Best New Music
Launched in 2003, Best New Music is Pitchfork’s way of highlighting the finest music of the current moment.

Music, Fashion, Film
Charli xcx
On the follow-up to BRAT, the pop auteur pivots to a referential, proudly tossed-off rock sound that offers mystifying glances behind the curtain of stardom.
By Anna Gaca

My Skyscraper
Nirosta Steel
The longtime Arthur Russell collaborator finally gets a solo exhibition: a gorgeously realized and fundamentally incomplete work of sensual art-folk, leftfield disco, and experimental synth-pop. It’s at once an archival triumph and one of the year’s most thrilling new releases.
By Harry Tafoya

Spontaneous Music Live
SML
The L.A. improv quintet made its first two LPs by remixing key moments from its gigs; now, on a pair of astonishing unedited live takes, the group proves that performance is the heart of its music.
By Sam Goldner
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you seem pretty sad for a girl so in love
Olivia Rodrigo
The pop star’s third album is a heartbreaking account of an intense romance and its demise. Its mood is perfectly reflected in the music, and her evolution as a songwriter is a sight to behold.
By Molly Mary O’Brien

EXIT 2B
B0YG1RL / Novagang
The Miami duo’s electrifying, boundary-bending combination of Haitian kompa, underground rap, reggaeton, electro-pop, and baile funk is loud as hell and rich in egalitarian spirit.
By Olivier Lafontant

Inferno
Boards of Canada
Laced with occult imagery and enigmatic samples, the Scottish duo’s immersive new album—their first in 13 years—offers some of the most captivating music of their career.
By Philip Sherburne

“Roll Out”
YFG Fatso
The Chicago rapper’s conversational style gives his melodramatic struggle music a keenly personal touch.
By Alphonse Pierre

“R.I.P Peace”
Liim
Take a spin around the Harlem-born rapper’s neighborhood on his sunny and nostalgic new single (and don’t worry, Peace is OK).
By Lily Goldberg

“The Cure”
Olivia Rodrigo
Comparison is the thief of joy on the rollicking single off her forthcoming album, You Seem Pretty Sad for a Girl So in Love.
By Quinn Moreland

“Little Haiti”
B0YG1RL / Novagang
The early standout on their new album Exit 2B feels like a classic Haitian love song.
By Olivier Lafontant


“Midnight Sun (Girls Trip)”
Zara Larsson / PinkPantheress
Kicking off Larsson’s new remix album is this undeniable hands-up, windows-down banger.
By Walden Green

Complete B Sides: 1988-97 (Remaster)
Pixies
Originally released in 2001 and newly remastered, the collection of B-sides testifies to the alt-rock icons’ trademark eccentricity while cranking up the deviance.
By Ben Cardew

Synthesizing: Ten Ragas to a Disco Beat
Charanjit Singh
A new reissue revisits the Mumbai composer’s 1982 album of Roland TB-303 and Indian raga, which uncannily anticipated the sound of Chicago acid house by five years.
By Vrinda Jagota

Miles ’56: The Prestige Recordings
Miles Davis
A new box set, assembled for Davis’ centennial, collects a casually superlative set of recordings from the icon and his all-star quintet that seems to distill jazz’s past and peer into its future.
By Natalie Weiner

Images of Life
Ted Lucas
In 1975, the Detroit singer self-released a perfect document of private-press folk. A rich new box set finally reveals more of his story in psychedelic sound.
By Grayson Haver Currin
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Super Mario Galaxy / Super Mario Galaxy 2
Mahito Yokota / Koji Kondo
Fusing whimsical electronics and a full symphony orchestra, the Galaxy soundtracks channeled the wide-screen ambition of Hollywood scores, marking a new era for game music.
By Billie Bugara

African Skies
Kelan Phil Cohran & Legacy
Long a collectors’ holy grail, this searching, atmospheric soundtrack recorded for Chicago’s Adler Planetarium in 1993 mixes spiritual jazz with avant-garde pan-Africanism.
By Mark Richardson