Agent Interview: Katie Ferriello

A surefire way to determine an agent is the best fit for your manuscript/writing career is by learning everything you can about them. Such information is great when choosing who to query and deciding who you’d love to work long term with. As a site dedicated to guiding writers through the publication journey, we’ve put together awesome agent interviews for you! 

Today, we’re introducing Katie Ferriello of the Mansion Street Literary Management team!


• Path2pub: How did you become an agent?

My path to agenting started with the Writers With Wrinkles podcast. I was listening to the episode featuring Kaitlyn Sanchez of Bradford Literary when inspiration struck. I saw myself in a lot of what Kaitlyn was describing and decided to reach out to her directly to ask if she’d take me on as an intern.

To my luck, she agreed. She was a perfect mentor and taught me everything she knows, which is a lot! We had so many great conversations about the publishing world and I was fascinated by every detail. At first, the internship was exploratory. I wanted simply to learn, but it quickly became clear that agenting was the perfect fit for me. I developed my editorial database throughout the year, practiced writing submission letters and creating lists, managed her QueryManager inbox, etc. It was supposed to be a six month internship, but Kaitlyn and I clicked so well that I stayed with her for ten.

After that, I synced up with Michelle Witte of Mansion Street Literary Management. Michelle and I had met through BlueSky and she’d given me some advice about becoming an agent earlier in the year. So, when my internship with Kaitlyn was wrapping up, I reached out to Michelle to see if she’d consider mentoring me. Just like with Kaitlyn, Michelle and I get along really well, so I was lucky she agreed. After about four months as Michelle’s intern, I became an agent with Mansion Street myself, so I’m really lucky because I still have her mentorship.

I also have a background as an English teacher and realtor, and both of those experiences really accelerated my learning. I’m very used to giving constructive feedback as a former teacher, so I am more of an editorial agent. Real estate helps because I have loads of experience with contract negotiations already. 

Path2pub: What genres do you represent and why did you decide ‘these are what I want to help bring to the world’?

Right now, most of my focus is on building my romance/fantasy/dystopian list in YA, NA, and Adult. I also will be looking for middle grade authors (a category that totally has my heart!) and picture book authors. For me, reading has always been about escapism. Whether you’re a kid or an adult, sometimes the world is heavy and picking up a story allows you to mentally travel elsewhere or feel something different.

It sounds silly, but I think it’s so important that we have these escapes from reality. Books teach us empathy and help us relate to people whose experiences differ from our own, so I believe that even fictional characters can have a deep impact on the world.

• Path2pub: What instantly catches your eye in a query letter/manuscript?

A great premise is what instantly catches my eye in a query letter.

What I mean by that is one that is familiar, yet unusual. It has to have some sort of a hook. Sometimes, “hook” is hard to define but what I mean is some aspect of the premise that would appeal to a certain subset of readers. If a premise can appeal to multiple types of readers, then the hook is strong. So, that is first and foremost for me. The voice needs to be engaging, and both the query and the manuscript need to be fraught with tension.

• Path2pub: What is that element that makes you know at once that a story is not for you?

Hmm. This is a hard one to quantify. I hate to just say “never this” because I’m open to being surprised. I do notice that if a story starts with a lot of immediate dialogue, I am not usually drawn in. Or if there is a TON of detail, I am not the right person for the work. That doesn’t mean either of those things are wrong. They’re just personal reading tastes.

• Path2pub: How hands-on are you editorially?

I’m very hands-on editorially. Even prior to becoming an agent, I’ve been a part of some pretty large writing groups and constantly critiquing for others. I feel like my three strengths as an agent are:

1. transparent communication with my clients

2. strong negotiation skills when it comes to selling a book

3. my editorial vision.

I work closely with clients to make sure their book is solid before we go on submission. I do a developmental pass, line edits, and a final proof read.

• Path2pub: How submissions-ready do you prefer a queried manuscript to be?

I want authors to query with the best version of their work that they can put forth. I am willing to take on a book that may need some work if I feel really strongly about it and think it has a great chance to sell. As a newer agent, I have the time to help with deeper edits, but for me to take on a manuscript that needs some extensive revisions, I need to have a solid editorial vision for it. 

Path2pub: Do you have goals for how many clients you want to acquire in a year?

I plan to grow slowly and intentionally. Currently, I have two clients and I would be happy closing out the year with about six total. I want to give my complete attention to the clients I have and avoid taking on manuscripts just for the sake of building a list. I am very mindful to make sure that I am absolutely in love with a manuscript before offering—especially because as an agent, I will read that same manuscript multiple times.

I also want clients who have vision for future works that are within my editorial wheelhouse. Any client I sign is one I hope to partner with for a long time, so I’m really mindful about taking my time to be sure a client is a perfect match.

Path2pub: What is your favorite trope?

I love a slowburn romance, enemies to lovers, and fated mates in romance. Also, the chosen one, found family, hidden worlds and secret societies.

Path2pub: What are some books you think everyone should read?

This is a hard one to answer because as an escapist reader, I think people should read whatever books resonate with them. A book that is life changing for me may mean absolutely nothing to someone else. Also, I don’t think a book even needs to be life changing. If it sparks joy or awe in a reader, then its served its purpose.

In The Time of the Butterflies by Julia Alvarez left an impression on me when I read it in college and Pride and Prejudice has such great wit, but these days, I tend to pick up more commercial books. I really enjoy the Fourth Wing series for the intensive plotting and was blown away by Manacled by Senlinyu (a dark fanfic that has since been reimagined and published under the title Alchemized).

I adored the whimsy of The House on the Cerulean Sea and the poetic writing of The Invisible Life of Addie LaRue. In the middle grade space, I loved The Book of Stolen Dreams and Nevermoor, and I miss the height of YA dystopian.  

Path2pub: If a writer could write a book specifically for you, what would you want it to be about?

There are two things I’d really like to see right now. The first is a dystopian, but one that feels really fresh and different. Bonus points if it has romance mixed in and if it mixes dystopian with another genre. I loved how The Hunger Games gamified the plot and the way the author drew inspiration from both reality t.v. and gladiators of the past.

It felt like she had something to say about how barbaric humanity can be and how little we’ve changed since Roman times, much as we think we have. I also have a very random request for a book about an elderly person on an adventure. I really enjoyed Phaedra Patrick’s The Curious Charms of Arthur Pepper for this reason. Imagine a book about an elderly person discovering their magic or something wild like that. They deserve to be protagonists, too.

Path2pub: What is your favorite part of being an agent or an agenting experience you’ve had that you’ll always cherish?

Developing a relationship with my clients is the best part of being an agent. I love letting them know I want to represent their book because I know what it’s like to dream of that day as a writer. Helping them revise to make their manuscript truly shine is such a fun collaborative brain puzzle. For me, it’s not just about the manuscript, but working together on a passion project that we collectively want to bring to the world.

Path2pub: What advice do you have for querying writers?

I firmly believe that it’s simply a matter of time before a querying writer gets an agent. It’s a matter of the right premise, enough practice with the craft, the market, and the agent looking to fill a very specific spot on their list. I don’t say that with delusion. I have written and queried and face the rejections myself. I know how tough it is.

Some of success is timing and luck, but if someone keeps at it, eventually, I believe they will make it. Send the queries out, then get back to writing the next thing, continuing your writing education and swapping with critique partners. Unfortunately, everyone in this business faces a lot of rejection, agents as well, so making it takes a lot of grit. Don’t give up!

Path2pub: What are your non-publishing related hobbies?

I live in the mountains so I am always mountain biking, skiing, and camping. I have pipe dreams about spending a lot of time at the beach learning to surf one day, too. And, I have a background in Olympic Weightlifting. So basically, I love sporty activities when I’m not reading or writing.

Thank you for a wonderful interview!


Katie Ferriello is the newest literary agent to join the Mansion Street Literary Management team. Her focus is on adult romance and on children’s fiction. She particularly loves fantastical worldbuilding, deeply emotive characters, and strong voices. She earned her BA in English from Manhattan University and a M.Ed. from Fordham University. She has a background as an English teacher as well as a realtor. Now, she’s combined her love of books and business as literary agent. Though born in New York, she currently lives in Utah. In her spare time, you can find her camping, mountain biking, skiing, and, of course, reading and writing.

Submission Link: https://QueryTracker.net/query/katieferriello


To professionally critique your query letter and first pages, send us an email here!


Publishing Updates, Cautions, And Events

Happy April and Easter Season, writers!

In a similar vein of Weekend Roadside Cafe, here are some of the current happenings in the publishing world that we think you should know!

Writers Be Careful Not To Use AI To Create Your Book – If you want to be traditionally published, there are strict policies against writing, editing, or using AI in any form to create your book!

Penguin to sue OpenAI over ChatGPT version of German children’s book – Another look at how the industry is currently treating AI books.

Hachette Book Group has pulled the horror novel ‘Shy Girl’ after allegations that the author used AI to write it. – An author’s book was pulled by her US and UK publishers after she admitted AI was used by a friend in the creation.

A Scholarship For Black And Marginalized Authors by HM Wolfe Is Open – On a lighter note, an author has scholarship spots open for marginalized authors.

What are your thoughts? Share with us in the comments!

5 Literary Agents Who Want Epic Fantasy

A writer asked us on X to share a list of agents who want epic fantasy, specifically. I understand that Romantasy is the trend right now, and so fantasy authors who don’t write the sub genre might feel a little discouraged. But there are agents looking for all kinds of fantasy, and in addition to this list, you can find others on querymanager!

This list is made up of agents who very recently asked for epic fantasy submissions, either during the manuscript wish list day a month ago or within the last 8 months!

1. Michelle Hauck

I want stories that feel like epic fantasy but with intimate stakes or character driven. I want to see all kinds of representation in fantasy. #MSWL

2. Jonathan Villegas

I’d love fiction with magical realism, historical fiction, contemporary fantasy, romance/romcoms, epic/high fantasy, LitRPG, mystery, or sci‑fi. Blend them? Great. Fantasy + mystery? Great. Magical realism + historical? Great. Set in Latin America, Africa, Asia, or about diaspora lives? Great #MSWL

3. Rose Ferraro

I’m always interested in epic fantasy with big worldbuilding, high stakes, and characters to get invested in.

4. Tori Sharp

Here are some things I’m longing for in my inbox!

While I’m open to all MG and YA fantasy I’m especially craving second-world, epic fantasy adventures. Lately I’ve been devouring the Alanna books by Tamora Pierce. Send me stories with unusual crafting trades and competent protagonists.

5. Shannon Snow

Soft to epic fantasy, Romantasy with unique angle & fresh ideas from what’s been done. Sci-fi, especially space opera. In YA would love a space academy to space opera setting/plot.


To professionally critique your query letter and first pages, send us an email here!

Advice From Literary Agents – Take Heart, Writers!

The purpose of today’s compilation of agent interviews is to hearten querying writers. It’s tough out there. Some of you have been at this for years. We see you, and we hope these insights from literary agents will encourage and lift your hearts!


Seriously, there could be 100 agents you send your query to and 99 don’t believe in you, but just one does… all it takes is one! 

There is a market for ALL voices in this industry, it’s just about finding the right champion. Continue writing, continue querying, and don’t let this industry take away your passion for storytelling. 

Matthew Valdez of the Megibow Literary Agency


Research is key. Look for agents who represent the type of story you’ve written, and focus on tailoring your query to them. If you’ve chosen to query them because you like an author that they represent, mention that. Show them that you’ve done your research.

Make sure your MS is as strong as you can make it. Have friends read it, or put it aside for a while so that you can gain perspective before you edit it again. Write the strongest and neatest query letter you can. An agent will probably make a decision within the space of ten seconds, so you really need to grip them early on.

Nina Leon 


Don’t give up, keep going, and never stop writing. Querying is infamously subjective and unpredictable, but trust in your creative intuition. Write the stories that call to you, the ones that possess you. Learn as much as you can, and find the right communities for support. As they say, ‘If you believe, you can achieve’.

Katrina Lemaire of the Corvisiero Literary Agency


To professionally critique your query letter and first pages, send us an email here!

Agent Interview: Matthew Valdez

A surefire way to determine an agent is the best fit for your manuscript/writing career is by learning everything you can about them. Such information is great when choosing who to query and deciding who you’d love to work long term with. As a site dedicated to guiding writers through the publication journey, we’ve put together awesome agent interviews for you! 

Today, we’re introducing Matthew Valdez of the Megibow Literary Agency


Path2pub: How did you become an agent?

Ever since I was in high school and discovered what a literary agent was, I knew this is what I wanted to do. My best friend and I even had a name for the agency we’d open when we moved to New York! However, living in Denver, CO made it next to impossible due to the entire publishing industry being based out of New York.

My true starting point was when I was lucky enough to be an intern for a Denver based literary agency where I met two wonderful agents, one of which was Sara Megibow. Sara and I kept in contact for the better half of ten years after my internship ended, occasionally doing coffee or catching up at book signings. During this time, I gained valuable publishing experience by attending and volunteering at conferences and events around the US such as YallFest and YallWest, SCBWI, and The American Library Association Midwest conference.

One day in late 2024 I received the email I’d been waiting for for a decade… “Hey, Matthew! I was hoping to talk to you about becoming a literary agent…”

Path2pub: What genres do you represent and why did you decide ‘these are what I want to help bring to the world’?

I am currently seeking Young Adult and Adult fiction across Fantasy, Romance, and Horror. I am also eager to find Commercial, Literary, and Upmarket projects that break genre boundaries.

My younger self promised that if I ever became an agent I would work tirelessly to uplift queer voices. This stems from an experience I had at Borders Book Store when I was younger where I asked for books with gay characters and was subsequently led upstairs to the farthest corner of the store where everything was confined to one shelf. Teenage Matthew would be so proud to see how far Publishing has come on this front today!

Path2pub: What instantly catches your eye in a query letter/manuscript?

As vague as this is going to sound, what immediately draws me in is the voice. It’s something that’s a bit hard for me to explain, but I know it when I hear it. It quite literally is like it’s speaking directly to me. Whether it’s the author’s voice in the query letter, or the character’s voice in the sample, it simply has to stand out.

One other thing that catches my attention is whether or not I can tell if the author knows the story they’re trying to tell. The pitch has to grab me and never let go.

Path2pub: What is that element that makes you know at once that a story is not for you?

The writing. The stories I choose to sign have to be written masterfully and with full control of the narrative voice. The writing also needs to be firmly in the genre and appropriate for its target audience. There are many times where I open an adult fantasy submission, but the writing seems better suited for the young adult market.

There are two pitfalls that often lead to a rejection from me including overuse of adjectives (I awoke to the beautiful, golden sun sitting high in the cerulean sky as its rays of heavenly light pierced my emerald green eyes), and too much back and forth dialogue without some kind of break. 

Path2pub: How hands-on are you editorially?

I always tell prospective authors that I am as editorial as they need me to be. I have clients who want me to be as editorial as possible by doing line edits and I have others who just want the “big picture” edits, which is totally fine too! Whatever my clients want me to be is what I am!

Path2pub: How submissions-ready do you prefer a queried manuscript to be?

As a newer agent, it’s always helpful to sign projects that are nearly submissions-ready, but if I can see an editorial vision for something that may need minor edits, I’m down for that too. As much as I wish I could, I just don’t have the bandwidth at the moment to take on projects that need heavy edits. 

Path2pub: Do you have goals for how many clients you want to acquire in a year?

Not necessarily but I’m having to be very picky with the authors I choose to sign on until after I graduate from grad school (this August!). I imagine that once my bandwidth opens up I’ll be able to sign more clients.

Path2pub: What is your favorite trope?

My favorites include forced proximity, slow burn, and found family. If a story has any of these tropes I’m certainly bound to love it!

Path2pub: What are some books you think everyone should read?

My basic English teacher’s answer would be Shakespeare, specifically Macbeth and Romeo and Juliet, and The Great Gatsby. Some recent favorites include IN THE VEINS OF THE DROWNING by Kalie Cassidy, anything written by V.E. Schwab but particularly A DARKER SHADE OF MAGIC, anything written by Taylor Jenkins Reid but especially THE SEVEN HUSBANDS OF EVELYN HUGO, BABEL by R.F. Kuang, and THE PRISON HEALER series by Lynette Noni. I wish I could read every single one of these again for the first time. 

Path2pub: What is your favorite part of being an agent or an agenting experience you’ve had that you’ll always cherish?

My favorite part of agenting so far is attending all the pitch events and conferences! I love meeting authors, whether virtually or in-person, and hearing them talk about their work and pitch their ideas. There is so much creativity in one place that it becomes infectious. I always walk away with my cup fully filled and ready to dig back into my work. I also love meeting fellow agents! YOU GUYS ARE SO COOL. 

Path2pub: What advice do you have for querying writers?

There could be a hundred people in the room and 99 don’t believe in you… IYKYK. No, but seriously, there could be 100 agents you send your query to and 99 don’t believe in you, but just one does… all it takes is one!

There is a market for ALL voices in this industry, it’s just about finding the right champion. Continue writing, continue querying, and don’t let this industry take away your passion for storytelling. 

Path2pub: What are your non-publishing related hobbies?

I would call myself a gamer but I almost exclusively play Genshin Impact and Honkai: Star Rail these days. In my heyday, I loved playing games with intricate storylines and character arcs. I would say Final Fantasy X / X-2, even to this day, is my top video game ever created. Not sure anything comes close. I’m currently in the process of replaying my favorite Final Fantasy games starting with FFXV! 


Matthew is a Literary Agent at Megibow Literary Agency. A full-time high school English teacher, Matthew is passionate about getting the right books into the right hands of students and championing stories from marginalized voices. His list consists of fantasy, horror, and romance for both the adult and young adult market. When not agenting, he can usually be found playing Hoyoverse games on his playstation or practicing his Lady Gaga choreography. 

You can query him by sending your query materials along with the first 10 pages of your manuscript in the body of your email to matthewquery@megibowliterary.com.

Please note, Matthew is only open the 15th through the last day of each month. 


#MSWL Day: What These Agents Are Looking For

MSWL Day, which translates to the Manuscript Wish List Day, held on the 26th of February on BlueSky!

For the querying writers who didn’t know or who don’t have the BlueSky app, we’ll be resharing what the participating agents want to see in their inboxes. We’ll also link each to the BlueSky post so that you can confirm the details!

Note: If you do have BlueSky or can download it, you can go visit the MSWL hashtag yourself!


I’ve said it once and I’ll say it again, I’m really wanting some propulsive feminist thrillers! Women supporting women! Taking down the patriarchy kind of stories! #MSWL

Romance. I love romances and would love to see more (especially queer) romances in my inbox. YES, it has to end in a HEA or HFN–otherwise it’s NOT a romance. Would also love to see things that aren’t enemies to lovers. Still open to it just would love to mix it up a little #MSWL

Link here


Happy #MSWL Day!

I’m an associate agent at P.S. Literary building my list in SFF, horror, mystery/thriller, speculative, and book club fiction.

More about my list here, and in the thread below: manuscriptwishlist.com/mswl-post/al…

Submissions guidelines at: http://www.psliterary.com/submissions/

Link here


Literally made a bluesky to participate in #mswl day – I’d love to find a super hooky, voicey, upmarket mystery!

Link here


Happy #MSWL Day! I’m especially seeking contemporary upmarket fiction & psychological suspense. Click pics below for specifics that will grab my attention! Open to subs the 1st-5th of each month. See website link in bio for sub info.

Link here


Give me:
Dangerous women with something to prove
Old money, buried secrets, and reputations on the brink
Thrillers that feel gothic and cinematic
Messy friendships with magic
Twists that make me gasp

Link here


Reminder: There are a lot more agents sharing their wishlists on the BlueSky platform! I suggest even downloading the app just so you can get access to the MSWL event!

From Years Of Rejections To Agent Requests

Another writer, Sean B., sent us a message to let us know he received 3 requests (a full manuscript and two partial requests) after his thorough critique session with us! He also shared that this was his first time after years of getting rejections.

Path2pub’s Editorial Services has been seeing great successes since we launched it! We have writers very happy with their strengthened query packages, and the writers who started receiving agent requests after working with us!

Sean’s feedback has been added to those we’ve highlighted on the critique page. You could be next 🙂

For a detailed query package critique, send us a message on our editorial page!

We also offer full manuscript critiques.

Happy New Month, everyone!

Publishing Trends: Are Publishers Turning Down Contemporary Romance?

I’ve wanted to write a post about recent publishing trends in 2026 for some time, however, I never imagined the trend would be that contemporary romance novels are currently being turned down by a majority of publishers.

I initially saw an author post a Thread asking about this:

Any one else having a hard time getting an agent for contemporary romance? I feel like if it doesn’t have an extra element of spice or magic, it’s not desirable. Thoughts?

Surprised, for I had not heard of this, I leapt into the comments and was shocked to see writers and agents confirming this experience. I asked some questions too and discovered it’s been going on for at least two years now.

An agent from The Berry Agency replied:

Hello, as an agent, I’ve had lots of calls with publishers over the last few months who has all said the same thing. They’re seeing less and less interest in contemp romance in sales and with book buyers. Niche sub genres are shining through but contemp has died off. Agents will react according to publisher wants and needs

Before I go into the replies on my own post asking for more information, why do I and others find this shocking?

Why Are We Shocked By This Development?

• The strength of romance

Ever since I joined the land of publishing 5 years ago, I’ve always heard that romance novels are the heartbeat of publishing. A majority of the industry’s income comes from romance. My belief was:

“All genres might rise and fall, but romance trends always.”

And what sub-genre leads the category more than contemporary romance? It was also easier for me to believe this because 70% of my reading is contemporary romance.

Therefore it’s jarring, to say the least, that many publishers are rejecting contemporary romance right now!

What Are Writers’ Personal Experiences?

I put out a Thread saying I wanted to make a post on this subject and asked the publishing community to share their experiences and speculations. The specifics only managed to increase my shock. Let’s summarize them under umbrellas with some direct quotes!

• Established and Successful Indie Authors Are Filling The Slots

One of my first questions when I saw this development was, “But authors like Emily Henry, BK Borison, and Ali Hazelwood are still all over Bookstagram. How can contemporary romance be struggling?”

The answer I got (and that my publishing-fascinated-mind would’ve coined eventually) was that indeed the few slots currently available are already well-occupied by the famous authors. So essentially, publishers are only taking the risk (who knew contemporary romance would ever be called a risk?) with authors who already have built-in audience.

Also, indie authors are filling in the market demand and perhaps that is a part of why traditional publishers don’t feel like there’s space for them in there. I mentioned that the majority of my reads are romance, and I’ll add that 98% of those are from indie authors. Martha Keyes, Cindy Steel, Toni Shiloh, Gracie Ruth Michell and others are my current go-to authors.

I have not read a trad published contemporary romance in forever. It appears there are many more like me turning to indie authors for their romcom/romance fix—and perhaps this is also why trad publishing is stepping away from the genre for now.

• A Demand For Unique Stories

Last year, I had the worst reading slump ever and I was hopping across genres, desperate to find what would cure the slump. I only really returned to reading this year, and as I was going through books with my favorite tropes, I had a thought:

“How many books can I read with this trope before I get filled up?”

I loveeee arranged marriage tropes, the bad boy who’s secretly a cinnamon roll, millionaire romance, and so on. Yet how many books can I read exploring these tropes before I’ve had my full? (At least for a while?) This could be a source of the issue the romance genre is facing. Note, every genre has its own!

For romance, there are tons of authors exploring these tropes. And unlike genres like fantasy or mystery where you can mix the tropes with other themes and plot lines, for romance, often the story revolves completely around these tropes. This leads to easy over-saturation.

And now, contemporary romances are expected to have more uniqueness before agents and publishers will pick them up. The contrast here is that many romance books are known for being fun and feel-good. It’s why many of us love them.

I queried a contemporary romcom and received 27 requests + an offer. Majority of the agents who passed said it was due to the market for contemporary being flooded so they didn’t feel confident taking it on. Basically, if anyone wants to write contemporary romance, the manuscript needs to have a very strong, unique hook, but that goes for every genre haha. Genre bending romance is what’s standing out atm—stuff like slasher romcoms, speculative romance, cozy fantasy x romcom, etc.

Rachel Reichard

• A Demand For Mixed Genres

This also ties in to the point above! However, genre blending was a trend that started years ago, where rather than give up on a particular genre for being over-saturated, editors started to ask for genres to be combined to give a sense of freshness.

Currently, rather than the traditional contemporary romances, publishers are looking for Romantasy, Dark Romance, Horror Romance, and the like. So romance is still selling to publishers, just not quite contemporary as of now.

As with everything it comes and goes with waves. Contemp romance has dominated the last several years so we’re in a natural cycle of it pulling back. It doesn’t mean it’s going away away but that to sell the editor (and team) has to feel it will stand out. (It’s subjective and that comes with all sorts of issues) but it would need to be a hard wrench on the genre to get into sell right now.

Gretch Schreiber

Romantasy is just huge right now. Looking at the sales data at my imprint, which is Del Rey and in fantasy/horror/sci-fi, of the top 5 sellers last year, all of them were romantasy. This would not have been the case five years ago. When I see acquisitions there’s an overwhelming push to acquire this genre and seemingly an endless appetite for it (so far).

Silvia Moreno-Garcia

I made it second reads at a big 5 and the rejection they sent to my agent specifically said that as much as the team liked it, they were not open to acquiring and contemporary romance without a speculative or other twist.

Writer Lauren Brooke

I’ve been hearing this for YA for the last few years. I wanted to write a YA contemporary romance last year and my publisher said it was a no go. I’m now hearing it about adult too.

Nia Davenport

Authors (and some agents) shared lots of insightful commentary and experiences about this trend, but due to the length of the post, I’ll pause here! You can visit the Threads post to read it all.

What Is The Future Looking Like For Contemporary Romance?

Contemporary romance authors, don’t lose hope. I love you guys. What will we do without workplace rivals to lovers??? Or grumpy and sunshine books??? We wouldn’t survive it!

On a more serious note, everything moves in a circle in publishing. Trends go and then they come back. Why do they go? As I mentioned above, when readers consume so much of the same genre, a fatigue naturally occurs. Trends go when a majority of readers need a break after the fatigue, but then they circle back around when the hunger for the genre is revived after that time away.

Contemporary romance is too strong a genre to die. In a year or two, it’s going to come back in full force.

However, the reality is that if right now, you’re noticing that it’s harder to get agents or editors’ attention, this could be the reason why. But from multiple comments above, this doesn’t mean that no contemporary romance will sell right now. Writers, apparently, just need to give it their best to make sure they stand out.

What are your thoughts? Share with us in the comments!


Lucia Damisa is an avid writer and her debut novel, A DESERT OF BLEEDING SAND, is a crossover historical fantasy pitched as Mr. & Mrs. Smith in a Sahara Desert palace. It is out now with Darkan Press. You can visit her personal blog here


Agent Interview: Ashlee MacCallum

A surefire way to determine an agent is the best fit for your manuscript/writing career is by learning everything you can about them. Such information is great when choosing who to query and deciding who you’d love to work long term with. As a site dedicated to guiding writers through the publication journey, we’ve put together awesome agent interviews for you! 

Today, we’re introducing Ashlee MacCallum of the Howland Literary Agency!


Path2pub: How did you become an agent?

I entered the world of publishing as a writer in 2021. After signing with my first agent and getting a closer look at what agenting entailed, I decided I wanted to pursue it myself when the time was right. I then interned at Triada US and secured my first agenting job at Howland Literary shortly after. As they say, the rest is history!

Path2pub: What genres do you represent and why did you decide ‘these are what I want to help bring to the world?

I represent children’s literature, specifically picture books through young adult/new adult. In addition to agenting, I’m an educator and a mom to two young children. Kidlit felt like the natural choice and the area of the market I was most eager to explore.

Path2pub: What instantly catches your eye in a query letter/manuscript?

I am a sucker for a clever title. That is typically the first thing that captures my attention. After this, I find myself paying close attention to the logline pitch. Here, I’m hoping for a commercial concept that is market-aware with high stakes and a strong conflict. 

Path2pub: What is that element that makes you know at once that a story is not for you?

I usually know a project isn’t for me when I don’t feel a sense of urgency, either emotional urgency or narrative momentum, within the first few pages. This could be a premise that feels too familiar, a voice that doesn’t quite align with the age category or genre, or stakes that are implied but not necessarily delivered on.

Path2pub: How hands-on are you editorially?

Very! As a writer myself and an English teacher, I can’t help it haha. That said, I won’t overdo it. My goal is to preserve my client’s voice and vision as much as possible. 

Path2pub: How submissions-ready do you prefer a queried manuscript to be?

Good question! I prefer a manuscript to be submission-ready when it reaches me. However, this doesn’t mean it has to be flawless. It means the author has taken it as far as they can on their own by revising, addressing structural issues, polishing line work, and ideally receiving outside feedback.

Path2pub: Do you have goals for how many clients you want to acquire in a year?

I don’t have an exact number, but I’m building my list slowly and intentionally. I don’t aspire for a large list. I am more inclined to focus on a small but mighty list of creators who I can support across multiple projects. 

Path2pub: What is your favorite trope?

I love ambition versus relationship. Give me the character who wants something badly, like power, recognition, revenge, belonging, or escape, and then force them to choose between that ambition and the person who matters most to them. 

Path2pub: What are some books you think everyone should read?

If you haven’t picked up a Matt Haig book, this is my official endorsement. There is just something soothing about his writing, and I love how I feel after finishing one of his stories.

Path2pub: If a writer could write a book specifically for you, what would you want it to be about?

Ohhh, fun! Okay, circling back to my favorite trope . . . I’d love someone to query me on the concept of ambition versus relationships in the gothic space. Something with a family legacy or curse! Think Peaky Blinders meets The Fall of the House of Usher. 

Path2pub: What is your favorite part of being an agent or an agenting experience you’ve had that you’ll always cherish?

I LOVE the authors I work with. My clients are the best group of people, and I’m so ridiculously proud to represent them and their work. 

Path2pub: What advice do you have for querying writers?

Query when you’re ready, not when you’re restless. The biggest mistake I see isn’t bad writing. It’s premature querying.

Path2pub: What are your non-publishingrelated hobbies?

I am a huge theater nerd and I love musicals. I’m also a history buff and enjoy studying the past. 


Ashlee MacCallum joined Howland Literary after interning at Triada US. Originally from Glasgow, Scotland, Ashlee is passionate about championing marginalized creators and uplifting historically underrepresented voices. She gravitates toward high-concept, commercial fiction with bold storytelling, standout pacing, and a distinct voice that grabs you from the first page. Ashlee has a soft spot for speculative stories, mysteries, and anything delightfully weird.

Query Link: https://QueryTracker.net/query/queryashlee


To professionally critique your query letter and first pages, send us an email here!


What Tropes Do These Literary Agents Want To See?

Happy belated Valentine’s Day, writers!

Today, we’ll be talking about tropes. What are some tropes literary agents want to see in their inboxes?


I’m a sucker for the opposites attract trope or, more specifically, the Sunshine/Grump trope. It can work so well in just about any genre. Give me the eternal optimist and the ornery curmudgeon any day. I’m also a fan of training sequences and magic schools in fantasy, as long as there’s an original twist to them, something that makes them stand out.

And, lastly, the trope of using the readers’ expectations against them. This might be my favorite trope of all time. When done well, it can be the least predictable and most rewarding trope, in my opinion. Turning expectations on their head creates a false sense of security and creates a built-in twist that can turn stories that initially feel familiar into something fresh and unpredictable.

Ernie Chiara of the Fuse Literary Agency.


I’m a bit partial to dystopian worlds and “reluctant royalty.”

Bethany Jett of the C.Y.L.E. Agency!


I think that cozy mysteries sell very well, but the market is so saturated with them, so those are my least favorite trope to see in my inbox, but I don’t mind reading them!

My favorite would probably be The Hero’s Journey. It is tried-and-true and is the basis of countless classics because of how well it works.

Kelly Thomas from the Serendipity Literary Agency!


To professionally critique your query letter and first pages, send us an email here!

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