ru__ __. J_____ __w__m. R_P ___z_b___ Murr_y. P_u_ __m__/____r_ C____b F_r__c_m__g. ____ Br_ck___ __. __m ____y & K__ _____rm_rk. Pr_m_ __ u___m_ c__u__ __ g_cc__ _____ r___ur_, Qu_r___. Fr_____ F____r __. _up_r ______ ___. 26. ___ _r_c___u___: _x_m_m__. ____ ___ K____ ______g __ _ _r__, R-_-_-_-_-R-_-_-_-_-G. K___ ___g___ __. ____ Cu__. Fr___r_ck K_r_ Pru__z__ __ ___ ___u____ R_f_ _____y Cru__ __u__ __... C__c_ M_g____c B___ __. __cum___ 02: ____. _ __r___ C_rr_c___. _______ _mb__z____ __ B2B. ____ ___ M_g__c__ K___gg______ R_g. Y_rk _ö___r __. W. C. ____y. _______: G___by_ B_u_ M____y. __m_ __ R__urr_c____. __m M___ __. _____r __k_. _u ____ __. ___ry____g _gu___r_ __. _p___r-P_g __. B_u_b_rry C_mp___. __w_____'_ __g__ ___r Pr___. __ Fr_m Cz_c_ ___c_r___c Mu__c __u____ (1974). Y_u K__w ___ __m_ (___k Up ___ __r___ Fr_c_ur_). M. B__r___ __. W_y__ __w___. ____'_ ___ B____r_ __r___y Fuck__ U_ ___ug_? M___-_qu______c___. J____k __. _m___ M_u__. F____-Fu___ fr_m ___ (P_p) Ku__ur F_rg_. M__ __. F_-M___. _____, _____ ___ M_r_ _____. _______ M_rc____ __. J____y R_b__. ______r __mur_ ____c_r_____. R_b ___k__ __. ___r P___c_. _________. ____ _ r_, Mä___r_. __gm_r B_rgm__, F_m__ _w_____ F__m __r_c__r, ____ __ 89. ___gr_c_ _m__g ___ C____r_. B_r__ P___c_b___ __. Br_g__ _y__. _pp______ __f_c_. K__ M_k_m_ __. __ J_rr__u. __pp__-_____ _m__u_____ _____r_ "_u_" __ _r_p__c___. C.C.C.C. __. __cr___b__ __r__g B___. C__ _u___r_ c___r_ _u_-_____ck. Ur___ ___p __. __w. _mm___r____y _qu_____ ___p_ R________y ____y _ M_ck_y. _k_f___ __. _u__ _))). _w_ C____, __m_ ____. C__y __k__ __. J_m _'R_urk_. K____r__u_ __ckbu__ _ub_um__. _ug_ __ C____ __. ___p Purp__. G_urm____z_r ___r_! C___ B_k_r __. G_b___. G__r_ W__r_ ___kup P_. 662: B____ ____ w___ F___b_ck ___ B_______r. _u_c__ff_ Jüg___ __. B_u__ _r_____r. Rü__g_r C_r_ ___ J___ C____ W_r_ ____rw___ __g_g__. M____ _______ __. ___k_ G__b_k_r. _ Pr_p_r Fuck__g Fr__k_______. M_k_ J____ __. J_rry R___. B____ M____r __pp__ __ __p____ ____R '09. P___ __. M________ _r___f_r. ___ __g__ ___y _r___ C_r____ __c____ __ P_ck Up _m_k__ ___ ______r P__y K_g. ___ B___ __. ____ ____. _ ___ ____ __xu__ R________ W___ ____ W_m__. _bu__ by R_qu___. Prur____ __. ___ _____' _p___fu_. _f__r __ __ur _f __mm_r__g, ___ B____ B_g___ __ ___w. ___r_ __. J___ C_g_ (___ __k______). _M _xc_rp_: ____ fr_m B_g____. M_r_ _mp_r_____y, __ ___y __k f_r __c_r__ _f "__m__ ___ Bu____ Fr__k"? __rc_c_rr___ Wr_____ C____rg_. Ju___ __. GG. __-C_r_ M_x__p_ #8. F_rc__g ______r R__u____cy ____ _ C__k_ ____. ___c _mp_r_ __. C_u__ry U__ 1955. F_r_y-__x-Y__r B_____ C________: __ _xp_____ ___w. ______ __. __r_k B____y. R__uc__g ___ _r___p_r___. C__pmu_k_ __. W______u__ (_xp_____ _______). B_ck fr_m ___ ___g W__k___. _________: _u_ _f ___ Fry__g P__, ____ ___ G_____ Jug _f _w___ ___. _________: ___ M_______ ___ P_______ ___r__ __w_ ___ Fr__c_ Br___. _________: G_g R_f__x __ub___. _________: ___ ________ _r_gg_r_. _________: ___ __g___ W_r_ _____-__k_. _________: P_yc__c __r_p __. F_r__ R_ym__g ____g. _______: C___rr_ C___r_ _uckb___. Björk __. C_c_u_. W_y ___y ____ U_, P_. 99,999,999,999. Upgr____ _p_____g_r ___k. _______: C__r_fy__g ___ R__uc____. C__pmu_k_ __. W______u__. _______ > __w Y_rk C__y > C_ub M__w_y > 14 M_y 07 > ___c_p_ (P_. 2). __'_ ______g _ 15-Y__r Ru_ _f G___ _uck C_u___'_ _____g_. _______ > __w Y_rk C__y > C_ub M__w_y > 14 M_y 07 > ___c_p_ (P_. 1). _ P_____ F__g_r __ ___ _r_gg_r _f _ __mp _qu_b. P__k_ _u_k B_u__ C_mp__y'_ P_g C__y ____ur. ___r__ __bb___ _ub_. Gu___ ___ Gr___ __r__gu__. Cyru_ Fr_m ___ _____w_. B_y___ _____, B_y___ ________c _____c_____: _ P_r______ __x__. ___c__rg_ Gr___ __w W_r__. _w_ ___w_ _f ___ __m_ B____y K_uck__. Ru_z_____r_ & Gurg_____ck F___. M_r_ Cu__ur__ W__. ____ Br__k__g ___ff____g. M_rg__ P_ck_r_ __r___p_ F___ ___ _ky. ____y Cr__c_____ _f K___r_b_ß u__ K_____r. M______ _p_____g_r M_r____ / _Π_ ΔΩ (___ ___r) / ___r __ück_ / ____ö_c____ / __öru_g / _______c_. B_y___ "R_k_: ____zr_k_". J___f _____ R____ P__yg__um / _r. 3 / P_p_r Mu__c / _r. 4/1 / __u____ für ___k_r____c__ K_ä_g_ __, _, __ / _______c__-_u_. _'__ __w_r ______r My___f __r ____ B__g by Wr____g "G_ F_ux Y_ur___f!" (P___-_____ f_r y_ur _cu__ p__cr_______). ______g C_r_________ F_uxy_ (Mu__k ____y____k). ___ K____r ___ __m___g_ ____. (P___-_____ f_r y_ur ____c______). M_r___ u__ M_c____ ____ 1. ___ ____c_, ___ ___ __m_. (P___-_____ f_r m_x_mum fr_______). ___ G____ _rc____r_ ___ G____ _rc____r_. M_r_ _upr_m_ _______y. _______ > W_____g___, _C > R_ck ___ R___ _____ > 13 M_y 07 > ___c_p_. _ M_m___'_ _qu___z_____... (B____ B__k _f__r-P_r_y). _______ > B____m_r_ > ___ B__k > 12 M_y 07 > _f__r P_r_y. "__r__ B__ Ru___g_." _______ > P_______p___ > _____ G_____m__'_ __u_g_ > 11 M_y 07 > ___c_p_. _______ > ________ / __r__w____r_ U____r___y > W_UR > 9 M_y 07 > ___c_p_. __ __ck_. W_ K__w ___r_w B_rr__c_ W__ _ F_rm___b__ B____r, Bu_ G____m_! _ __rg_ W_ C__ _upp_r_. ___ ______g'_ M___ __k__y M_____g. K__j_ _____ / __r__ M_zz_C___ C____r_ ___. 2. _ __u___r_ck __ _ P___ry. __ ______ ___ F_______c__ C___. ___ U_u__ _w_r_. __k__g ___ W__k___ _ff. P_' P_' P__ P__-C_r_, R________. _u__r__ _u__r__ __. __m _m___. __ C___br_____ _f __rg____. _ B__k _f __y_ f_r ___ ____r_ry Y__r r_m____ u_ ____ __ ____ __y __ 1374, ___ _pp_r____y __ry w___ ___ _qu___y ___ug__fu_ J___ _f G_u__ _w_r___ G__ffr_y C__uc_r __ ___u__ p______ _f £10 (_r __m_____g __ ___ _r__r _f 2,700 _f ____y'_ _____r_). _'m c_r____ ___ G__ff ____ _ w_r_ _____, _r __ _____ ______ _ff _ ____ __ ___ __r__u_ _y___m __ c_mm__c_ _p__m__g. Fu_ky __rr_r___ 5! 5! 5! _______ > __. P_u_ > _urf C_ub > 7 M_y 07 > ___c_p_. 9 f_r 502: _w___ _p__ _ybr___. 9 f_r 502: _w___ _p__ _ybr___. B_f_r_ _ F_rg__. R_P R_c__r_ R_r_y. ____ ___'_ _x_c__y __bb__ __rry'_ ___r_ ... (C____r __ __rz_g, _c_u___y). ____ __ckw___ ___ G____ W_r__ _f ____ __ckw___. _qu______c___. __ Pr_m____. _______ > ___ __g____ > P__r_p_c_ > 6 M_y 07 > ___c_p_. __w W_'r_ ___k__'. _u____c_ p_x fr_m _______ > _YC > C_ub M__w_y > 14 M_y 07. _____ F____, U__b____. _______ > ___ __g____, C_ > ___ _m___ > 5 M_y 07 > ___c_p_. _______ > ___ Fr__c__c_, C_ > ___ __m__ck > 4 M_y 07 > ___c_p_. _______ > __k____, C_ > 21 Gr___ > ___ __c__ry __p. _______ > __k____, C_ > 21 Gr___ > 3 M_y 07 > ___c_p_. _______ > P_r_____, _R > R___ur_ > 2 M_y 07 > ___c_p_. _______ > _______, W_ > R____z__u_ > 1 M_y 07 > ___c_p_. _______ > _____r, C_ > R____c_r_p____ > 29 _pr 07 > ___c_p_. _______ __. K_____, C_____u__. __r__ ____g_ __ ____ _b_u_ _____ Pr__f. _______ > __wr__c_, K_ > R_p__y __u_g_ > 28 _pr 07 > ___c_p_. _Y __m__: Fr__k R_c_ R____w_ ___ _______'_ "F_____g M__." _______ > _________, __ > _____w___r > 27 _pr 07 > ___c_p_. W___ __f_ _____ Y_u __m___, M_k_ ____ Gr______. Cr_ck__g ___ (U_r_______) B__ck _gg. __ ____ ___ _____ __ _R_: J_ck________ (20 __c 06) P_x. Gr_b '_m b_f_r_ ___y'r_ g___. __w ___p_ fr_m ___ R___ur_ R_u_. _______: ____ _______, KFJC-FM, ___ _____ _____, C_ (4 M_y 07). B___ P___rr_: Up_____ __f_rm_____. W_____m P___rr_: R_P. __w __ur P_____ W___ B_ Up______ __r_ug__u_ ___ W__k___. R_y Br_____r: "G__r_ __ _b______" (fr_m Mu_____u___ __. 28, _pr__g 2007). ___ f_____g _____gu_ __ ___ br_c__g f_rm____m _f P__rr_ Guy____ _r ______ X___k__, r____r ____ ___ _gr___b__ p____c__ _f J___ B_r__ _r __fr__ _c_____k_. __g__, g__p_, burp_, gr____, r__c___g_, b_rk_, gr_w__, __g_, r_____r_, _cc_r_____, y_____, __r__g_, p_____, br___, ___u__, r__r_, __u__, __r__k_, ___ __w__g_ _r_ pu_c_u____ by pr_c____y __f____ ____r____ _f _____c_. ___r_ B_g__ __ F____. _______ __ F__u__ _f ___ M__w_y. _C: ____ J_zz M____ C____m___ / ___ M_r_ __ G_. __w ___ F_r___r, ___ B____ Fr__k _c___ Fuck__g Ru___. P____y: _____ P___-C__-____ M___-C_r_ / F_____g __g_. 9 M___ K_____ C_ub / ____g______ / ___ K__g. W_UR (________) _______ _______ / M_C__ (___r___) Cr__p. __. P_u_ C__c_u____ / ________ C____r_c____. __. P_u_: Fuck__g F_r_ ___ R___ (J_m__ __y__r M_rk__ f_r _____ Y__ _g___). __c_p_ fr_m __c_p_ fr_m _._. / _g______. ___ _cr__ _____ _f ___ _m___. ___ __m__ck: Y___, W_ _r__k _f __, ___ W_'r_ W___ Fuck__g ____. __k____ / KFJC: __'_ ___ _mpur_____ ____ C_u__ ___ __ug___r. 21 Gr___: Mu_c__-____w_r_ C_u__y _c___ B____-__w_! M___-R___ur_: _ P__g_-_ur__r. ___ F_r__ _f ___ __ur P_____ ____ B___ Up______: _c_r__ M_r_ __ F____w. _______: _____ ____py _f__r ___ _____ ______. P___-_______ P_r_____ ____r_u__. __w___ ___r__ __ B____. _____r ____ R_g__ __. __r_w_c_ W__k__, ___ J__u_' ___ _m____ _f ___ Cr_w. _________'_ Bur___g; __wr__c_ B_ck___. ___ ___ f_r ___ ___g _r_p. _______ Pr_-__ur ___ug_ #5: ___ U___rgr_u__, __m_____, ____r__, 3 __p_ 06. _______ Pr_-__ur ___ug_ #4: WFMU, J_r__y C__y, _J, 5 __p_ 06. _______ Pr_-__ur ___ug_ #3: Fr_______p C___, M___ré__, 31 _ug 06. _______ Pr_-__ur ___ug_ #2: __ ____ R____, M___ré__, 1 __p_ 06. _______ Pr_-__ur ___ug_ #1: ____c, _YC, 18 __p_ 04. _ R__p___. __k__ __ M___ré__. _ugm_____ ____r___ _cr__c_ Up____. _______ F____: ____, __f_r_ __u_g_, Pr______c_, R_, __p__mb_r 17, 2004. _pr_______gg! ___ ___ _w__c__r__ G___ B____c. _ur M______ _rump_ (___ Pr___y Muc_ ___m_ __ __g____r) Y_ur M______. B__z___w_ C______y __w: Up_k_r_ G____ry. R_ __ur: W_ _____'_ _ C_u_. _w_ W__k_ '___ ____RUC_! ______r K__u___. ____ ___k_ __k_ Fu_. C_____ __ck__r_, R__c__ ___ Br_w__, Kur_ _____gu_. __k__g ___ __y _ff. _______ __bum F____: W__r_ _ __r__ ___ B___ _______g ___ W__r_ Y_u B____g (1998). __ B_____ G___, Y_u C__'_ __ B____r ____ ______k___c_’_ ____. 18 __y_ __ __f_-_ff! R_P J____y __r_. R_P ___ __W___. B______ __m_-_w___ _____ur. __ ____. Y_u C__ ____r _uff ___ug_ G___ B___. _______ F____: ____, __u__g___ __u__, __wp_r_, KY (12 __p_ 04). _______ F____: ____, C_urc____'_, M__m_ (15 __p_ 94). _______ > WFMU 2004 > 10 U_pub______ / F_rg_____ P_____. __y_c__ _r___ug ___ (1 _pr 07). _______ F____: ____, WFMU, J_r__y C__y, _J, __p__mb_r 19, 2004. B_r__y ___f-__y _____y _p_w_! _______ F____: "Fr__ _g__cy _f ___c_r__," R____ B___ru_, _pr__ 18, 2002. ____ C_r_ 10. ____ C_r_ 09. ____ C_r_ 08. ____ C_r_ 07. ____ C_r_ 06. ____ C_r_ 05. ____ C_r_ 04. ____ C_r_ 03. ____ C_r_ 02. ____ C_r_ 01. __m____ __m_____ _ F_____g R__m ... (_r__). R_W / _ub_ _rg___z__ _p___ _P (1996). __C: Buy P__ M___ __r_c_! ______ ______ Cr_f__ ___p _p_r_ _u___ / ___k_ ___ _ymp___y. __m____ __m_____ _ F_____g R__m ... (pr__u__). KM/__: C_m_um_r ___r_! _______ F____: ___ C_mp____ 1999 _m_r_c__ __ur. R_P Mm_ _ubr_c. ___ _r_c___u___: __ ___ _rr__é! (__r_ _f...). W_____ _u_____w_k_ _r___ P_èm__ _'___r_ M_c__ux (1966). P__c_ _f _mm_r_____y "J______" My B__ck ___ – R._.M. __ __r _upp_y! (1986). W_ w_____ __ __ __u__ __k_ mu___p__, c_____u_u__y cr_____ p_r___ _______ br___c___ __g____. P__c_ _f _mm_r_____y ___k__g _____ '77 (1985). __rry F_x B_r____ / R__________ (1988). C_r______ M_rc__y R_c_r_ W____u_ _ C___r. ___ _____, __r_____m_ K____, _____ __g & J__ W_bb__ _____ __g _ ___c_r_c _r___. _______ __bum F____: _m_ur F_u __ ___ __g_ _f M___gy_y (1998, r_______ 2001). _______ F____: R____r___ (25 _ug 94) + P_rf_rm__c_ (27 _ug 94). _______ F____: ____, ___ C___, W_____m_burg, _c__b_r 25, 1996. W__r_ W__ ___ ____? R_P (__g_...). Gü___r Bru_ Gü___r Bru_ zum 50. G_bur____g Üb_rr__c__ __m 1. __u__c___ _r______um: P____c___ _____rbuc_ (__c__u_g u__ Mu__k). M_r_ _______g ____r_____: _xp_r_m_______ Mu__k u__ _z___ __ __r ___r_p__. ____ ____ 1 (2002). _______ __bum F____: P___r Cr___ __. P___r C_r____p__r___ (1996-8, r_______ 2000). __r_k B____y C__c_r_ __ M__w_uk__ (1983). _______ F____: ____, P_z-__r, _y__, Fr__c_, 28 F_b 98. M___________u ___k____ (1988). Bru_, ____c_, R___, __ __. Mü_c___r K__z_r_ M__ 1974. Gü___r Bru_, __rm___ ____c_, _____r R___, G_r__r_ Rü_m & __w___ W____r Mü_c___r K__z_r_ M__ 1974. ____r___, Bru_, ____c_, __ __. ___ B_r____r K__z_r_ (____mb_r 1974). W_'r_ ju__ ____g ____ f_r ___ __k_ _f _ccr_____ – ___ m_r_ b____-f__ck__ ___'_ p___gm, ___ fuck__g m_rr__r. C_r______ ____r___, Gü___r Bru_, __rm___ ____c_, _r_u_f R____r, _____r R___, G_r__r_ Rü_m, __m___k ____g_r & __w___ W____r ___ B_r____r K__z_r_ (____mb_r 1974). __ur___ F_r__g, Y__, Bu_ P______ _____r, _________g. ___m____ G__á_ F_u__. _r__. ___ (1982/1988). ______c_: My __m___. _______ __ Y_u_ub_ > __w_y P_____ _____. Cruc___ Cr___c__ C__r__y. W__r_ W_r_ Y_u ____ _umm_r _f 2001? Fuck__g __r___. _______ F____: _____r _____r B__w____r ____ R____r___, C_urc____'_, M__m_, J__u_ry 31, 1995. _______ __bum F____: __w ___g_ w___ _rug ___ P_r__gr_p__c ___m__. _______ __bum F____: _____ __rm__y (P_u_). _ __u_c_ _f ____w ___ _p_____. __C / R_p_____r_ Gr_p__. _______ __bum F____: __ ____r___w w___ ___ M__c____ Br____r_. __ my, ______r m___y c_____u_ fr_m _ur f_r__ __c___. C_uck y_ur cr_p-___ ___r_ r_p_, ____ur _____ f____ m_r____, ___ c_ug_ up _ b____-f__ck__ ____y __ ____ __p_c: "W_y _____'_ _r___r W____r_ ___r ____ __y____g G___ __ __y _b_u_ W__g_r?" __y, 2,000 w_r__? _______ __bum F____: _____r _____r B__w____r. _______ __bum F____: "_____ Bu___" __. M______ Pu__y B___m___. _______ __bum F____: 30-m__u___ mä___rcr_m_. _PK W__? __ _c_u__ m_mb_r pr_p_r__ f_r _r___f_rm_____. _______ __ur: __ju__m____ __ _____r_ry. _y__g __ ___ ____. Fr_m ___ BBC: __ ____p m____ __ __w br___ c____. __ck __ _____. _pr__/M_y __ur _c___u__. _________ – ___ _pr__gw___r. _______pp__g 07. M_ur___ __w_: "__ffy ____ ___m". _______pp__g 06. _______pp__g 05. _______pp__g 04. _______pp__g 03. _______pp__g 02. _______pp__g 01. M__u____ U_______. R_P R_b_r_ _____ W_____. U___r ___ W_r_, 12/06: _w_ M_r_ R______ __ P___p___ Y_ur _u_c___. ___c_ Cu__ Fu_ky + ___c_. "____": _u____ (9 J__ 07). W_'r_ (__mp_r_r__y) _umb_r ___!!! (__ ________...). __ W____r, Bu_ F_urr___ Ju__ ___ __m_. Fuck... ____ ____ M___ _'m G____ ____ __ B_ 1,000? W__-? _u_... W__r_ _m _?

B_ckr cr___y Pr_f_rr__ C_rm__... [R_bggg _ _ ( _ ___ _._.) Bg: P_ _____ & _ub______g_ 12.31.06 – 1.1.06]

2012-03-01T16:17:00.000+13:00

2007? _b_u_ __m_ __m_! B___ Mu__c _f 2006. R_P JB. _qu_(_)_c___ _g___, _____c__ __ M_r_. ___ _r_c___u___: Wr_pp__. "___ _____ __k_ __r." P___-__ur __ur_: Up____. __r_p___ C_mp_____: _urg_ry __ f_r _______. __ ____ w___ ___ C_ur__. _____ ___ F__m__g r_: __ur __uff_g_. ___ __ ___r___ ___k__g __ ___ W____? (_Y __m__, 3 __c 06). Fuck. __ur C__c_____. ____p____ __ __c_mb_r... (Ug_). Другое воскресенье. _ G___ ___k f_r _ur F_r__c_m__g __ur. __k_ F____. ____kfu_ f_r ___ ___m_____. ____ __ur 1: _____ P_____. ____: ___w_y Cr__p__g Up ___ C____mp_r_ry C_r______ C__r__. W_ ____ _ C_______r. R_P R_b_r_ ___m__. W_rk W_rk W_rk W_rk W_rk W_rk W_rk. ______r W__k___ __uff__. _p__.c_m: __w B_____r. ___p Pr___! Fr_m ___ _u_c_ _f ___ M_j_r__m_: "K_up_ ___, b_u__ k_y!" Y__! G_r_r_ K__u__r C_-R _rc____. __rk____, __rk____. __ _rr______b____y. ____ ___ ___r___y: _u_ ____y! Ug_. GK'_ __m_____ _r_ (P_r_ ___). ... B__ck M___: __u___ P_x. __ Pr_m____, P_x. __ró_c_p_: B___ M___ __ ___gu_ur_. __ró_c_p_, ____c__ __mp_r__ ________, __ _r__r__ __ f___ 300 y__r_ __r_ug_ __m_ __ pr_____ J___-B_p_____ P_qu____ (M___èr_) fr_m wr____g ___ _c_br_u_ __r_uff_. _ p_r___ _______, ___r_ f_y _p__ ... __ró_c_p_’_ _y__ r___ b_ck ____ ___ ____, ___ __ _mp_y _c_bb_r_ c_____r_ _cr___ m_rb__. "_____z-__u_, __ ___g_z _ux c_____ qu_ __u_ _____." ___ __g__g_u___ ___c___. 300__ P___. P___-M___. ___ _ J____y M_p__ K___ _f __y. _c__z-___'_. __c______r: 10/13 ____ @ __u____ B_r_, ____yw___! W__k___ R_k_p__u__c_j_. Mur__r C__y __ff_____. My '__mp' W___ _u___r_ __ M_. __w _______ p_____ fr_m M___r___ M_G F___. _____ ___r__ X_u X_u. ___p_r___ Fuck_, ___p_r___ M___ur__. P_R______. _MFG, __c. _'__ K__w_ M_r_ ____ _ F_w _m__y_. Fr__k__ ___ _w__k__. _p_m ___ ___ ___c_______. _u__ __u____g _y_c_ w___ _p_r_____g _umb____. U._.: _r_q C_______ ______ ___ _ R_c_r_. ______r G____m___ _____ (___ Y___, M_r_ _r__y...). _ __w_r _r___ _f ___rz. __w_____: _______ ____ __ WFMU, __p__mb_r 12, 2006 (c_mp____). KFJC: M_g__f_c___ C___k! _______ ____ __ WFMU. __ur Wr_p-Up ___ P____ ___ug_ ____r ____y. __p__mb_r 9: _______. _______ @ _yrup R__m: W___ W_ ___ Y_u ___r_? __r__c_p_ __ur: __y 5. __r__c_p_ __ur: __y 3. __r__c_p_ __ur: __y 1. __r__c_p_ __ur: __y 0. __r__c_p_ __ur: __y -1 C_____u__. __m_____ ___w: ____r___w _r___cr_p_. __ug Pr_ ___y, __b_ __ "__". Pu__y G___r_ ____ B___ (_r_g____ __r____). __m_____ _p_c____r: ____r___w _r___cr_p_. G_____g. ____ F___r _w__p_ C___r__ __w __mp___r_! __r__c_p_ __ur Up____ (__rm____ __r____). ______ W___ Fr_____ _xc__? _qu__z__. _u__-G___r____ _uzz__. W_rm__g Up __ ___ C____. C____ C___ w___ M_r____ P___. P_ 14, M__m_, __p__mb_r 5: ____ F___p_/__ __ ___p. _____ F______g. _ ___'_ K__w __y _-__w_ ___g ______, __ _ Pu_-_____c ______g ___m_ U___k__y... ___________, _'m __ _r_____ug_! ___ "__r__c_p_" ______. Gu___ W___ _ ____. B___ '_' B___ B__w_u_: _pr__-Ju_y Jury __qu____r__! U___r ____y M_u___r_r_. __urm u__ _r___. _______: C_urc____'_, M__m_, 25/27 _ugu__ 1994. Bumm__' _r_u__. R_P _y_. M_r__!! __r_uR__f __. _______. _mp____b__ _'___ p__ fr__ç___: ___ B__u_ f___ c_u__r __ Bré___ (1-0). __m_ __r__g__. U__r_ M_g_ P_p. __w __w_____ __r___: "_____ Bu___" (r_m____r__). B_______ = __ ___p_. ____y, ____y M____rfuck__g R_______. _______ __ur Up____, P_. 99,992. György __g___: 1923-2006. W_r__ Cup F___r _pr____ __ ___ P_____r F__c__. R_zr Ru__: M_y/Ju__ ____c_m_r_. _ur ______ __ ___ G____m___ R_p__. _k_y, Fuck __, _ ____ – F_ur Y__r_ ___ _ __y! ___w? F__! ____ ___ ___k Ju__ F_ur Y__r_! G___u_! G___u_! G___u_! Gr___m M__r_ B_r____y P_r_y P_x, Ju__ 10, 2006. ______ _m_mur_: 1926-2006. Fr_m ___ ___k _f B__ W__c___. W_ ____ __c____ __ _p___. _______ ___ry P_. 2. _______ ___ry P_. 1. __g_ __ R_p___. Bru___ Fr_g. B_ck _g___! G___ f_r ___ W__k___, bu_ ____... ___ __ry G___ R_____ __ P___p___ ____y'_ _u_c____. "____" __ur 2006: C_______ Up____. __w_ fr_m _Q. My F___r___ Gu___r___, 26 Y__r_ Ru____g. By ___ M_j___y Qu__qu_g'_ R_qu___. __m_ __f_ R_g_r___g. ___k __ M_, P_____. CG __ju___ R_bb__ __r_, R_c_____ R_p_ur_u_ R_c_p____. _m_rg__g fr_m __b_r______. ____ __y _f F_____. Gr___z fr_m _c___m_. __k__ ___r__ P_umm____g __ _Q. ___ C____c____ _____ _ __rg_r M___ ____. _______: C_____/U__ __ur Up____. _ C_____, _ur __m__ W_'__ _c_rc__y _____. "___r___ R__ur_," Y___, Y___, W_ G__ __... (R_p___ #1). F_r__ _w_ C_______ _____ R_______. R___ __ P__c_, Mur___. Mur___ _p_rk, ___ Crèm_ __ __ Crèm_ _f C____mp_r_ry _________, __ ____ __ 88. ____-F__c____ C____rg_. W____ __x__r _r__r___? W__c_ _____ ___um? __-R______ __m_-R_r_____, P_r_ 2. _m My__, _____r _____ ___ Fr__ W_r_ ___ W____u_ ___ "C": _c__b_r 5, 1996 (G___ _f _u__r_ C_-R, 2001). 50 __ ___ __w _____gr_p__c ______c__. __ J____u_! B_ck fr_m ___ ____ _f ___ F_m_____. ____k__g ____ Gr_up-_ug _b______. __ B___z __ B'__y (B__ck_u__, __w__', _r_ _K). ___r_ Bu_ f_r ___ Pr___ _f ____r_ F__g_ _. __p_. __-R______ __m_-R_r_____, P_r_ 1. _____r _pp___ __c__ur. _______ R_r_____, P_r_ 6. __ ____ ___ _____ __ _._. ____, __u__g___ __u__, __wp_r_, K___ucky, _u___y, __p__mb_r 12, 2004. ___f-Bu__ _ur__ ___ R_w. _______ R_r_____, P_r_ 5. __ ____ ___ _____ __ _._. ____, C_urc____'_, M__m_, __ur___y, __p__mb_r 15, 1994. R_gr__ W_ C*__ Qu___ M_k_ _u_ ____ _b_c_____y. Fr_m ___ ___r-____r______g R_gr__ ___ _rr_r b__g: "B____m_r_ _u_ ru__ p____ w___ w_r_ 'cu__' c___r_y ____b__." _____: "__c____ ___ F___." (___'_ G_ B_ck __) C____p___g ___r_ (c_____u__). _ ___y _w____w__ 31 B_g_. _______ R_r_____, P_r_ 4. __ ____ ___ _____ __ _._. ____, C_urc____'_, M__m_, F__r___, ___ur__y, _c__b_r 15, 1994. _r_c__g ___ _r___ _f ___m_. M_. _rz___k, M___ Mr. Burr___. _______ R_r_____, P_r_ 3. __ ____ ___ _____ __ _._. _____r _____r B__w____r (c____gu_u_ m_x) (1995, r_j_c___). ___ F_rk_ __uré. __w _______ MP3 Up_____ C_m__g M____y. _m_r_c___: Wr__g f_r _m_r_c_. W___'_ __ Y_ur P__/P__/____ P____/R___-__-R___? ___x__ B_r____, ____ __ _C. ___' Cu__y _y______r, _xp____. ___ '___c_' __ ____ M_r_ Fuck__ Up ____ U_u__. __ "_u __z_r_ B_____z_r." (___'_ G_ B_ck __) C____p___g ___r_. _____g_ ___c_: "_-___c_." ____ C___ f_r _yrupy _w_______. _______ R_r_____, P_r_ 2. __ ____ ___ _____ __ _._. ____ __u___ _______, WFMU, J_r__y C__y, _J, __p__mb_r 19, 2004. _______ R_r_____, P_r_ 1. ___u_ à _____. __ Xm__ f_r J___ C_rr___? (___ _____ _bu G_r__b P_r_f____). B____ __ ___ F___r: P____u__. Y_ur __x _____r_ __ W_rk, ___. 666.666. __r_ _'œu_r_? _____ Fuck_____ R_j_c_ W_rm__-___r ____rum. P__k__g _u_ fr_m U___r. My M_ur___g _rump_ Y_ur ____ur_m___. ______ _u___r__y. By ___ ___ _f __x_ W__k. R_gg_____ F___r, _ymp____c B__ck M____ F_u. Ru_____ P_ur__ __j_c____-__u_ P_r____ __ ___ Pr_p_________ C___: _u_c___ W__c_. R___ _____ (___. 989). ___k_g_. ______r R_____ ___ __ K___ Y_ur___f (____y). ___ _______m_ G_! _______ __ur 2006: W____ _____ Up____. _ __f_____ K__pr. Fr_m ___ r__r___r __m_ p_g_. _______ W___ __ur... (__ 2009.). ____m___c_ ___u___'_ ____p __ _c_____. 37 U___g___ _p_c___: _________ _r_ub__m__! ____p________. ___ ___ C___f __... ___ ___-_y__ ___u_. _ur___g c___ _g___ _f__r ___ __w Y__r'_ __u__. F__r __ ___ C_r__r_. __ppy __w Y__r! (___'_ _ff Y_ur______ Ju__ Y__...).

2012-02-29T09:33:00.000+13:00

____r rry P_r_c_ B_____g F_u____ [R_bggg _ _ ( _ _____ _._.) Bg: P_ _____ & _ub__g Cppg_, 12.25.05 – 1.7.05]

2012-02-28T10:09:00.000+13:00

F___r___ Mu__c, 2005. CG F___ _k______! ____ "____" P___ f_r _w___y-F_ur __ur_, Pr_m___! _ _r__g__ ___um _ __m_ ___. _w_g R_p_r_. M___up Pr_p____ #56: G__rg_ Gr__z __. Fr__ B_r___ (8" __b_bu__ __rr___f____ p____, __m_-c__c___r_c _____, 1682). _r_b__r-R__b_rb_r & Gurg_____ck: _y_ C__r_ F_x_____. __u __rr____ B__c_-___pp__ _g___ by J_y__ C_u__y _____ Cu_. G__ _ff Y_ur ___ ___ R_c_r_ ___ __u___ _f __cr__ P__c__. U__ _z___ __ __r ___r_p__ (1989 R_m_x). __rr R___ (___ _rr_r __'): _WK __ _r_____: _ W___ K___, __r. M_j_r__m_gr_p_y: R_p J_g R__ M_ __my! __ _ W__ __k__g ___ C____cr____ ____ fr_m ___ C___c_mb __ ______r. ____ B_r _____ __. B____r_ _____. _________, R_pr______b__, C_rrup_. P_r___g ___ __r_ fr_m ___ __r__r, P_. 1. _'_ Muc_ Pr_f_r _______g ___ ______r_, Bu_ ____'_ Ju__ M_. __ ___r. W_y B____r R_____g ____ ____g? ___'_ M___. "____" ____ M______ __g__ Y__r_ _______. M_r_ K_K_-_. __ 2001, K_m K_-_uk M___ C_r_____y W__ G__. Juk_b_x Jury ______ck__. __ R__ur___g fr_m M_r_____. _c____ ___ B___g F_u_g fr_m (Pu_c_ur__) _y__. ______r __c_____. _____ __r_. R_p_r_ fr_m ___gru_____ _Q. _ M_m_ fr_m ___ M_j_r__m_. B__k _____: W_______y, _c__b_r 5. My _____? F____-B____! ____ __ _ur R_gu__r_ ___ ___ ___ __c___c. __x__ _f ____qu__y X___: Br__k_y_ B___ r____w (Ug_y _m_r_c__, F_bru_ry 1992). ___ Br__k_y_ B___ ____ __ CBGB'_: ____ __ B_ _ M_j_r M_____ P_c_ur_. __c_ __c_: "___ Ruku_" bw "R_p__c___r"... ___y F*ck! __x__ _f ____qu__y X__: __ R__ J_r_my'_ __ ____ ___ _____ __ _._. (Ug_y _m_r_c__, 1994). __ru_p_x _f P_rfu_c__ry __ck: R__ J_r_my'_ __ ____ ___ _____ __ _._. __x__ _f ____qu__y X_: "____c______ _f ___ Üb_r-Mu__" (Cr______ ___f__g, _______, 1998). ____c______ _f ___ Üb_r-Mu__: B____ _ff'_ _k_w__, ___g-ru____g r__g_ __ _______'_ pr_m__r_ _____ _____ c_____u__. __x__ _f ____qu__y X: Qu_z #1 (__'_ "C___m_ __pr_c______" c_ur__, M_CC, 1991). __x__ _f ____qu__y _X: W____ M___g_m___ (_______ #39, M__m_ B__c_, 1991). W____ M___g_m___: Y_u __k__ f_r __! __u__ F__r___'_ _umb_r ___ _xc_u____ ___b___ C____c____! Urg_: __ ____c_ W_r. __x__ _f ____qu__y ____: W____ M___g_m___ (_______ #37, M__m_ B__c_, 1990). W____ M___g_m___: ____... ___'_ W_k_ __r! __x__ _f ____qu__y ___: W____ M___g_m___ (_______ #36, M__m_ B__c_, 1990). W____ M___g_m___: _ P_c__ __g'_ Gu___ __ _m_k__ B__f Br__k__. __x__ _f ____qu__y __: W____ M___g_m___ (_______ #35, M__m_ B__c_, 1990). W____ M___g_m___: _ __um-__pp_r'_ Gu___ __ ____-_qu___r. __x__ _f ____qu__y _: W____ M___g_m___ (_______ #34, M__m_ B__c_, 1990). W____ M___g_m___: _ __um-__pp_r'_ Gu___ __ ____-_qu___r. __x__ _f ____qu__y __: W____ M___g_m___ (_______ #33, M__m_ B__c_, 1990). W____ M___g_m___: _ __um-__pp_r'_ Gu___ __ ____-_qu___r. __x__ _f ____qu__y ___: "__cr___b_y __rr_b__ Mu__c 2" (B_____f___, 2001). __cr___b_y __rr_b__ Mu__c 2. ____, Pur__y. __g ______ (__ _ P__c_ W__r_ _____ Byr__ ____r __pp____). __ ____ ___ _____ __ _._.: Qu___r-M______ Up____. _urk___ M____g_ (w___ _ Br___y C____r). M_____r__m__g. P_u__ ___ _uc, ______g Qu_r__r-__c_ R____ _f __p_ __ _ _r__, G-_-_-_-C-_-_-_-G! M__g B____ ___ ______p_, __u_ _w__k__ w___ "__rku_" F____r. ___ ___y _____ ___r_ Pr_______c _k_p_ fr_m W_W. 0. W_W 1. XPX 2. YQY 3. ZRZ 4. ___ 5. B_B 6. CUC 7. ___. ___ _r_____ ___u____ C____m___r ___r_. ___ _____r, M_r_ ____y__g __r___y _f J__ __g. Грахданский Кодекс в Москве. ___ Qu___ B_urk_-W____ #10. ___ Qu___ B_urk_-W____ #9. ___ Qu___ B_urk_-W____ #8. ___ Qu___ B_urk_-W____ #7. ___ Qu___ B_urk_-W____ #6. ___ Qu___ B_urk_-W____ #5. ___ Qu___ B_urk_-W____ #4. ___ Qu___ B_urk_-W____ #3. ___ Qu___ B_urk_-W____ #2. ___ Qu___ B_urk_-W____ #1. __u___g ___ __ ___ ____r_wy. _ _______ My C_r______ M_rc__y R_r_____, ___ _ __r_ Y_u __ __ ___ __m_. ___ Gr___ ___r_ 'R_u__ ___ Cupb__r_. __ _ __y G__mm__g. C_r____p_ Gäc___r (1957-2005). Bu_r_ku __ C_p__c F__r_. "____" Pr____w: ____ __r__m ___r_. ___ B__ W_____, ____'_ Y_ur ___ __g ____. P_u___g f_r __ U_c_mm_rc___ M____g_. P___c_r__ __ ___ __m. Wr____g _b_u_ F_y__g __ __ Muc_ M_r_ _xc____g ____ Fuck__g. __u___r_ck __ P__m_g___. C___y ______ M__g_____. ______r P_rf_c_ __y __ __w Y_rk. __ ___ G_r____ ______ Up __ ___ _____. ___r__g __w_ M_rr____y'_ ___c___ M__. ______ __ __ ___'_ __p_. __ W_ck______ f_r ___ R_____. __ ___g_r G_rg___g w___ _2__4. J____y C_m__ __ K_r____w_. W_r__ ____ 8 _m_g_, P_. 1. _w_ __rg_ _______ W_r_ F_u__. _ur R_u___g B_____ Cry: "W___ __m_ Ju_c_?" ______g fr_m ______g ______ ___ry____g, P_. 665. "W___ __'_ __m_ __ P_r_y W_ W___ P_r_ W_y_..." _p____ R_m____ by W_____: G__ _______. F__ ___/_r _C. C_u____w_ __ Ru_-_f-___-M___ C_b__ C_r __u___c_p_. __c_ ___. __bum_ P__f_r__ (_k_y, __p__) fr_m Ru___f _b._r'_ C____c____, __r_u, 2002 (P_. 1). ____ P____p_ (w__ w__ __f_gu_r___g M. _b._r'_ _rc____ __ ___ __m_) ___ __ m____ __ r_p ___y_ __ mp3, u__ z_ _ w__ f_rc__ __ c_py ___ f____w__g ____ c_______. Pr_m_____, _f c_ur__, bu_ __ ____ ______c_ (__c_________g _ m____-___g _rgy _f c___ump____), _ ___ __ c___c_. ___ ___ _r_ _up_r-u__r_-m_g_ r_r_, bu_ ____ w___'_ ___ p____. (______r _r_ ___ w____y _rr_____g _r c_mp_____g. __m_ _r_ m_r_ b___-f_c__ cur________.) _ __mp_y __k__ '_m, ___ w_____ __ __k_ '_m __m_ w___ m_. _ ___'_ ____k _b_u_ c____c___g. ___r_'_ ____r __ ___, ___ _ _b__r p_r_m___r_. Ju__ w____ ___r ___ __uff. _ m_y ___y ______ __c_, m_yb_ _w_c_. ____. Cur_____y _____f___. __ __ p_r__cu__r _r__r: __ __w_r C____ R___g__u_ Mu__c fr_m _____: M__k_, _r___________, M__w____ ___ F__k___g_r_ (_yr_c__r_ ____ 7324, 1977). Zby_ěk ____řák, M_______ _š____, ___ _ác___ Kuč_r_ Fr_m Cz_c_ ___c_r___c Mu__c __u____ (_upr_p___ 1423, 1974). __ _xp_r_m_______ Mu__k u__ _z___ __ __r ___r_p__ [__r_c____: M__fr__ R_c___r] (J_ck___ & C_., J_ck___ 225, 1983). Gü___r Bru_ Gü___r Bru_ zum 50. G_bur____g Üb_rr__c__ __m 1. __u__c___ _r______um: P____c___ _____rbuc_ (__c__u_g u__ Mu__k) (___ ____ G_br_c___, ___ __ubu_____ 1, 1988) (J_, ___ _b___ _____ __ ju__ _ ___ u_w____y...). __ R_u___u___ P___p_y__c__ R__u_ ___rr__g R__ 'P___'_ __b____r_ F___ur__g R__. Fr__ ____ (__y __y-B_w R_c_r__ _R 6155, 1975) (Yup, pr_-C_ r____u_, _r_g. ___y_). ___ B_u_ ____m _____ W____u_ ___ _rm_ _rm__ F_rc__ __y (__y __y-B_w R_c_r__ _UB-2, 1978) (_____). J_cqu__ __j_u__ _ymp_____ _u B_r_ _'u_ P_y__g_ (___ GRM 9 111 __, 1983). M_r__ B_r___c___ C_fr_/Br_w_/C_g_ (_______ RZ __. RZ 1002, 1989). W_____m _. Burr_ug__ Br__k __r_ug_ __ Gr_y R__m (_ub R___ _UB 33005, 1986) (_'_ ___ pr____u__y __c____ ____ c_mp_______... _ _w___ ___, _c_u___y). __ ____ f_r __w: _ C____c____ _f Fu_ur___ ___ ____ __u__ W_rk_ (_rk R_c_r__ ____ 4, 1985). (___ ___ __m_ __ _ub R___'_ 1989 Fu_ur__m & ____ R____w__ c_mp.). ____ __ckw___ ___ G____ W_r__ _f ____ __ckw___ (___g___ R_c_r__ _G_ 104, 1970). (Gr___ __b, b__u__fu__y r____z__). ___ G____ _rc____r_ ___ G____ _rc____r_ (Mu__c G____ry ________ WRC_ 1551, 1978). (______g _ ___m_?). ______g C_r_________ F_uxy_ (Burg__ R_c_r__ _C 04, 1984). M_r___ & M_c____ F__g_ 1 (R___ 6422, __ ____ ______ __ ______). __rry P_r_c_ U._. __g_b___ (R_P 003 b_____g, __ ____ _f r______; p__c__ ____ fr_m 1943, 1955, ___ 1954, r__p_c_____y). b_g _r_ __u___ _f _ _cu_p_ur_ _ & __ (b_g _r_ B_G 103, 1989). ____ M____ur_ _r_bu__ __ ___ ____ __ _ 3r_ G___r_____ C_py _f "B____ F____" (BMR 004 7", __ ____ ______). (____'_ ____ ____ ___; ____r ____ __w __ w___ _ w__ ___g__g _u_ __ ___y'_ ___ K__g'_ Cr___ f___ __ ______... _b___u__y, _ mu__!). M______ _p_____g_r M_r____ / _Π_ ΔΩ (___ ___r) / ___r __ück_ / ____ö_c____ / __öru_g / _______c_ (_______ RZ __. RZ 1005, 1990) (K____ J___ _____-__qu_...). J___f _____ R____ J___f _____ R____ (W_rg_ W_R 60066, 1972). _____ M_r_, _____ ____m_r, __ __ C____b_r______: _____cr___ Mu__c (_bj_c_ Mu__c _BJ 002, 1979). (__ ___ __m_ _ ___ ___ ____r_ _bj_c_ c_____gu_ __ my c____c____, bu_ m___ ___ry____g ________ __ ___ __r_y 80_. __ w__ c___ __ ____ ____ _g___. _f c_ur__, _'__ ___ ________ __ __ ___c_ _ __p__ __ __ Ju__ 2002...). __ C____ ___ B_______ [R_c_r___ by R_g_r ___ K___y P_y__] (C_p____ R_c_r__ Fr__c_ 28 068-85349, 1970). Xy__x G_u__g G___ ___c_r___c w___ Xy__x (___m_____ __ 29575 7", __ ____ __ ______). (______r _yp_r-_b_cur_ ____ M____ur_ _p_c... ____'_ c_py, ___ Ru___f'_...). M__c_r_-_u_ B_____ _w___ _P (__w C____ ____y 007 7", 2000). (___ Ru___f'_, bu_ ____ ___ __ ___ _'_ r____y __j_y__ ____r ____r _P, __...). _ur__ w___ W_u__ C___c_ M_____g __ _ _____c___g __b__ _f _ __w__g M_c____ ___ __ Umbr____ (U_____ ___r___ U_01, 1979). (W____y ______b__, bu_ R&_ ___ pr______, f_r__ _______ ___y_ c_p___. (My U_ _____ w__ ______ ____ _g_.) C___ m_ _ _____m________, _ ___'_ fuck__g c_r_!). M____k __rg_ __u___ _f __cr__ P__c__ (_g___ _G_ 056-_P, 1987). (Y___, __m_ _f y_u k__w __w g___ ____ ___ __...). W___ _r_w___g bu_ ___r___g (W__c_w___ R_c_r__ W__ 001, 1987). C_r______ M_rc__y M_r_ __c_r__ (__ M__'_ ____ _m_ 8816, 1989). _r___r W____r_ R__ B_r_: _ P_____c__ Pr_____r'_ _r__m (Y__ 7 _P, 1978). (W____r_ w__ _ b_g __f_u__c_ __ ___ w_y _ _m_g____ ___c_/__c___; ____ __bum __ __ g___ __ __ _____ __ g__, _____ug_ ___ f_r__c_m__g B_ B_c_ c____c____ r_p_r____y c_m__ _ c____ __c___... B_ug__ R__ B_r_ __ r______; __ w__ ______ _ f_w y__r_ ____r. M___ _f my r_c_ fr_m ___ m__-70_ w_r_ gr_bb__ __ _ r_bb_ry. __w _ ju__ __ug_ __ ___ ___ug__ _f _______ _ugg__g _ ________ _f _____-w__? __b_ _cr___ ___ c_ur_y_r_ _f my f_rm_r bu_____g, bu_ ____...). __ Mu__c __ ___ W_r__ _f ____m – 1: ___ _um__ ___c_ (___g___ R_c_r__ _G_ 131-_P, 1976). G*P_rk ____m_gr_mm (_c__mpf_uc_ __19, 1990). _c__mpf_uc_-Grupp_ / Ru_z_____r_ & Gurg____øck M_m_ (___ F___) (_c__mpf_uc_ K_K03/__26, 1991). (_w___m_...). _u___ _r__ _cc___ f_r _ ___r_ (_ M____ W _MW 004 __ 006, 1987). Cu__urc___ __cky __u____r_ _f Pr_-R____u_____ry _m_r_c_ (__ __b__, m__r_x #__ 24789-90, 1986). (__mu______u__y ______c ___ br_______, ___ ___ r___r___ __ r_____ __p__g. ____ ___ Ru___f mu__ ____ ___ __r__ c_p___ _f __ b__w___ ___m). __ Z_r__ück____ __kkurb___ (_c__mpf_uc_ 02, 1988). (_x__u_____ __r_y _c__mpf_uc_ c_mp., _b._r'_ __c___ r______. W___ w_r__ y_ur w__k___). Ru_z_____r_ & Gurg____øck __u__g__gb__ck___ (_c__mpf_uc_ 59, 1990). (__ ______ _b._r r_m_x c_mp_______... _______ _f 100). Ru_z_____r_ & Gurg____øck J_ Rump____urz _____ Burz__b__ck (RRR R+G, 1992?). (RRR ____ __w_y_ __ruck m_ __ ___ K-___ _f _xp_r_m_____ __b___, bu_ w_____ ____r c_mpr_m____ _c_p_ ___y'__ r_______ m_r_ ____ _ ____fu_ _f ____r_____g r_______. U_f_r_u_____y, m___ "_u_ Pr_c___ RRR____" pr_j_c__ ____ b___ _r___fu_. ____ ___ b___ ___ ____; __'_ ___ __ ___ __urc_ m___r___...). __ W___ Y_ur Br____ (_c__mpf_uc_ Pr__uk____ __01, 1988). (___ __ry f_r__ _b._r r______ u___r ___ w_rp__ _c__mpf_uc_ _mpr___. Gr___ gr___ gr___!). M_____ / Ru_z_____r_ & Gurg____øck U_______ _p___ _P (B____g__ ____ Pr__uc_ 68, __ ____ __ ______). ______r___ / Ru_z_____r_ & Gurg____øck / _b._r_____ ____ __ ___fpu_k _P (__c____ ___p_ 033, 1999 12''). (__ _xc______ __cum___, r_______ by ______ __w__bruck_ __ ___ (curr____y) _mb______ __c____ _mpr___. ____ w__ pr_b_b_y ____'_ c_py. _f c_ur__, __w _ ____ ___... C___r_, __!). M_r_____ M__k _ur ___y _f ____ (W_rg_ _M 1058, 1986). _____ _uc__r Mu__c f_r ____ P_rf_rm_r (_____y Mu__c _R 1014, 1982). (_'__ ___ ____ ___c_ ___ r______, bu_ _ c_u___'_ r_____ __p__g __ __yw_y). _____ _uc__r _f_r_c_ (_____y Mu__c _R 1017, 1988). __w___ W____r & _____r R___ ____ R_____: _____r (_______ ____ Jörg M_y_r F666-08, 1977). R___ / R____r _u____m_____g__c__ ___m___k (M__c_-U._r_mku___) (__r__g __b_r-____m___ / _____r R___'_ __r__g _R 1180, 1978). _____r R___ & Björ_ R___ _u__f__r_ __. 1 (15-16_., 17 _pr 79) / B__f_r_ _r. 1 (K_. 14-15, 17 _pr 79) (_____r R___'_ __r__g BR_R 579, 1979). (___ R___ __bum_ _r_ u___r_y b_r__rk, __________y u_r______b__ ___ __w, __p______y u__b_____b__). ______ ___p___ Cr_f__ ___p _p_r_ _u___ / ___k_ ___ _ymp___y (_u_r_ R_c_r___g_ 1001, 1982). (_ f_____y f_u__ ____ _g___ __ 1996, bu_ _ ___k __ _pp_r_u___y __ __r_u __ m_k_ _ __f__y c_py. _ b__u__fu_ __bum). R_W/_ub_ _rg___z__ _P (M__uw Muz_k 006 10", __ ____ __ ______). (____ w__ ____'_. _P'_ __w_y_ b___ m_r_ _f _ _____ c_________ ____ __rr _b._r). (_'__ wr_p ____ up __ _ ____r ____. ___ ____ g___ __ f_r _ w____). "Gr__b_," c_____ué. __ "__uc__z P__ _u Gr__b_." _____r __. _____r: __ ____ ___ _____ __ _._. Cub__. _______ __ ___ Br__k _f __ ____p___. M_r_ Grumb___g _b_u_ Y__r-___ Rubb___. "W___z _f ___ W___r Pupp___." _f__r "__ C_mm_r_ __cc_," 5:33 _M. _____ C____c_ w___ _k__ ___ _y__. "____qu_ ___ Cr__f_r_ R_y__m..." (__ gr___ _p____, r___ f___). F_uxy_'_ _g___! ______r __rry P_r_c_ B_____g F_u____. _pr__k Br__g. ____ Fuck__g _p___ __ G____g M_ ___ _y_. _ _ur___ 49 ____y ___ _ ___'_ C_r_. (_r, _ _m __ __c____, Cur!) __ ___ Pyr_, 6 _pr__ 05. ____-___, _f__r c____, _ r_mp __r_ug_ _____ _'G_rm__'_ __w ___. _____ry ____y "__c____c_ ___ _____r_c__ U___r_______g __ F__ub_r_'_ ____mmbô." F___ (_r, m___ r_______) _____ (__ _____ __ __rm_ _f my _w_ r____rc_), r_ ___ __ck__g _f C_r___g_ __ 146 BC_: ______, k______g ___ Fr__c_ __rc_ __ ___ ____r _f ___ C_p____ ________y _pp__r_ __ ____ ___ __gu___ _f __mp_r__ r_f_r__c__, bu_ ___ f__m__ _f C_r____ c__ b_ c_rb__-_____. ____ __ ___ m_m___ _f __r ____ruc____, _ m_m___ w__c_ _pp_r____y gu_r______ ___ fu_ur_ _f c_____z_____, ___w_ u_ p_r__p_ ____ C_r___g_ __ _b___u__ _rr____m_b__ __c____c_ __ __ __ff_cu__ __ ____m_____ fu__y ____ ___ __rr_____ _f pr_gr___ __ __ __ __ u___r_y _xc_u__ __. ____, ___ _ r_____ _pp__, w___ buy y_u _ ____ w___ _ _u_c_ ___k_y. _ Pr_u_ P_p B__m_. W_r___g! P____c___ _____rbuc_ (_FF _r_um __r ___g_w____). __r_g__, Fuck_r_. C__c_____ _up_r_mp_______. My c_py _f J___ __u_r_ M___'_ __ __b_r_y u__c_u___b_y b_c_m_ ________ w___ _ br_w_ _____. ___r_'_ _ __r_ _f _______w 3-_ __umb__ck ___p_ _r_pp__g __ ___ "b" __ "______ by," __ __ "______ by ___z_b___ R_p_p_r_." _ __umb__ck ________ __ _ _p__ bubb__. M_r_ (_r __ _u_r_g__ _xpurg_____) ____. W__r_ _____ W_ ____? W__r_ _____ W_ B_ F_____? _'m ______ __ R__p___, bu_ ___ ____ __ R_____. Ju__ _ry__' __ ____ _ Fuck__g K__ _b_u_ Br___ R_c_g______. 1000 MG _f _-_y____ _g_____ F__c__m. __m___ _f Y_u ___'_. __ Xm__ f_r J___ R_y_-______: _______ __ur R_m____c__c_ ___. 2. _ G__u___ B__-___. B___ry _____, Bu_ ___rr__g. __ __m_, __w____g, __ ____. ___ry____g R___r___, __w_y_.

John Wiese – Selected Visual Works

2011-12-08T12:03:00.000+13:00

[Text originally published in the exhibition catalogue accompanying John Wiese’s Battery Instruments sound installation, High Street Project, Christchurch, New Zealand, 8-29 December 2009.]

Botanically speaking, dehiscence signifies a splitting open or a gaping by a divergence of elements, especially as part of an organic process […] a seed pod dehisces to discharge its mature contents.

– Ed Cohen

The fraught and implacable restive editing-cuts that characterize of John Wiese’s noise compositions are in effect enacting a furiously focused process of pure sonic parturition. Similar to the ruthlessly exacting musique concrète reductionism of Ralf Wehowsky and the feverish abstractions of Swiss neo-aktionist cabal Runzelstirn and Gurgelstøck, Wiese operates microphonically upon his source material, reducing with each frenzied, split-second edit the tangible if elusive physicality of sound to fleeting apparitions of spectral arrhythmia and skitterish traces of evanescent sonic disjecta. Throughout his solo work and numerous collaborations, Wiese’s distinctive editing style – which he has dubbed “total precision grappling” – makes itself felt in and through a distinctive dynamic rigor that links and affirms the recalcitrant materiality of monadic noise aggregates across the space of their own difference. Sculpting substantial bodies of sound down to tiny, molecular blips stripped of their musicological mandate to mean, what we might call Wiese’s materialist poetics of dehiscence splits open Pierre Schaeffer’s objet sonore to release a teeming, fecund ‘[...]’.

In addition to being prolific noise artist, Wiese is also an accomplished typographer, and many of his compositions and multi-channel sound installations are based on typographic scores, which typically take the form of sparse collages of minutely fragmented letters and type forms. Foregrounding the opaque materiality of scattered and dismembered graphemes, Wiese’s scores present superimposed constellations of minute lettristic errata, forming a visual counterpart to the precise editing and jump-cuts of his music. Wiese’s collages, like is music, are all discreteness and collision. Rupturing the integrity of the formed letter shape, these unruly visual poems mark a return to the material base of language, zeroing in on a restive interplay of microscopic forces and intensities in (or beneath) the signifying graphism of writing.

Wiese’s collages of fragmented letter forms evoke nothing so much as entoptic floaters, those minute bits of debris (dust, hair) “in the vitreous fluid cast of the retina” visible as “small opacities [that] appear to drift and flinch across the field of vision like the transparent bodies in water seen under a microscope,”[2] and phosphenes, those spectral, dissipative lines and shapes that emanate from within the eye and brain as opposed to an external light source.These effects, Craig Dworkin notes, have something of a history in the modern French poetic tradition, appearing in works by Rimbaud, Beckett, and René Daumal, among others. In what could easily be taken as a description of one of Wiese’s sparser collages (see figure 1), Francis Ponge, in “La Crevette,” figures phosphenes in explicitly typographical terms:

To begin with, let’s acknowledge that people, with their vision disrupted by fever, hunger, or simply fatigue, sometimes undergo a fleeting and no doubt benign hallucination: they notice – from one spot to another across the field of vision, shifting in a particular way, by animated, jerky, successive backwards leaps followed by slow returns – a type of tiny marks […], barely delineated, translucent, in the shape of rods, commas, perhaps other punctuation marks, which, without concealing the whole world from them, do obliterate it in a certain way, moving around there superimposed.[3]

Phosphenes, in fact, occur spontaneously, and are perceptible in environments devoid of external visual stimulus (such as a darkened room), as well as when the eyes are tightly closed, as there is “always some residual neural activity reaching the brain, even when there is no stimulation of the eye by light.” Along with the causes listed by Ponge, Dworkin notes that phosphenes can also be directly induced or intensified through a variety of mechanical and electrical means, including violent blows to the head, prolonged visual deprivation, psychotropic drugs, electrical shocks and – most significantly for our purposes here – loud noises.

Not coincidentally, Wiese’s album and track titles consistently evoke entoptic phenomena: the “Casual Psychedelics” of vitreous floaters that resemble minute bits of dust and hair: “Hairy Ghosts,” “New Wave Dust” “Attack Clouds”; phosphenic sparks that opacate clear vision: “Light of a Ghost,” “Behold the Scathing Light,” “Snow Pit” (the latter title suggesting a centripetal ‘hollowing out’ of the optical field by grainy visual noise or ‘snow’); and, more bluntly, the total obscuration of vision altogether: “Curtains,” “Opaque,” “Veiled” [4]. As these titles suggest, Wiese’s brutal and exacting noise compositions, with their startlingly violent edits and sudden, jarring changes in volume, appear to be a calculated attempt to directly induce phosphenic response in the listener. Cutting rapidly between split-second bursts of coruscating digital shrapnel, inframince canyons of near-inaudible susurration and whirr, and grinding walls of overblown distortion, the unpredictable and assaulting juxtapositions of Wiese’s music make for a particularly tense and unnerving listening experience, one that, at the appropriate volume, is fully capable of producing the kind of nervous system shocks conducive to increased phosphenic receptiveness. Wiese’s collages, then, may well figure forth the phosphenic manifestations of dismembered typographic chimera that may be induced in the listener by the violent, unpredictable, and abrupt transitions of his frequently aggressive and extreme music.

Alternately, the pieces based on broken line fragments (see the first three images below) are visually evocative of a number of classic avant-garde experiments in textual deletion and erasure. They share certain affinities, for instance, with Marcel Broodthaers’s seminal (image), in which the conceptual artist replaces the lines of Mallarmé’s Un coup de dés (“A Throw of the Dice”) with black cancellation bands positioned and sized on the page according to the typographical layout of the original poem. “The result,” as Craig Dworkin observes, “is a geometric, constructivist design in which the calm expanse of Mallarmé’s over-sized page is interrupted by the hard-edged precision of the fixed forms that punctuate it” [4]. By eliminating or censoring reference, Broodthaers lays bare the underlying rhythmic structure of Un coup de dés and elevates an experience of the material duration of poetic form over semantic meaning.

Broodthaers's (image)

Similarly, Man Ray’s 1924 visual poem Lautgedicht (“Sound Poem”) consists of schematic figures of straight lines designed to reproduce the pausal melody and rhythm of the conventional lyric poem: language reduced to the state of a totally illegible, pre-semantic materiality. As in (image), we find the same visible notation of a wordless music in the spatial disposition of lines and pauses. Both of these works thus help bring to near tactile presence what Bruce Russell – following Agamben and, further back, Deleuze – terms ‘repetition and stoppage’: that basal material-rhythm structurally constitutive of montagic cinécriture and (traditional, at least) poetic lineation alike [5].

In John Wiese’s line-works, however, a wavering, Steinian vibration (“[A]re you willing to moisten rapid repetition with angular vibration [?]” Stein asks) agitates the cool, geometric clinicism and strict linearity of these earlier experiments, surfacing as a kind of inaudible visual murmur, tremolo, or resonance that cuts the straight lines of the static lexeme at angles oblique to inscription [6]. Unlike Man Ray’s poem, which evokes the measured melodic structures that have always underwritten lyric utterance, Wiese’s disaggregating line-segments again offer a kind of proto-semantic linguistic image of the multiple dishevelling vectors subtending his ever mercurial music.

[1] Ed Cohen “Poesis, Autopoesis, Autopoethics.” Culture Machine, Vol 3. (2001). http://www.culturemachine.net/index.php/cm/article/view/285/270; No pagination.

[2] Craig Dworkin Reading the Illegible. Evanston, Northwestern University Press (2003).

[3] Quoted in Dworkin, 61, emphasis added. One may note that, perhaps not coincidentally, Wiese’s initial interest in typography coincided with a bout of mono, the symptoms of which include fever, fatigue, and malaise.

[4] John Wiese “Casual Psychedelics” Soft Punk (Troubleman Unlimited), CD, 2007; John Wiese and Jesse Jackson Hairy Ghosts (Troniks, TRO-116), CDr, 2004; “New Wave Dust” Soft Punk; John Wiese “Attack Clouds” Teenage Hallucination: 1992-1999 (Troniks, TRO-206) CD, 2005; John Wiese Light of a Ghost (Helicopter, H33), LP, 2005; John Wiese and Daniel Menche Behold the Scathing Light (Helicopter) 3”, CD; John Wiese “Snow Pit” Soft Punk; LHD ‎Curtains (PACrec /‎ Troniks) CD, 2004; LHD ‎Opaque (Pure) CD, 2005; LHD ‎Veiled (Helicopter, H62) 7”, 2011.

[5] Ibid. 150.

[6] See Bruce Russell “The Cinema of ‘Pure Means’: John Wiese’s Battery Instruments as History Lesson.” Battery Instruments Catalogue, Christchurch, HSP (2010) 28-35; and “Time under the Rule of the Commodity: Notes Towards an Epistemology of Tape Music.” The Book of Gilded Splinters, Lyttelton, Ekskubalauron Press (2007) 6-9.

[7] Gertrude Stein “Saints and Singing: A Play.” A Stein Reader. Ed. Ulla E. Dydo. Evanston, Northwestern University Press (1993) 397.

John Wiese Selected Discography

Zombie LP, Presto!?, 2009
Circle Snare CD, No Fun Productions, 2009
Dramatic Accessories LP, Ultra Eczema, 2008
Soft Punk LP/CD, Troubleman, 2007
Fronts (with Bruce Russell) 7", Helicopter, 2006
Teenage Hallucination: 1992-1999 CD, Troniks, 2005
Magical Crystal Blah 3 CD, Helicopter, 2004.

2011-08-30T15:10:00.024+12:00

said

murmured

stammered

sobbed

giggled

cried

stuttered

voice

intonations

stutter

speak

patois

say

murmuring

voice

audible

murmur

voice

murmur

stutter

squeaks

speaks

saying

stuttering

words

stutter

stutters

speech

stutterer

stutter

speaks

stuttered

words

quiver

murmur

stutter

tremolo

vibrato

reverberate

words

hum

silence

murmurings

intonations

squeaking

trembling

stammering

hum

vibrations

words

say

stuttering

say

stuttering

speak

stammer

listening

swelling

noise

stutter

speech

intonation

vibrate

stutter

speech

modulation

stuttering

vibration

trembles

listened

stammerers

speech

phonetic

speech

music

modulation

speech

mute

scream

stutter

stammer

murmur

music

screechings

inarticulate

sounds

music

speech

word

stutterings

speech

stuttering

speech

sound

breath

cry

speak

speaking

speech

stuttering

breath

stuttering

said

spoken

stutter

words

stuttering

words

stuttering

stutterer

stuttering

scream

stuttering

inarticulate

words

breath

breath-words

breaths

words

tonalities

modulation

music

words

silence

words

sound

words

sing

words

silence

squeaking

murmur

melody

singing

stuttering

stutter

murmur

stammer

silence

silent

speak

stutter

silence

talk

words

sounds

word

stuttering

stutterer

DRAFT: Sobject Performance Schema (via listening-through Deleuze's “He Stuttered” - Essays Critical and Clinical. Trans. by Michael A. Greco and Daniel W. Smith. Minneapolis, University of Minnesota Press, 1997. 107-114.

Craig Dworkin Interview

2011-08-16T12:35:00.008+12:00

Craig Dworkin (b.1969) is a poet, literary theorist and art critic. His work over the past decade has involved some of the most strenuous examples of ‘conceptual writing’ as well as some of the most giddy sound-scapes to come out of the practice of phonetic translations. Dworkin takes seriously Wittgenstein’s axiom that “there are no gaps in grammar, that everything is already there if we will only see the connections.”

He is the author of Reading the Illegible (Northwestern UP, 2003) and four books of poetry: Signature-Effects (Ghos-Ti, 1997); Dure (Cuneiform, 2004); Strand (Roof, 2004); Parse (Atelos, 2008); and The Perverse Library (Information as Material, 2010). He has edited Architectures of Poetry (Rodopi, 2004); Language to Cover a Page: The Early Writing of Vito Acconci (MIT, 2006); The Consequence of Innovation: 21st Century Poetics (Roof, 2008); The Sound of Poetry / The Poetry of Sound (with Marjorie Perloff, Chicago UP, 2009); and Against Expression: An Anthology of Conceptual Writing (with Kenneth Goldsmith, Northwestern UP, 2010).

He curates two on-line archives: Eclipse and The UbuWeb Anthology of Conceptual Writing, and is Professor of English at the University of Utah.

Jared Wells: To begin at a particular deep end, I’m interested in your thoughts on the connection between the aural performance of certain conceptual poems and the radical, abstract music of sound poetry. I’m thinking here of such sustained exercises in repetition and variation as Kenneth Goldsmith’s Traffic and The Weather, José Luis Castillejo’s “TLALAATALA”, and Caroline Bergvall’s “Via: 48 Dante Variations”, as well as your own high-speed readings from Parse and Vito Acconci’s "REMOVAL, MOVE [LINE OF EVIDENCE]: the grid location of streets, alphabetized, Hagstrom's maps of the boroughs: 3. Manhattan". Could you speculate on what vocal performance brings to these kinds of procedural, ostensibly sterile conceptual works?

Craig Dworkin: Well, one thing performance can underscore is how poetic these works are, even in the most traditional sense: they often involve measure – a counting of some kind – and a rhythm and an assonance. What Pound would have called melopoeia. Not to mention a clear formal logic. Actually reading Conceptual works rather than just glancing at their descriptions reveals the extent to which they often make everyday language strange, redeploying communicative language towards other ends (the very definition of poetry for the Slavic Structuralists). Or, in Wittgenstein's terms: although they are composed in the language of information, they are not used in the language-game of giving information.

On the other hand, for many people, "poetry" has come to mean simply a genre of writing that includes a small epiphany – a "deep" thought or "profound" insight or a bit of self-realization by an especially sensitive person. And it's broken into irregular lines. But without any sense of the line as a foregrounded device, or any evident interest in the qualities of the language itself (much less the word-as-such). These are poems that should have heeded Pound's admonition: "do not retell in mediocre verse what has already been done in good prose."

So we're in a paradoxical situation where much Conceptual writing is actually more poetic than the soi-disant "poetry" of people who react to Conceptual writing by saying "that's not poetry!"

JW: I think you're right in suggesting that performance helps to underscore the poetic and formal aspects of Conceptual works, in particular the defamiliarization of idiomatic and colloquial language. In "The Stutter of Form" you quote Michael Davidson’s observation that a poetics of disability “defamiliarizes not only language, but the body normalized within language" (183). Does something similar occur in Conceptual writing? I'm thinking here, for example, of the evocations of physical violence and exhaustion scattered throughout Parse, the glottal stuttering of Bergvall's "About Face," and the atomized, machinic-body of Goldsmith's Fidget. What is the role of the body in Conceptual writing?

CD: Well, the real answer is that the role is as diverse as the various pieces. But I think you're right to focus on the corporeal as a locus of interest. Steve Zultanski's PAD and Dana Teen Lomax's Disclosure would be other key works to consider – along with JG Ballard's "surgical fictions," Nada Gordon's "Abnormal Discharge," work in the anthology by Trisha Low, Ariana Reines, Deborah Richards, Kim Rosenfield.... the list could go on and on. And I'm reminded of Donald Burgy's "Checkup," as one of the many precedents from the world of conceptual art.

One other place to look would be where techniques of transcription are used. Friedrich Kittler points out that one of the collateral effects of modern media – film, phonograph, etc. – was to register and record some of the unintended, involuntary and generally unnoticed noises of the body: wavers of the voice, stammers, blinks, twitches, and so on. When the filters are set sufficiently low in Conceptual projects, you can register the same bodily activity: the um's and ah's in Kenny's Soliloquy or Traffic, say, or the distracted subject in much of Tan Lin's recent work.

The flip side of those biological registrations is the recognition that language is always a material body as well, even with all the seemingly effortless and disembodied flickering of its digitization – language is in fact something to be clicked and cut and pasted and transferred.

JW: To circle back a bit, I'm currently toying with the idea that in the aural performance of Conceptual works – particularly catalogues, lists, and dense, data-heavy texts that are not easily read aloud – the body comes to be grafted onto the work as a kind of originary supplement, one that emerges sporadically in and through the repetitions, stutters, misfires, and elisions that tend to mark embodied performance. (This process of [re-]embodiment perhaps mirrors the self-eclipsing dynamics of what Vanessa Place and Robert Fitterman call the “sobject”, where effects of the subject are registered within the work in the form of textual illegibility, noise and interference – Kenny's inebriation in the final section of Fidget, for example).

CD: Yes – and in terms of the politics of vocal readings, I think again of Caroline Bergvall, and her amazing work 'Say: “Parsley.”' But there is also the example of something like Brian Joseph Davis' “Voice Over” – one of those catalogues of dense, data-heave accumulation: thousands of movie advert tags (e.g. "They are society’s most notorious criminals; they are our only hope."). But in this case, Davis hired a professional voice-over actor – Scott Taylor – to perform the text (or about ten pages, which was as much as he could afford). There, the smoothy disembodied voice of professionalism prevails, and is an essential part of the work from the beginning.

JW: Changing tack: while context is everything, I was wondering if you could speculate on the significance of the proper name in Conceptual writing?

CD: Well, that topic could go in any number of directions – I'm interested to hear what you think. But two routes come immediately to mind. One is the prevalence of brand and corporate names. I'm thinking of poems like Rob Fitterman's "Metropolis 16" or Alexandra Nemerov's "First my Motorola" or even Michael Gottlieb's "The Dust," where the personal proper name runs up against the commercial name to devastating psychological effect. What all those brand names say about the corporatization of language would be worth thinking through more widely and carefully. One purely poetic effect, however, is a Poundian specificity and concretism: the "direct treatment of the thing." In contrast to poems driven by narrative, for which adequate words are found to fit a preconceived story, here the words come first – filtered by a certain procedure – and the narrative follows from their specifics.

The other route would be to trace the power of the authorial name. Those effects are implicit in Mónica de la Torre's masterpiece "Doubles," for instance. Or more crudely in Ted Berrigan's infamous interview with John Cage (which didn't involve Cage at all – Berrigan ventriloquized for him, copying answers from Warhol interviews and other sources and putting the words in Cage's mouth). More recently, Stephen McLaughlin and Jim Carpenter's Issue 1 demonstrated the extent to which poets who are happy to appropriate the words of others are not yet ready to have their own names appropriated. This, I suspect, will be the next frontier for Conceptualism's challenge to literary identity: greater kinds of anonymity and impersonation. Vanessa Place's Factory Series – books written anonymously by others but published under her name – is taking pioneering strides in that direction.

JW: I'm glad you brought up Fitterman's “Metropolis 16”, as I'm very interested in the way in which schematic diagrams of proper names may function cartographically, in particular as a means of mapping social and commercial spaces; I'm thinking also of Fitterman's “Directory” and, again, Acconci's "REMOVAL, MOVE [LINE OF EVIDENCE]" (although there Manhattan street names are translated into numerical locators). Could you say something about the politics of these indexical reductions of social space?

CD: “REMOVAL” would be a perfect example of what I had in mind just now – the facts are just presented without elaboration (the grid coordinates to alphabetized street names), but narratives emerge from those seemingly meaningless series of letters and numbers: whole histories of urban development and social politics that are legible in the grid of Manhattan and its deviations.

But more than any particular social narrative, I think what's most politically powerful about those indices is their 'pataphysics: they way in which they proceed AS IF ('as if' the list of grid coordinates were meaningful, when that's not the way we usually think of maps). On the one hand, that's a utopian gesture – maybe the most fundamental revolutionary impulse: to imagine that things might be otherwise.

Or to put that slightly differently; such works treat data as if they were information – but not the information the sources imagine they have presented, already packaged for consumption. Again, one could think through the political implications of particular works (the narrative space of the shopping mall, for instance), but the more fundamental lesson is that we are given certain facts, and certain parameters – unavoidable situations – but we can always do something else with that given material. We have more freedom to thwart the implied telos of a situation than we usually remember. As Guy Debord wrote: "dans cet espace mouvant du jeu, et des variations librement choisies des règles du jeu, l'autonomie du lieu peut se retrouver [the autonomy of place can be rediscovered in the shifting space of play and in the freely chosen variations in the rules of the game].

JW: Your reference to the 'pataphysics of Acconci's piece is interesting – can you comment further on the relevance of this ludic science to conceptual writing?

CD: I've written a little about that relevance elsewhere, with special attention to the politics of conceptual writing, but some of the connections are clearer to me now. First, the way in which 'pataphysics takes a pre-established system, makes a minimal intervention – the slight unexpected swerve of the clinamen – and then lets the results play out is one precedent for the kind of work that exemplifies conceptual writing: minimal but meaningful authorial intervention in a found text or database. There is also a loosening, in 'pataphysics, of the identification between author and text, since 'pataphysics so often involves a ventriloquized or appropriated style (Jarry writing in the mode of popular science journalism, for instance). That loosening continues in the OuLiPo, which we sometimes forget was a direct offshoot of the Collège de Pataphysique. The OuLiPo model, in which the emphasis falls on conceptual forms rather than particular results – forms that are to be held in common and tried by whoever wants to take them on – was another important precedent for conceptual writing. Although we know who invented the S+7 technique (Jean Lescure), for example, there's not the same sense of proprietary ownership. Conceptual writing shares something of the OuLiPo's sunny, eager optimism about the force of a potential future: the world is full of things to be taken and tried, to be improved on and experimented with, misused and retooled, played and played-out, shared and shared alike.

2011-08-13T13:37:00.060+12:00

Aba el Lissan 1918-08-08 – Wadi Ghadaf 1918-08-18 – Jefer 1918-08-11 – Bair 1918-08-15 – Akaba 1918-08-05 – Rumm 1918-08-04 – El Umdeisisat 1918-08-19 – Akaba 1918-08-01 – Akaba 1918-08-07 – El Hadi 1918-08-17 – Aba el Heiran 1918-08-06 – Amri 1918-08-13 – Wadi Nejd 1918-08-03 – Um Kharug 1918-08-12 – Muaggar 1918-08-20 – Thlaithukhwat 1918-08-25 – Um Kharug 1918-08-24 – Kusair el Amr 1918-08-21 – Aba el Lissan 1918-08-26 – Ammari 1918-08-23 – Azrak 1918-08-22 – Wadi Itm 1918-08-02 – G.H.Q. 1918-05-15 – G.H.Q. 1918-05-05 – Aba el Lissan 1918-05-04 – Sinai 1918-05-14 – Imogen 1918-05-19 – Sinai 1918-05-01 – Cairo 1918-05-07 – Cairo 1918-05-17 – Sinai 1918-05-06 – Wadi Hafira 1918-05-16 – Hesa 1918-05-30 – Jerusalem 1918-05-03 – Fagair 1918-05-28 – Mudowwara 1918-05-25 – Disi 1918-05-24 – Towani 1918-05-29 – Akaba 1918-05-21 – Aba el Lissan 1918-05-27 – Akaba 1918-05-26 – Akaba 1918-05-23 – Aba el Lissan 1918-05-22 – G.H.Q. 1918-05-02 – Retm 1918-04-18 – Jurf el Derawish 1918-04-11 – Wadi el Hafir 1918-04-05 – Wadi el Jinz 1918-04-04 – Waheida 1918-04-14 – Shahm 1918-04-19 – Khabr el Abid 1918-04-01 – El Atara 1918-04-06 – Guweira 1918-04-13 – Aneyza 1918-04-03 – Odroh 1918-04-12 – Ramleh 1918-04-20 – Aba el Lissan 1918-04-25 – Cairo 1918-04-29 – Disi 1918-04-21 – Arethusa 1918-04-27 – Waheida 1918-04-23 – Aba el Lissan 1918-04-22 – Aba el Lissan 1918-04-02 – Umtaiye 1918-09-18 – Bair 1918-09-05 – Umtaiye 1918-09-14 – Ifdein 1918-09-19 – Aba el Lissan 1918-09-01 – Nasib 1918-09-17 – Azrak 1918-09-06 – Mezerib 1918-09-16 – Gian Khunna 1918-09-13 – Kiswe 1918-09-30 – Azrak 1918-09-20 – Deraa 1918-09-28 – Nueime 1918-09-25 – Umtaiye 1918-09-24 – Ramleh 1918-09-21 – Sheikh Saad 1918-09-27 – Sheikh Miskin 1918-09-26 – Um el Surab 1918-09-22 – Wadi Musa 1918-01-18 – Guweira 1918-01-11 – Nagb Shtar 1918-01-15 – Shobek 1918-01-19 – Abu Tarfeiya 1918-01-01 – Aba el Lissan 1918-01-16 – Wadi Itm 1918-01-10 – Tafileh 1918-01-20 – Mezra 1918-01-28 – Akaba 1918-01-02 – Alexandria 1918-07-08 – Palestine 1918-07-11 – Mansurah 1918-07-04 – Cairo 1918-07-09 – Mansurah 1918-07-01 – Cairo 1918-07-06 – Cairo 1918-07-13 – Akaba 1918-07-31 – Wejh 1918-07-03 – Akaba 1918-07-28 – Aba el Lissan 1918-07-29 – Borulos 1918-07-26 – Aba el Lissan 1918-06-08 – Sinai 1918-06-18 – Alexandria 1918-06-15 – Themed 1918-06-05 – G.H.Q. 1918-06-19 – Sultani 1918-06-01 – Jurf 1918-06-07 – Cairo 1918-06-17 – Wadi Mojeb 1918-06-06 – Arethusa 1918-06-10 – Cairo 1918-06-13 – Suez 1918-06-12 – Cairo 1918-06-20 – Jidda 1918-06-25 – Mansurah 1918-06-21 – Um el Rusas 1918-06-02 – Cairo 1918-10-08 – Sebaste 1918-10-05 – Kuneitra 1918-10-04 – Damascus 1918-10-01 – Sinai 1918-10-07 – Ramleh 1918-10-06 – Cairo 1918-03-08 – Nagb Shtar 1918-03-18 – Akaba 1918-03-15 – Akaba 1918-03-04 – Shobek 1918-03-19 – Cairo 1918-03-01 – Akaba 1918-03-17 – Borulos 1918-03-06 – Guweira 1918-03-16 – Borulos 1918-03-13 – Guweira 1918-03-30 – Suez 1918-03-12 – Sadaka 1918-03-20 – Akaba 1918-03-21 – Khabr el Abid 1918-02-08 – Hesban 1918-02-18 – Tafileh 1918-02-11 – Guweira 1918-02-05 – Odroh 1918-02-04 – Ghor el Safi 1918-02-14 – Basta 1918-02-09 – Tafileh 1918-02-19 – Seil Hesa 1918-02-17 – Wadi Dhahal 1918-02-16 – Shobek 1918-02-10 – Buseira 1918-02-13 – Wadi Araba 1918-02-20 – Rafa 1918-02-28 – Beersheba 1918-02-21 – Jerusalem 1918-02-27 – Ramleh 1918-02-22 – Wadi Itm 1917-08-04 – Alexandria 1917-08-14 – Jidda 1917-08-01 – Cairo 1917-08-07 – Akaba 1917-08-17 – Hardinge 1917-08-06 – Hardinge 1917-08-16 – Kuntilla 1917-08-21 – Akaba 1917-08-22 – Hardinge 1917-08-02 – Abu Sawana 1917-11-08 – Abu Sawana 1917-11-11 – Kseir 'Hallabat 1917-11-05 – Hamad 1917-11-04 – Minifir 1917-11-09 – Wadi Dhirwa 1917-11-01 – Tell el Shahab 1917-11-07 – Ghadir Abyadh 1917-11-06 – Wadi Itm 1917-11-30 – Ain el Beidha 1917-11-03 – Azrak 1917-11-12 – Jefer 1917-11-25 – Bair 1917-11-24 – Akaba 1917-11-26 – Wadi Butm 1917-11-23 – Ammri 1917-11-02 – Wadi Aish 1917-05-18 – Abu Raga 1917-05-14 – Kalaat el Zereib 1917-05-09 – Dizaad 1917-05-19 – Mellaha 1917-05-01 – Wejh 1917-05-07 – El Shegg 1917-05-17 – Wadi Hamdh 1917-05-06 – El Kurr 1917-05-10 – Abu Saad 1917-05-13 – Abu Tarfeiyat 1917-05-30 – Wejh 1917-05-03 – Wadi Arnoua 1917-05-12 – Wadi Abu Arad 1917-05-20 – Arfaja 1917-05-25 – Kaseim Arfaja 1917-05-24 – Bir Fejr 1917-05-21 – Isawiya 1917-05-27 – Maiseri 1917-05-26 – El Jaala 1917-05-23 – Khabrat Ajaj 1917-05-22 – Abu Markha 1917-04-08 – Wadi Hamdh 1917-04-11 – Km. 1121 1917-04-05 – El Fershah 1917-04-04 – Wejh 1917-04-14 – Abu Markha 1917-04-01 – Bir el Amri 1917-04-07 – El Fershah 1917-04-06 – Wadi Geraia 1917-04-10 – Magrah el Semn 1917-04-03 – W. Hamdh 1917-04-28 – Magrah Raal 1917-04-27 – Wadi Medeifein 1917-09-08 – Km. 587 1917-09-18 – Rumm 1917-09-11 – Guweira 1917-09-09 – Mudowwara 1917-09-19 – Wadi Itm 1917-09-07 – Mudowwara 1917-09-17 – Wadi Dumma 1917-09-16 – Hesma 1917-09-10 – Rumm 1917-09-13 – Akaba 1917-09-12 – Rumm 1917-09-20 – Rumm 1917-09-28 – Itm el Imran 1917-09-21 – Hawara 1917-09-27 – Wadi Itm 1917-09-26 – Akaba 1917-09-22 – Semna 1917-01-18 – Suva 1917-01-14 – Harrat Gelib 1917-01-19 – Nakhl Mubarak 1917-01-01 – Bir Waheidi 1917-01-17 – Yenbo 1917-01-03 – Wadi Dhulm 1917-01-20 – Cairo 1917-01-28 – Wejh 1917-01-25 – Habban 1917-01-24 – Abu Zereibat 1917-01-21 – Hardinge 1917-01-27 – Kurna 1917-01-23 – Nagb Dhifran 1917-01-02 – Sudr Heidan 1917-07-08 – Alexandria 1917-07-15 – W. Yitm 1917-07-05 – Guweira 1917-07-04 – Suez 1917-07-09 – Jeida 1917-07-19 – Km. 479 1917-07-01 – Bir Mohammed 1917-07-07 – Dufferin 1917-07-17 – Akaba 1917-07-06 – Cairo 1917-07-16 – Cairo 1917-07-10 – Cairo 1917-07-13 – Nagb el Shtar 1917-07-03 – Alexandria 1917-07-12 – Dufferin 1917-07-20 – Jidda 1917-07-22 – Fuweileh 1917-07-02 – El Wagf 1917-06-19 – Wadi Bair 1917-06-01 – El Jefer 1917-06-30 – Nebk 1917-06-03 – Bair 1917-06-20 – Bair 1917-06-28 – Ifdein 1917-06-25 – Minifir 1917-06-24 – Rijt el Herar 1917-06-29 – El Ghadaf 1917-06-21 – W. Maghara 1917-06-27 – Dhaba 1917-06-26 – Hemme 1917-06-23 – Wadi Mishnag 1917-06-22 – Ageila 1917-06-02 – Wadi Itm 1917-10-08 – Suez 1917-10-11 – Akaba 1917-10-15 – El Kasr 1917-10-05 – Km. 489 1917-10-04 – Suez 1917-10-14 – Akaba 1917-10-09 – Wadi Hafir 1917-10-01 – Rumm 1917-10-07 – Imshash Hesma 1917-10-06 – Ismailia 1917-10-13 – Shegg 1917-10-30 – Bair 1917-10-31 – Shedia 1917-10-03 – Kelab 1917-10-12 – El Jefer 1917-10-28 – Rumm 1917-10-25 – Wadi Itm 1917-10-24 – Shedia 1917-10-27 – Wadi Hafir 1917-10-26 – Batra 1917-10-02 – Abu Zereibat 1917-03-11 – Abu Markha 1917-03-15 – Wadi Tleih 1917-03-14 – Seil Arja 1917-03-10 – Wadi Gara 1917-03-13 – Wadi Turaa 1917-03-30 – Bir el Amri 1917-03-31 – Wejh 1917-03-03 – Wadi Kitan 1917-03-12 – El Jurf 1917-03-28 – Aba el Naam 1917-03-29 – Wadi Meseij 1917-03-27 – Wadi Serum 1917-03-26 – Lama 1917-03-02 – Kantara 1917-12-08 – G.H.Q. 1917-12-11 – Gaza 1917-12-09 – Wadi Hawara 1917-12-01 – Suafa 1917-12-10 – Cairo 1917-12-13 – Ramleh 1917-12-30 – Tell el Shahm 1917-12-31 – Akaba 1917-12-03 – Gaza 1917-12-12 – Akaba 1917-12-28 – Akaba 1917-12-25 – Guweira 1917-12-29 – Suez 1917-12-21 – Abu Sawana 1917-12-27 – Guweira 1917-12-26 – Wadi Itm 1917-12-02 – Arethusa 1917-02-04 – Suez 1917-02-01 – Wejh 1917-02-06 – Arethusa 1917-02-20 – Cairo 1917-02-22

SMOOTH vs/ STRIATED: [Appendix II (“Table of our movements or position-at-night”) from T. E. Lawrence's Seven Pillars of Wisdom: A Triumph (Jonathan Cape, 1979 Edition), alphabetized by date in International Standard ISO 8601 notation]

DRAFT: The Burr [Listening-through Kafka's 'The Burrow']

2011-04-15T14:38:00.037+12:00

From the Metamorphosis and Other Stories [Trans. Willa and Edwin Muir] London: Minerva, 1992. 127-166. [Click for a larger view of each page.] PDF here.

Spratt's Medium

ERASE/ DISPLACE [Here. Place here]:

ERASE/ DISPLACE [Here. Place here]:

" echorality " [Silencing Vanessa Place]

Pär Thörn Die Leiden des jungen Werthers (alphabetisch) sonic transformation

_f ____ B__ck C_____r_ ___ M___g__ Ru___f _c_w_rzk_g__r, Bu_ B_ckw_r__ ... [_______ (__ ____ ___ _____ __ _._.) B__g: P___ _____ & _ub______g C__pp__g_, 12.31.09 – 1.7.05]

_ __ubb_r_ R__urg__c_, _r_pp__ w___ C__pp__g_ [R_b__gg__g ___ _______ (__ ____ ___ _____ __ _._.) B__g: P___ _____ & _ub______g_ 12.31.09 – 1.1.09]

____y____ ___g F__ ___ C__c_-___ Rum_r M___ … [R_b__gg__g ___ _______ (__ ____ ___ _____ __ _._.) B__g: P___ _____ & _ub______g C__pp__g_, 12.31.08 – 1.1.08]

_. Ru___ck _. '_._. M_ub_r__y' [R_b__gg__g ___ _______ (__ ____ ___ _____ _._.) B__g: P___ _____ & _ub______g C__pp__g_, 12.31.07 – 1.2.07]

B_ckr__ __cr___y Pr_f_rr__ C_rm__... [R_b__gg__g ___ _______ (__ ____ ___ _____ __ _._.) B__g: P___ _____ & _ub______g_ 12.31.06 – 1.1.06]

______r __rry P_r_c_ B_____g F_u____ [R_b__gg__g ___ _______ (__ ____ ___ _____ _._.) B__g: P___ _____ & _ub______g C__pp__g_, 12.25.05 – 1.7.05]

John Wiese – Selected Visual Works

Craig Dworkin Interview

DRAFT: The Burr [Listening-through Kafka's 'The Burrow']

_f Bck C___r_ _ M_g Ru_f _c_w_rzk_g__r, Bu_ B_ckw_r ... [_ ( _ ___ _._.) Bg: P_ _____ & _ub__g Cppg_, 12.31.09 – 1.7.05]

_ __ubb_r_ Rurgc_, _r_pp w_ Cppg_ [R_bggg _ _ ( _ ___ _._.) Bg: P_ _____ & _ub______g_ 12.31.09 – 1.1.09]

__y _g F _ C__c_-___ Rum_r M___ … [R_bggg _ _ ( _ ___ _._.) Bg: P_ _____ & _ub__g Cppg_, 12.31.08 – 1.1.08]

_. Ru___ck _. '_._. M_ub_r__y' [R_bggg _ _ ( _ _____ _._.) Bg: P_ _____ & _ub__g Cppg_, 12.31.07 – 1.2.07]

B_ckr cr___y Pr_f_rr__ C_rm__... [R_bggg _ _ ( _ ___ _._.) Bg: P_ _____ & _ub______g_ 12.31.06 – 1.1.06]

____r rry P_r_c_ B_____g F_u____ [R_bggg _ _ ( _ _____ _._.) Bg: P_ _____ & _ub__g Cppg_, 12.25.05 – 1.7.05]